Search results for "WA 0821 1305 0400 Vendor Sewa XRF Niton DXL Near Me Magelang Jawa Tengah [[Tigapillar]]"

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  Abonnementkonzert VI

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  [...] One of them explores the myth of Orpheus, a singer renowned for working miracles with his music. Concurrently, near the midpoint of the nineteenth century, Robert Schumann was composing his violin concerto, which would first be performed decades later. [...]

• Artist

  Donald Holder

  Next dates:

  • Rigoletto - 05.09.26 7.30 PM - Staatsoper Unter den Linden
  • Rigoletto - 11.09.26 7.30 PM - Staatsoper Unter den Linden
  • Rigoletto - 17.09.26 7.30 PM - Staatsoper Unter den Linden

  [...] Donald Holder gestaltete das Lichtdesign für über 60 Broadway-Produktionen, darunter Ragtime, Tootsie, Kiss Me, Kate, My Fair Lady, Anastasia, Oslo, Madama Butterfly, She Loves Me, Fiddler on the Roof, The King and I, On the Twentieth Century, The Bridges of Madison County, Golden Boy, Spiderman, Movin’ Out, The Boy from Oz und Thoroughly Modern Millie. [...]

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  Aletta Collins

  [...] Zu ihren Tanz- und Theaterchoreographien zählen »The days run away like horses«, »Bloom« und »Awakenings« für die Rambert Dance Company (London), »The Twilight Zone« für das Almeida Theatre (London), »The Hairy Ape« für das Old Vic Theatre (London) und die Park Avenue Armory (New York), »If you kiss me, kiss me« für das The Young Vic (London) und »Sweet Charity« für das Royal Exchange Theatre (Manchester). [...]

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  Welcome, Filip Dames!

  [...] Filip: “Supporting the Staatsoper is a huge privilege for me - world-class opera belongs to Berlin like the Currywurst and I’m thrilled to be working alongside this fantastic team! [...]

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  Fidelio

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  [...] Disguised as a man, Leonore finds work in a prison near Seville, where she suspects her husband Florestan is being held. Missing for two years, he has been unjustly incarcerated by Governor Pizarro in the deepest dungeon. (...) Florestan has been incarcerated in the dungeon of a state prison near Seville now for two years for daring to uncover the crimes of Don Pizarro, the governor of the prison. [...]

• Artist

  Samantha Britt

  [...] Die Sopranistin gastierte darüber hinaus u. a. als Königin der Nacht (»Die Zauberflöte«) in der Tonhalle Düsseldorf, Frasquita in »Carmen« an der Kammeroper Schloss Rheinsberg, Nella in »Gianni Schicchi«, Lucy in »The Telephone« von Gian Carlo Menotti und in der Titelpartie in »Kiss Me Kate« an der Opera Incognita in München. In den Vereinigte Staaten sang Sie Hodel in »Fiddler on the Roof« sowie Josephine in »HMS Pinafore« an der Ohio Light Opera, Susanna in »Le nozze di Figaro« an der San Antonio Opera sowie Adina in »L’elisir d’amore« und Mabel in »Pirates of Penzance« an der Boheme Opera New Jersey. [...]

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  Fanny! - Wer will mir wehren zu singen?

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  [...] »No one gives a hoot about me and no one dances to my tune«, as Fanny Mendelssohn once wrote about her own music. How does it feel not to be able to follow your passion because you are a girl? [...]

• Artist

  Marlene Blumert

  [...] Darüber hinaus zeichnete sie 2021 für die Livekamera und das Kamerakonzept bei Zauberberg (Regie: Sebastian Hartmann) am Deutschen Theater Berlin, 2019 für Hamlet und 2022 für Queen Lear, jeweils in der Regie von Christian Weise am Gorki Theater Berlin, sowie 2021 für Die Gewehre der Frau Kathrin Angerer und 2023 für Fantômas (Regie: René Pollesch) an der Volksbühne Berlin verantwortlich. 2021 hatte Marlene Blumert die Künstlerische Leitung, führte Regie und entwickelte das Konzept und den Text für das Theaterprojekt Are you flirting with me? im Prinzessinnengarten Berlin. [...]

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  Tristan und Isolde

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  [...] Because he wants to escape his feelings for Isolde, they both voluntarily drink a supposed death potion. Near death, they both confess their forbidden love for each other. But then, tormented by unfulfilled longing and desire for each other, both are forced to carry on living, wishing more than ever for unity in death... [...]

• Artist

  Franco Bridarolli

  [...] Die bei der Plattform entstandene gemeinschaftliche Arbeit »Sonhos que me esquecí de sonhar até ao fim« wurde im November 2015 im Ciclo de Conciertos de Música Contemporánea del Teatro General San Martín aufgeführt. [...]

• Artist

  Rebecca Howell

  [...] Haffman (Ustinov Studio), The Third Man, Barnum, She Loves Me (Menier Chocolate Factory), Cabaret (GöteborgsOperan), Lady in the Dark (Opera Zuid), The Secret Diary of Adrian Mole Aged 13¾ (West End, Menier Chocolate Factory), Man of La Mancha (ENO, London Coliseum), Mamma Mia! [...]

• Artist

  Katrina Lindsay

  [...] Ihre Arbeit in dieser Doppelfunktion führte sie an weitere wichtige Spielstätten wie das Young Vic Theatre (»See Me Now«), zur Royal Shakespeare Company mit »All’s Well That Ends Well«, an das Birmingham Royal Ballet (»The Kind Dances«) und wiederum zum West End Theatre für die Produktion »Cabaret«, die auf Tour durch Großbritannien ging.Das Stück »London Road« wurde 2015 für den Film adaptiert (BBC/Cuba Pictures), für dessen Produktionsdesign sie verantwortlich war. [...]

• Artist

  Luc Dunberry

  [...] Festival Internacional de Buenos Aires, Tanzplattform Deutschland 2004 in Düsseldorf). 2004 drehte er seinen ersten Film »(Left) between us«, der auf dem Videodance-Festival in Griechenland und dem Reeldance Film Festival in Australien gezeigt wurde. 2005 brachte er die Choreographie »Don’t we« zur Uraufführung. 2007 wurde sein Film »just me may be« im Radialsystem V Berlin und auf dem Videodance-Festival in Griechenland gezeigt. Im gleichen Jahr war er Choreographie-Assistent von Sasha Waltz bei »Roméo et Juliette« für das Ballet de l’Opéra National de Paris. 2008 choreographierte Luc Dunberry das Duett »Mi-un ni d’eux» für die Tanzcompagnie PPS Dance (Montreal) sowie »Mond…Days» für das Tanztheater Osnabrück. [...]

• Artist

  Antonio Ruz

  [...] Momentan lebt Antonio Ruz in Madrid, wo seine Karriere als Choreograph, Tänzer und Tanzlehrer weiter voranschreitet und er seine eigene Compagnie leitet, deren letzte Stücke die Titel »No Drama«, »Ignoto« und »Ojo« tragen, sowie »Libera Me!«, eine Zusammenarbeit mit dem deutschen Chor Vocalconsort Berlin. Seine neustes Stück »Vaivén« entwickelte er gemeinsam mit dem Tänzerchoreographen Juan Kruz Diaz de Garaio Esnaola – es kam im November 2014 in Sevilla zur Uraufführung. [...]

• Event

  Ti vedo, ti sento, mi perdo

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  [...] In addition, he has produced a highly artificial, nuanced text treatment with references to past chapters of music history, now set in a contemporary context.The subtitle of »Ti vedo, ti sento, mi perdo« (»To see you, to feel you, to lose me«) is »Waiting for Stradella«. This alludes to the fate of Alessandro Stradella, a highly prominent Italian composer during his time, who died in mysterious circumstances in 1682 – the victim of a violent crime. [...]

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  Stravinsky

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  [...] The renowned choreographer's angle was to focus on the characters' psychology: »For me, dance is a matter of the soul beyond pure movements,« says Goecke in regards to Petrushka. His sympathies lie with the outsider he discovers in the central character of the Russian Balagan. [...]

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  Between surrealism and romanticism

  [...] Hoffmann once lost himself in memories – and his intoxication became the starting point for one of the most fascinating but also most complex operas of the late 19th century. ‘It took me a while to get into the piece at first,’ admits Lydia Steier, referring to its recent reception history. It has opened up a whole new perspective on the piece for me, because it's not just about Hoffmann as an artist, but a reflection on his entire life. Hoffmann has to learn to deal with his inner demons, which I find realistic and universally applicable.‘ The director is also enthusiastic about the cast she is working with on the opera: ’The comic moments in particular require such a high degree of precision that not every singer can pull them off." [...]

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  Sacre

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  [...] "Never before has Debussy’s piece seemed so entertaining to me as in this stimulating interpretation. In front of an abstract mosaic glowing in various colors, dancers appear in geometrically styled costumes—color particles in a kinetic image that at times tells of animalistic forces and claws, at other times of spirits and dreams—and sometimes of erotic desires." [...]

• Artist

  Martha Argerich

  [...] She regularly plays and records with Nelson Freire, Ivry Gitlis, Mischa Maisky, Gidon Kremer and Daniel Barenboim: “This harmony within a group of people gives me a strong and peaceful feeling.”Martha Argerich has recorded for EMI, Sony, Philips, Teldec, DGG and many of her performances were broadcasted on television worldwide. [...]

• Event

  Médée

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  [...] But Jason is tired of being a hero. ‘What has Glory done for me?’ he asks himself. The public is anxious about the impending war. The presence of Jason on their side lessens their alarm. Créuse sees Oronte coming and runs. ‘Why does Créuse vanish every time she sees me?’ Oronte asks Jason, ‘I feel her extreme coldness. I see rejection in her heart. Could it be because my best friend is openly betraying me?’ [...]

• Event

  Jakob Lenz

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  [...] SCENE 1 Lenz comes scrambling through the mountains, harried by voices. “You, spirit who lives within me! Whence do you come, that you hasten so? … Your shell cannot keep pace; its every sinew trembles. … No higher! [...]

• Event

  Il Giustino

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  [...] He does not suspect that Flavia in reality is Vitaliano’s brother Andronico, who is in love with Leocasta and pretends to be a woman in order to be near to her.Vitaliano remains stubborn. He succeeds in taking Arianna prisoner. He once again tries to win her over. [...]

• Event

  CHILDREN’S CHORUS OF STAATSOPER

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  [...] Franz Schubert Psalm 23 - Gott ist mein Hirt Johannes Brahms Die Meere Miklós Kocsár Jubilate Deo Thomás Luis de Victoria Duo Seraphim clamabant Gioachino Rossini La Carita(SOLO Ekaterina Mur) Levente Gyöngyösi Asperges me Wilhelm Berger Ein kleines Lied op. 60/3 Donald Patriquin J’entends le moulin Lorenzo Di Toro To make a prairie (Uraufführung)KONTRABASS Adalina Christel Blödorn, Piet Blödorn József Karai Ugrótánc Heinz Benker Meinungsverschiedenheit Stephen Schwartz When You Believe Darius Lim Thank You [...]

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  Das schlaue Füchslein

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  [...] Disappointed that they refuse to do so, she plays dead. When the rooster comes near her, she kills him along with each of the hens, one after another. Now the forester’s wife wants to get rid of the vixen once and for all and badgers the forester to shoot the animal. [...]

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  LEA DESANDRE & JUPITER

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  [...] Antonio Vivaldi VEDRÒ CON MIO DILETTO aus »Il Giustino« RV 717ARMATAE FACE ET ANGUIBUS aus »Juditha triumphans« RV 644TRIOSONATE C-DUR RV 82 für Laute, Violine und Basso continuoCUM DEDERIT aus »Nisi Dominus« RV 608VENI, VENI ME SEQUERE FIDA aus »Juditha triumphans« RV 644CONCERTO D-DUR RV 93 für Laute, 2 Violinen und Basso continuoGELIDO IN OGNI VENA aus »Farnace« RV 711GELOSIA, TU GIÀ RENDI L'ALMA MIA aus »Ottone in Villa« RV 729CONCERTO G-MOLL RV 416 für Violoncello, Streicher und Basso continuoONDE CHIARE CHE SUSSURRATE aus »Ercole su'l Termodonte« RV 710SCENDERÒ, VOLERÒ, GRIDERÒ aus »Ercole su'l Termodonte« RV 710 [...]

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  Die schweigsame Frau

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  [...] How wonderful life is, but how much more so if you’re not a fool and know how to live it! Ah, my dears, how marvelously you’ve cured me, I’ve never felt so happy.” [...]

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  Les pêcheurs de perles

  Next dates:

  • 02.04.27 7.30 PM - Staatsoper Unter den Linden
  • 04.04.27 6.00 PM - Staatsoper Unter den Linden
  • 07.04.27 7.30 PM - Staatsoper Unter den Linden

  [...] Leïla is afraid in her loneliness, but comforts herself knowing that her loved one is somewhere near by. And then Nadir suddenly emerges from the darkness! He has achieved the impossible and has made his way to her over the cliffs and past the guards. [...]

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  Liedrecital Renée Fleming

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  [...] Georg Friedrich Händel »Bel piacere« from the opera Agrippina HWV 6»O Sleep, why dost thou leave me?« from the oratorio Semele HWV 58»Endless pleasure« from the oratorio Semele HWV 58 Nico Muhly Endless Space Gabriel Fauré Rêve d’amour op. 5/2Prison op. 83/1Les berceaux op. 23/1Au bord de l’eau op. 8/1 Jules Massenet »O Messager de Dieu« from the opera Thaïs Kevin Puts Evening Edvard Grieg Lauf der Welt op. 48/3Zur Rosenzeit op. 48/5Ein Traum op. 48/6 Erich Wolfgang Korngold Marietta’s Song from the opera Die tote Stadt op. 12 Richard Strauss MuttertändeleiCäcilie [...]

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  Don Giovanni

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  [...] Ottavio has now dispelled even his last doubts about Don Giovanni’s crimes, and he decides to ensure his punishment.Despite the betrayal she has suffered, Donna Elvira is worried about Don Giovanni – she senses that his end is near. Giovanni takes pleasure in telling Leporello how he met a woman who mistook him for Leporello. At that point, they hear a voice threatening to end Giovanni’s life. [...]

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  Books, DVDs & CDs

  [...] He was "fascinated by the sound of this orchestra. It reminded me of the sound I grew up with, the sound of the Israel Philharmonic Orchestra, whose musicians, for the most part, had immigrated from all over Europe" as he described his impressions years later.Since then, this very special connection has existed, resulting in an impressive total of over 1,600 performances. [...]

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  Reconstruction

  [...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]

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  Reconstruction

  [...] He conceived the opera in the Palladian style. The King selected a fortress site near the Kronprinzenpalais where he lived. By placing it on the city’s main axis – the Unter den Linden boulevard – and not as would be usual within the palace complex, this created Europe’s first independent theatre building as a cultural expression of the Enlightenment.The building, which was conceived as a nave, comprises the Apollo Hall (banqueting hall, foyer), the Theatre Hall (auditorium, ballroom) and the Corinthian Hall (stage and concert hall). [...]

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  Tag der offenen Tür

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  [...] Großer SaalDiscover the season 11.15 StaatsopernchorMusical direction    Dani JurisPiano    Chris Cartner 11.45 Singers of the ensemblePiano    Albert Mena, Yury Ilinov 12.30 Staatsballett BerlinPublic rehearsal with soloistsBallettmeister    Yannick SempeyPiano    Da Yun Choi 13.30 Staatskapelle BerlinMusical direction    Christian ThielemannRichard Wagner: Siegfried-Idyll 14.30 Staatskapelle BerlinMusical direction    Christian ThielemannRichard Wagner: Siegfried-Idyll 15.15 StaatsopernchorMusical direction    Dani JurisPiano    Chris Cartner 15.45 Singers of the ensemblePiano    Albert Mena, Yury Ilinov 16.30 Staatsballett BerlinTraining for spectatorsBallettmeister    Barbara SchroederPiano    Pedro SanchezApollosaalDiscover costumes From 11:00 Opera café with costume exhibitionBallettsaal 1Discover costumes & masks From 11:00 Crafting with the costume department, wig making withthe make-up department, exhibition of pointe shoesfrom the StaatsballettInnenhofDiscover ensembles 11.30 Kinderchor der Staatsoper​​​​​​ 12.00 Orchesterakademie bei der Staatskapelle Berlin 12.30 Conduct me! with members of the Staatskapelle Berlin 13.00 International Opera Studio 13.30 Kinderchor der Staatsoper 14.00 Orchesterakademie bei der Staatskapelle Berlin 14.30 International Opera Studio 15.00 Apollo-Chor der Staatsoper 15.30 Conduct me! [...]

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  2016/17

  [...] You can get to know a lot of interesting things about the experiences and challenges of working in one of the most renowned orchestras worldwide and talk with their mentors in a relaxing atmosphere. 11 November 2016 | »Take a seat« – reception at the Staatsoper Unter den Linden»Take a seat« – under this slogan, we offer opera and music lovers the opportunity to 'take a seat' by sponsoring one at Staatsoper Unter den Linden and to hereby show their appreciation for this opera house. Anticipation rises as the return 'home' draws nearer, and on 11 November 2016 the members of our association were looking forward to it together: at our first event back at the old and new opera house Unter den Linden! [...]

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  2019/20

  [...] 23 August 2020 | Matinee with Andreas Schager, Lidia Baich and Klaus Saalmann This summer you were offered another special highlight: Our board of trustees member and long-standing association member Holger Röder and Sonja Fuhrmann invited you to a musical matinee in support of the Staatsoper Unter den Linden in Dreieich near Frankfurt am Main on August 23, 2020. Heldentenor Andreas Schager, exceptional violinist Lidia Baich and pianist Klaus Sallmann performed selected works by Richard Wagner, Ludwig van Beethoven and Richard Strauss. [...]

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  Staatsoper entdecken – Tag der offenen Tür

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  [...] Großer Saal  14.00Die Spielzeit entdecken Eröffnung mit den Trompeter:innen der Staatskapelle BerlinArien und Lieder von Charles Gounod, Gioachino Rossini, Vincenzo Bellini, Giuseppe Verdi, Giacomo Puccini, Camille Saint-Saëns, Richard Strauss und Cécile Chaminademit Katharina Kammerloher, Anna Kissjudit, Maria Kokareva,Adriane Queiroz, Anna Samuil, Natalia Skrycka, Rebecka Wallroth, Friedrich Hamel und David Oštrek Klavier Satomi NishiModeration Elisabeth Sobotka, Detlef Giese 15.45 UhrGemeinsam singen entdecken Chöre aus Opern des Repertoires von Wolfgang Amadeus Mozart, Charles Gounod und Giuseppe VerdiMitsingaktion: „Va pensiero“ aus Giuseppe Verdis Nabucco Zum Text „Va pensiero“ Musikalische Leitung, Moderation Dani JurisKlavier Chris CartnerApollosaalMenschen entdecken 14.00 Operncafé mit Kostümausstellung und Kaffeehausmusik15.00 How to opera – Exklusivgespräche mit Mitarbeiter:innen der Staatsoper und des StaatsballettsInnenhofEnsembles entdecken 14.00 Kinderchor der Staatsoper14.30 Orchesterakademie bei der Staatskapelle Berlin15.00 Internationales Opernstudio15.30 Conduct me mit Mitgliedern der Staatskapelle Berlin16.30 Kinderopernhaus Unter den Linden17.00 Jugendchor der Staatsoper17.30 Apollo-Chor der Staatsoper18.00 Einstimmung zur Abendvorstellung von Il barbiere di Siviglia, Gespräch mit Achim Freyer und Katharina Lang, mit anschließendem entspannten AusklangAlter OrchesterprobensaalInstrumente entdecken Instrumentenkarussell mit Mitgliedern der Staatskapelle Berlin 14:00Violoncello (Dorothee Gurski, Amke te Wies)15:00Trompete (Felix Wilde, Noémi Makkos)16:00Schlagzeug/Pauke (Torsten Schönfeld, Matthias Marckardt)17:00Violine (Ulrike Eschenburg, Laura Perez) ​​ Instrumentenquiz mit der Jungen StaatsoperBallettsaal 1Tanzen entdecken 14.15 & 16.30 Workshops von und mit dem Education-Programm Tanz ist KLASSE! [...]