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Event
Symphoniekonzert IV

Next dates:
- 12.01.27 7.00 PM - Staatsoper Unter den Linden
- 13.01.27 8.00 PM - Philharmonie Berlin - Großer Saal
[...] In the Reformations-Symphonie, however—composed in 1830 to mark the 300th anniversary of the Augsburg Confession in 1830 and premiered two years later with the Berlin Court Orchestra under his own direction, a serious, solemn tone emerges, while the quotations included—the “Dresden Amen” and Luther’s chorale “A Mighty Fortress”—point to the sacred realm. [...]
Event
Beethoven-Zyklus I

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[...] The first evening presents a compilation of Symphony No. 1, dedicated to his role model Haydn, his witty No. 8, which is an original play on musical elements, and the »heroic« No. 5, which, with its dramaturgic progression »from dark to light«, is one of the most famous works of the repertoire. [...]
Artist
Hermann Lotze-Campen

[...] Hermann Lotze-Campen ist Mitglied des Executive Committee des Agricultural Model Intercomparison and Improvement Project (AgMIP, www.agmip.org) sowie des Lenkungskreises des Sustainable Development Solutions Network (SDSN) Germany (www.sdsngermany.de). [...]
Event
Abonnementkonzert VII

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[...] The two outer works are characterized by brightness and luminosity, both Anton Webern's tone poem Im Sommerwind from 1904, which has outgrown the late Romantic tradition to which the later twelve-tone composer was committed at the beginning of his career, and Antonín Dvořák's 6th Symphony from 1880, which reveals Brahms as a role model, but gains its own character with its sounds borrowed from Bohemian folklore. Mozart's Piano Concerto in D minor, a work with a strikingly darker timbre, is placed in between and shows the “serious Mozart” who, for all his cosmopolitanism and joy of playing, also reveals many an abyss. [...]
Event
Ariadne auf Naxos

Next dates:
- 08.04.27 7.30 PM - Staatsoper Unter den Linden
- 17.04.27 7.30 PM - Staatsoper Unter den Linden
- 22.04.27 7.30 PM - Staatsoper Unter den Linden
[...] Through the archetypal opera characters, a confrontation is staged between two different models of love and life that is sometimes humorous and playful, sometimes serious. The work also reflects on artistic questions such as the coexistence of comedic and dramatic elements in opera, and transports the audience into the turbulent events behind the scenes of a fictional opera premiere. [...]
Event
Lohengrin

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[...] Wagner used Wolfram von Eschenbach’s Parsifal epic, sagas by the Brothers Grimm and various fairy tale collections as a model. The Spanish opera and theatre director Calixto Bieito leads the audience through his artworks by a "spirit of presence" and introduces himself for the first time at the Staatsoper Unter den Linden with this great romantic opera. [...]
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The International Opera Studio at the Staatsoper Unter den Linden

[...] The training course includes the study of vocal parts, foreign language coaching, movement and audition training, stage instruction, dialogue practice and master classes with renowned artists from the international opera scene, who serve as inspiring role models. Performance in productions at the Staatsoper Unter den Linden in small, medium – and even large – roles is also essential. [...]
Event
Chamber Concert Apollo-Saal VI

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[...] « Wolfgang Amadeus MozartOKTETT E-FLAT MAJOR BASED ON THE MODEL OF THE PIANO QUINTET KV 452 [...]
Event
Museum Concert X

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[...] Ludwig van BeethovenALLEGRO from DUETT MIT ZWEI OBLIGATEN AUGENGLÄSERN ES-DUR WoO 32 for viola and violoncelloADAGIO SOSTENUTO from SONATE F-DUR FOR PIANO AND VIOLONCELLO OP. 5/ 1Selections from DIABELLI-VARIATIONEN OP. 120, arranged for string trioPIANO QUARTET E-FLAT MAJOR based on the model of QUINTETT FOR PIANO AND WIND INSTRUMENTS OP. 16 [...]
Event
King Arthur

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[...] Merlin celebrates the victory and looks forward to Britain’s wonderful future: the Anglo-Saxons and the British will soon grow together to become a model nation for the world. With the grandfather and all the other relatives, young Arthur has been invited to his mother’s wedding. His son, Arthur’s father, should always remain his model. Once again, he appears to the young Arthur as a dream image. Just like him, he should become a true patriot and serve the nation. [...]
Event
Liedrecital Renée Fleming

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[...] Mr Höll plays on a model E grand piano from the Bayreuth piano manufacturer Steingraeber & Söhne. [...]
Event
Il trovatore

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[...] Manrico thus begins to realize that he could not be Azucena’s son, but she successfully distracts him with prevarications.A messenger arrives: Manrico is to defend the fortress Castellor. Leonora decides to enter the convent, because she thinks her own lover has been dead since the duel. [...]
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2019/20

[...] « On the occasion of the new production of Richard Strauss' »Der Rosenkavalier«, the Austrian painter and stage designer of the production, Xenia Hausner, showed painterly works as well as, among other things, stage sketches and models in an exhibition at Deutsche Bank's PalaisPopulaire from February 10 to March 2, 2020. We were very pleased to celebrate the opening of the exhibition together with you and in the presence of the artist. In addition to ten large-format paintings by Xenia Hausner, the show featured her stage design sketches, objects, associative material and model parts as well as figurines by costume designer Arthur Arbesser. A cooperation of the Staatsoper Unter den Linden and the PalaisPopulaire, sponsored by Egon Zehnder. 22 and 24 January 2020 | Guided tour in the Museum Barberini through the exhibition »Van Gogh. [...]
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2020/21

[...] Benjamin Wäntig clarified musical peculiarities as well as those of the literary model, explained why Czech operas cannot simply be sung as a German translation, and what connection Sir Simon Rattle, the production’s musical director, has to Janáček. [...]
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Reconstruction

[...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]
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Reconstruction

[...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]
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2016/17

[...] PHOTO GALLERY 12 October 2016 | Alexander Polzin at Galerie KornfeldThe artist Alexander Polzin creates extraordinary paintings, drawings and sculptures – his Giordano Bruno monument at Potsdamer Platz or the monument »Hommage à Paul Celan« which was unveiled in Paris in June 2016 are well known. The model of this monument was part of an exhibition at Galerie Kornfeld. Under Hölderlin’s quotation »Was bleibet aber, stiften die Dichter«, it assembled works by Alexander Polzin which dealed with literature, poets and authors. [...]