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  • Event

    A Monteverdi Project

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    [...] In a variety of aesthetic and scientific formats, the Israeli director and choreographer Saar Magal addresses love, eroticism and human relationships, exploring their potential developments in a future shaped by the influence of new technologies, post-humanism and the Anthropocene era. In this context, the late works of Claudio Monteverdi (1567-1643) become a major source of inspiration – as an expression of archetypal perspectives on love, desire and human nature, which have continued to influence our aesthetic perception to this day. [...]

  • Event

    La Calisto

    Next dates:

    • 08.11.26 6.00 PM - Staatsoper Unter den Linden
    • 13.11.26 7.00 PM - Staatsoper Unter den Linden
    • 15.11.26 6.00 PM - Staatsoper Unter den Linden

    [...] Director Stefan Herheim will stage this colorful kaleidoscope of words and sounds using a kind of “baroque sci-fi aesthetic” with all the thematic variety and color that inheres in this opera, ending with a starry sky. [...]

  • Event

    Abonnementkonzert II

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    [...] Two compositions from 2012, each with telling titles, will be performed this season – works by Peter Eötvös and Tan Dun that feature a range of compositional ideas and aesthetic signatures. In addition, two works of sophisticated Eastern European music can be heard: »Fairytale Poem« by Sofia Gubaidulina from 1971 and Shostakovich’s astonishingly independent Symphony No. 1, which launched his career in the mid-1920s as one of the most significant composers of the 20th century. [...]

  • Event

    Symphoniekonzert IV

    Next dates:

    • 12.01.27 7.00 PM - Staatsoper Unter den Linden
    • 13.01.27 8.00 PM - Philharmonie Berlin - Großer Saal

    [...] In the Reformations-Symphonie, however—composed in 1830 to mark the 300th anniversary of the Augsburg Confession in 1830 and premiered two years later with the Berlin Court Orchestra under his own direction, a serious, solemn tone emerges, while the quotations included—the “Dresden Amen” and Luther’s chorale “A Mighty Fortress”—point to the sacred realm. [...]

  • Event

    Im Nebel ein Licht

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    [...] Leoš Janáček’s music touches the core of human emotions in a rarely precise way, giving Strauss’ tragedy of »Saul« an added aesthetic dimension. [...]

  • Event

    Giselle

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    [...] The set design by Peter Farmer also takes its inspiration from the aesthetic ideal of said era. Patrice Bart’s beautiful Giselle already premiered at the Staatsoper Unter den Linden in 2000. [...]

  • Event

    Himmelerde

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    [...] In a completely different artistic context, the internationally renowned Familie Flöz has been masterfully combining physical theatre, masquerade, artistry, improvisation and acts since 1996. The group’s distinctive aesthetic is shaped by masks that they created themselves and by their omission of language as a means of communication. [...]

  • Event

    Die schweigsame Frau

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    [...] “Brilliant craftsmanship and hypnotically captivating aesthetic form.”(Frankfurter Allgemeine Zeitung) [...]

  • Event

    Il trovatore

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    [...] Manrico thus begins to realize that he could not be Azucena’s son, but she successfully distracts him with prevarications.A messenger arrives: Manrico is to defend the fortress Castellor. Leonora decides to enter the convent, because she thinks her own lover has been dead since the duel. [...]

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    Reconstruction

    [...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]

  • Page

    Reconstruction

    [...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]