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Event
Rigoletto
Next dates:
- 05.09.26 7.30 PM - Staatsoper Unter den Linden
- 11.09.26 7.30 PM - Staatsoper Unter den Linden
- 17.09.26 7.30 PM - Staatsoper Unter den Linden
[...] When Victor Hugo brought his play Le roi s’amuse to the stage for the first and last time in Paris in 1832, the performance ended with the immediate banning of the play. When the Italian Risorgimento composer Giuseppe Verdi decided to set the revolutionary French author’s play to music almost 20 years later, he faced resistance from the censorship authorities. He had to change the name of his melodrama from La maledizione (The curse) to Rigoletto and change its setting to the court of a fictional Duke of Mantua, but he left the plot and its blatancy untouched. [...]
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Ottavio Dantone & Accademia Bizantina
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[...] Even before Christoph Willibald Gluck wrote his significant reform operas for Vienna and Paris, he composed a one-act piece of music drama in 1754 to a score by the prominent librettist and Viennese court poet Pietro Metastasio: »Le cinesi« (The Chinese Women). An original play within a play unfolds, driven by amorous entanglements and the power of music. [...]
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Words and Music
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[...] Samuel Beckett wrote his radio play »Words and Music« in November 1961, but the next year, shortly after it was broadcast by the BBC, he withdrew it. Beckett devoted himself to the form of the radio play in his own way. The characters »Words« and »Music«, the latter of whom is represented by an instrumental ensemble, encounter one another. (...) CRAS LUCEBITFOR FAGOT AND ELECTRONICS (2010) Music by Pedro Garcia-Velasquez Words and MusicRadio play for two speakers and chamber ensemble (1987) Music by Morton Feldman Text by Samuel Beckett (...) Radio play for two speakers and chamber ensemble by Morton Feldmann and Samuel Beckett [...]
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Konzert zum Jahreswechsel
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[...] As a prelude to this anniversary, Daniel Barenboim will play Mozart’s Piano Concerto KV 466, followed by a performance of Beethoven’s Symphony No. 9. [...]
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Insight Roméo et Juliette
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[...] During a short rehearsal visit, you will have the opportunity to see the artists at work. You will learn the background to the play and conceptual ideas for the production from the performers in conversation with the responsible dramaturges. [...]
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Insight Fin de partie
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[...] During a short rehearsal visit, you will have the opportunity to see the artists at work. You will learn the background to the play and conceptual ideas for the production from the performers in conversation with the responsible dramaturges. [...]
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Insight Die Ausflüge des Herrn Brouček
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[...] During a short rehearsal visit, you will have the opportunity to see the artists at work. You will learn about the background to the play and conceptual ideas for the production from participants in conversation with the responsible dramaturges. [...]
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Konzert im Boulez Saal I
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[...] The Staatskapelle Berlin has already performed several times in the Pierre Boulez Saal with a smaller ensemble. This time the musicians will play works by the progressive 19th-century composers, Wagner and Liszt, as well as from Russia and the Soviet Union – by the young Sergei Prokofiev, who created his symphonic debut in 1917, and by Valentin Silvestrov from Kiev, who wrote his string serenade in 1978. [...]
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Recital Anne-Sophie Mutter
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[...] Anne-Sophie Mutter and Laume Skride play three major violin sonatas from the Classical and Romantic periods as part of FESTTAGE 2022. It was Mozart who pioneered this genre of chamber music; Beethoven productively expanded upon it, and Franck brought it to a new zenith with his well-known sonata of the mid-1880s. [...]
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Beethoven-Zyklus I
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[...] The first evening presents a compilation of Symphony No. 1, dedicated to his role model Haydn, his witty No. 8, which is an original play on musical elements, and the »heroic« No. 5, which, with its dramaturgic progression »from dark to light«, is one of the most famous works of the repertoire. [...]
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Klimakonzert Orchester des Wandels
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[...] On the occasion of Beethoven’s 250th jubilee, the »Beethoven Pastoral Project« was launched by the United Nations Climate Secretariat. Orchestras all over the world will play Symphony No. 6, composed in the style of the First Viennese School, and combine this artistic commitment with their pledge to environmental and climate protection. [...]
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Event
Katja Kabanowa
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[...] These are the powerful tensions that frame Janáček’s opera, within which the breathtakingly restricted action takes place. »This play has much poignant, Slavic gentleness and depth of feeling,« said the Moravian composer when he started work on his sixth stage work in 1920, an opera based on Alexander Ostrovsky’s play »The Thunderstorm«. [...]
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Abonnementkonzert VII
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[...] Highly differentiated perceptions and effects of sound also play a decisive role in Witold Lutosławski’s Violoncello Concerto, which he finished in 1970. Richard Strauss’s »Alpensinfonie«, with its vast score, brought his series of tone poems to a close. [...]
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Sustainable Listening I
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[...] The core of the new »Sustainable Listening« series is the concert performance by the Orchester des Wandels (made up of the musicians of the Staatskapelle Berlin) and invited climate experts as an individual spatial experience. DJs from the Berlin club scene will play on after hours and drinks will be served. [...]
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Das Gwächshaus
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[...] This year’s youth club production is based on Jordan Tannahills play »Concord Floral«. The realistic dialogue, reflective, lyrical passages, and dream-like situations are brought to life by members of the »Operatiefer Eingriff« youth club, using musical extracts that span history, from the middle ages to 20th century classical music and the pop group Velvet Condom. [...]
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Les Contes d’Hoffmann
Next dates:
- 03.03.27 7.00 PM - Staatsoper Unter den Linden
- 05.03.27 7.00 PM - Staatsoper Unter den Linden
- 08.03.27 6.00 PM - Staatsoper Unter den Linden
[...] At the end of his illustrious career in Paris, which stretched over five decades, he turned to his most ambitious operatic work Les Contes d’Hoffmann (The Tales of Hoffmann), an opéra fantastique based on a play that premiered in 1881. The audience is immersed in a world full of odd characters and situations, fantastic elements with several demonic, breathtaking moments and a vital, rich score. [...]
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Wozzeck
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[...] A real-life, early 19th-century criminal case, which for the first time in legal history raised the issue of an absence of criminal responsibility due to mental illness, inspired Georg Büchner to write his play. Left behind as a fragment in 1837 when Büchner, a revolutionary-minded writer, died prematurely, it was not staged until 1913. Alban Berg found the subject of his atonal opera, the first ever of its kind, when he saw a performance of the play. He succeeded in creating a stirring, expressionistic score, which is precisely constructed on the one hand and on the other, unleashes an elementary force. [...]
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Kammerkonzert I
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert II
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert III
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert IV
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert VI
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert VII
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert VIII
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert IX
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert XI
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No upcoming dates.
[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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Kammerkonzert I
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[...] Musicians from the Staatskapelle Berlin have developed programmes that approach this idea and concept, which are known to play an essential role in music, in a variety of ways. From the Baroque to the present day, with a special focus on the Romantic period, centred on Robert Schumann, Johannes Brahms and the multi-talented E.T.A. [...]
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Event
Königskinder
Next dates:
- 01.05.27 5.00 PM - Staatsoper Unter den Linden
- 05.05.27 6.30 PM - Staatsoper Unter den Linden
- 07.05.27 6.30 PM - Staatsoper Unter den Linden
[...] The characters who appear on stage are profoundly human, free in their thinking and still caught in constraints, while at the same time included in a play of profound emotions. Using the wide range of sound timbres provided by the late romantic orchestra and an immense intensity of expression, the score of Königskinder possesses special musical qualities that will be brought to life by Staatskapelle Berlin and its general music director Christian Thielemann. [...]
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Symphoniekonzert VI
Next dates:
- 13.04.27 7.00 PM - Staatsoper Unter den Linden
- 14.04.27 8.00 PM - Philharmonie Berlin - Großer Saal
[...] Equally opulent in sound yet nuanced are the Festklänge, a piece intended as wedding music that served as the overture to a Schiller play at its premiere in Weimar in 1854—a lesser-known composition by Liszt in which his growing mastery of orchestration becomes evident. [...]
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La traviata
Next dates:
- 07.01.27 7.30 PM - Staatsoper Unter den Linden
- 09.01.27 7.30 PM - Staatsoper Unter den Linden
- 16.01.27 7.30 PM - Staatsoper Unter den Linden
[...] Only once did Giuseppe Verdi turn his attention to a contemporary subject, Alexandre Dumas the Younger’s La dame aux camélias. As a novel and a play, Dumas based his story on true events. Verdi composed a score of great intensity that conveys a wide range of emotions: joy and exuberance, sorrow and despair. [...]
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Im Wald von Toulouse
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[...] The children worked on shaping the multifaceted personalities of the characters they play and developed musical/rhythmic material through improvisation.The piece tells the fantastical story of a band of very different children and the exciting adventures they experience on a journey through an enchanted forest. [...]
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Konzert im Pierre Boulez Saal I
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[...] Fabian Müller has already performed all of Ludwig van Beethoven's piano sonatas at the Pierre Boulez Saal, and now he will play Mozart's A major concerto, which was composed in 1786 while the composer was working on Le nozze di Figaro. [...]
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Artist
Ran Arthur Braun
Next dates:
- Norma - 03.04.27 7.00 PM - Staatsoper Unter den Linden
- Norma - 09.04.27 7.00 PM - Staatsoper Unter den Linden
- Norma - 11.04.27 6.00 PM - Staatsoper Unter den Linden
[...] Er arbeitet zudem mit Action-Schauspielern für Film-, Fernseh- und Bühnenprojekte für Lucas Films, Disney, Amazon Prime Video, Play Station und Balich Wonder Studio. Als Gründer von „Showtalentnetwork“ bietet er eine große Anzahl an Dienstleistungen an, darunter Stuntausrüstungen, Equipment und Spezialeffekte. [...]
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Die schweigsame Frau
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[...] In a mutually inspiring collaboration, they created a truly “comic opera” based on a play by Ben Jonson from the Shakespeare period filled not only with striking characters, tempo, and wit, but profound reflection as well. (...) But since this took place before the marriage to Morosus, the lawyers argue, it could not be considered grounds for annulment. Morosus is now utterly desperate, and the play approaches a critical juncture. The situation is resolved and all is explained: the actors remove their costumes and admit that is was all a devious scheme. [...]
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Anniversary concert Orchesterakademie
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[...] The Orchesterakademie has turned out to be a success story: many of the scholarship-holders now play in some of the top German and international orchestras, including the Staatskapelle itself. To mark its establishment 20 years ago, the anniversary concert will bring together current as well as former members who will perform a broad range of chamber music, with strings, wind instruments and percussion and an abundance of timbres – reflecting the diversity and quality that has distinguished the Orchesterakademie since 1997. [...]
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Fin de partie
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No upcoming dates.
[...] Hamm and his servants Clov. Hamm’s parents Nagg and Nell. A play with rules, rituals, memories, and words. Words that are sung, which has only been rarely done with Samuel Beckett’s texts. [...]
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Artist
Paule Constable
Next dates:
- Idomeneo - 17.06.27 7.00 PM - Staatsoper Unter den Linden
- Idomeneo - 19.06.27 7.00 PM - Staatsoper Unter den Linden
- Idomeneo - 27.06.27 6.00 PM - Staatsoper Unter den Linden
[...] Ebenso entstanden Lichtdesigns für Ballette und Tanzperformances wie Romeo and Juliet, Schwanensee, The Red Shoes, Dornröschen, Dorian Gray und Play Without Word mit Matthew Bourne sowie im Sprechtheater für The Visit, Angels in America für das National Theatre in London, Wolf Hall für die Royal Shakespeare Company sowie Ear for Eye am Royal Court. [...]
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Sommertag
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[...] Brass translates the oppressive atmosphere of the Norwegian dramatist Jon Fosse’s eponymous play into music. For long sections of the text, the music assumes a commentary function or acts as an expression of what is not said. (...) Chamber Music Theater Music and text by Nikolaus Brass according to the play of the same name by Jon Fosse [...]
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Quartett
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[...] Set in time before the French Revolution and after the Third World War, »Quartet« – an operatic work by Luca Francesconi based on Heiner Müller’s eponymous play, based on the famous epistolary novel »Dangerous Liaisons« by Choderlos de Laclos – was premiered in English in 2011. (...) OPERA IN TWELVE SCENES AND AN EPILOGUE (2011) MUSIC AND LIBRETTO BY Luca Francesconi based on the eponymous play by Heiner Müller FIRST PERFORMANCE OF THE GERMAN VERSION [...]
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Artist
Mitglieder der Orchesterakademie bei der Staatskapelle Berlin
Next dates:
- Kammerkonzert extra - 19.04.27 8.00 PM - Apollosaal
[...] Their education is supplemented by chamber music lessons and individual coaching sessions. By now, many former academy members play in renowned orchestras worldwide or became permanent members of Staatskapelle Berlin.The Orchesterakademie is supported by the Britta Lohan Gedächtnisstiftung fund. [...]
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Mitglieder der Orchesterakademie bei der Staatskapelle Berlin und Gäste
[...] Their education is supplemented by chamber music lessons and individual coaching sessions. By now, many former academy members play in renowned orchestras worldwide or became permanent members of Staatskapelle Berlin.The Orchesterakademie is supported by the Britta Lohan Gedächtnisstiftung fund. [...]
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FESTIVE OPENING OF THE SEASON 2019/20
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No upcoming dates.
[...] There will be many occasions to listen to music or even for visitors to play themselves. There will be special offers for children, teenagers and families, as well as comprehensive information about our premieres and the repertoire; we explicitly encourage you to take a look behind the scenes. [...]
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Mitridate, Re di Ponto
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[...] Mozart joined their ranks with a remarkable opera based on a play by Jean Racine, the French dramatist of tragedies. The story of a declining king and warlord, whose two very different sons are in love with the same woman – who also happens to be the father’s bride – inspired Mozart to create a music of great pathos, strong passions and profound emotions. [...]
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Artist
Orchesterakademie bei der Staatskapelle Berlin
Next dates:
- Museumskonzert I - 04.10.26 11.00 AM - Gobelinsaal Bode-Museum
[...] Their education is supplemented by chamber music lessons and individual coaching sessions. By now, many former academy members play in renowned orchestras worldwide or became permanent members of Staatskapelle Berlin.The Orchesterakademie is supported by the friends and supporters of the Staatsoper Unter den Linden e.V. [...]
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Il barbiere di Siviglia
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[...] Witty, fiery and vibrant, it is a masterpiece of Italian opera buffa, in which, as is so often the case, the old man in disguise hoodwinks everyone. Rossini was inspired by the 1772 play 'La Précaution inutile ou le Barbier de Séville' by the French poet, secret agent and arms smuggler Pierre-Augustin Caron de Beaumarchais, which tells the backstory of Mozart’s 'Le nozze di Figaro'. [...]
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Der unglaubliche Spotz
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[...] Together they build a device that converts all noise into individual musical notes that they play to the king in his sleep. When everyone has given up hope, the king wakes up one morning and reports that he has heard beautiful music. [...]
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Les pêcheurs de perles
Next dates:
- 02.04.27 7.30 PM - Staatsoper Unter den Linden
- 04.04.27 6.00 PM - Staatsoper Unter den Linden
- 07.04.27 7.30 PM - Staatsoper Unter den Linden
[...] Inspired by a subject matter infused with the exoticism so popular at that time, he produced a score with colourful instrumentation, enchanting melodies and powerful theatre music, which finds expression both in large-scale choral tableaus and chamber-play-like scenes between the main characters. Both dramatically and musically, the pivotal point of the opera is the famous duet "Au fond du temple saint" between Zurga and Nadir, an operatic masterpiece that is the main factor responsible for the rediscovery of this rarely performed opera. [...]
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Die Arabische Nacht
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[...] In overlapping monologues, Roland Schimmelpfennig’s play is a theatrical fantasy of escaping the anonymous urban jungle, which speaks to the parallelism of encounters and dreams that send the building’s residents into the kingdom of the Arabian Nights. (...) Chamber Opera (2007) Music and text by Christian Jost after the eponymous play by Roland Schimmelpfennig [...]
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Die Sache Makropulos
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[...] In his operatic adaptation, Janáček transforms the aloof frigidity and irony of Karel Čapek’s original play into a veritable tragedy that provokes sympathy for its unapproachable, weary and emotionally impoverished lead character. (...) Věc Makropulos Opera in three acts (1926) Music and text by Leoš Janáček after the eponymous play by Karel Čapek [...]
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Staatskapelle Berlin
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[...] Claude DebussyFANTAISIE POUR PIANO ET ORCHESTRE LE MARTYRE DE SAINT SÉBASTIEN(music to the mystery play by Gabriele d'Annunzio for speaker, vokal soloists, choir and orchestra)Spoken and sung texts in French language with German and English surtitles [...]
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Fidelio
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[...] Ludwig van Beethoven’s only opera was inspired by a French libretto Leonore ou L’amour by Jean Nicolas, written in the late 18th century and based on a true story. Pierre Gaveaux had already set this play to music for a stage work in Paris. Beethoven’s path to his final score was long. In 1805 and 1806, he presented his opera at the Theater an der Wien to an unenthusiastic response, only to restage it in 1814 at the Kärntnertortheater in a thoroughly revised form. [...]
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Macbeth
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[...] In order to stay as faithful as possible to the admired Shakespearean play, Giuseppe Verdi’s »Macbeth« shattered the operatic conventions of the time and created one of his darkest and most starkly disturbing works. [...]
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Die Meistersinger von Nürnberg
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[...] The work was intended to be a facile comedy, a jovial and humorous satyr play to place alongside his Tannhäuser, since – like Tannhäuser – reflections on art and artists are its focus. [...]
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Il trovatore
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[...] Fascinated by the "strong situations" that arose from this bizarre constellation of plots and characters as well as the "boldness and novelty of the Spanish play", Giuseppe Verdi created a work full of enrapturing bel canto numbers and elaborately dramatic orchestral parts that met with wild enthusiasm. [...]
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The Turn of the Screw
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[...] James once described the novel, with some understatement, as a "play of strange encounters". [...]
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Event
Ti vedo, ti sento, mi perdo
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[...] In the lead-up, the music and life of this controversial, original artist – a legend during his lifetime – are extensively reported and reflected upon. Different perspectives and values play a role, as do thoughts on human nature, the body, the senses and passion – in other words, the very essence of opera as an art form. [...]
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Himmelerde
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[...] Central themes and motifs from German Romanticism form the starting point for the opera’s development. »If you play a funeral march at four times the tempo, you have a polka.« (Franui). The inimitable funeral marches and dance hall pieces by Musicbanda Franui from the East Tyrol region of Austria and the virtuosic masquerades of the Familie Flöz theatre collective provided the material for the piece »himmelerde«, which the two groups developed together. [...]
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Artist
Piotr Anderszewski
[...] Piotr Anderszewski gehört zu den prominentesten Pianisten seiner Generation und ist in allen großen Konzertsälen dieser Welt regelmäßig zu Gast, ob in Recitals oder als Solist mit Orchester, u. a. mit den Berliner Philharmonikern, den Symphony Orchestras von Boston, Chicago und London, dem Philadelphia Orchestra und dem Königlichen Concertgebouw-Orchester Amsterdam, oder als »Play-Lead« u. a. mit dem Scottish Chamber Orchestra und der Deutschen Kammerphilharmonie Bremen.In der Saison 2013/14 konzertiert er als Solist u. a. mit dem Gewandhausorchester Leipzig, dem Orchestre de Paris und dem Philharmonia Orchestra. [...]
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The timeless moment
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[...] From various piano works by Debussy woven with Murail's"Territoires de l'oubli", Alain Franco creates a musical structure that forms the basis of the installation and which he will play himself on the piano during the performances. The only performer on stage will be a blind person. [...]
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Monthly preview
[...] Dates & Tickets Premiere at 27 JunePelléas et Mélisande With the world premiere of Pelléas et Mélisande in 1902, Claude Debussy challenged the listening habits of his contemporaries. The work is based on the play of the same name by the Flemish symbolist Maurice Maeterlinck, a fairy-tale-like love triangle with a tragic ending involving the stepbrothers Golaud and Pelléas and the enigmatic Mélisande, whom both men love. [...]
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La Bohème
Next dates:
- 04.12.26 7.30 PM - Staatsoper Unter den Linden
- 06.12.26 6.00 PM - Staatsoper Unter den Linden
- 10.12.26 7.30 PM - Staatsoper Unter den Linden
[...] It is cold in their garret. Rodolfo generously sacrifices his latest play to make a short-lived fire in the stove. Their friend Colline, a philosopher, joins them. He has just made a futile attempt to pawn his books on Christmas Eve. To everyone’s surprise, he brings food, wine, wood, and money earned from an odd engagement: an eccentric Englishman had paid him to play a parrot to death. The money is still lying on the table when Benoît, the landlord, drops by unexpectedly to collect the overdue rent. [...]
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Cassandra is calling
[...] As a stand-up comedian, she looks for new ways to draw attention to climate change. The play by Bernard Foccroulle will celebrate its German premiere on 19 June 2025. To shorten the wait until the premiere of Cassandra, surprises big and small will be revealed here every Thursday from now on. Bernhard Diekmann, climate researcher and division head at the Alfred Wegener Institute, talks in a video interview about scientific responsibility, dealing with Cassandra calls and the role of research in an increasingly polarised public sphere.The bees in Cassandra: the stage set and its symbolism Bees play a central role in the opera Cassandra - both musically and visually. Their slow disappearance symbolises the destructive consequences of climate change. [...]
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Parsifal
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[...] Bühnenweihfestspiel (A Festival Play for the Consecration of the Stage) in three acts (1882) music and text by Richard Wagner (...) A Festival Play for the Consecration of the Stage in three acts by Richard Wagner [...]
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Kammerkonzert X
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[...] On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites. [...]
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L’incoronazione di Poppea
Next dates:
- 20.11.26 7.00 PM - Staatsoper Unter den Linden
- 22.11.26 6.00 PM - Staatsoper Unter den Linden
- 24.11.26 7.00 PM - Staatsoper Unter den Linden
[...] A day at Emperor Nero’s court in 62 A.D.A fight has broken out over whether virtue or fate enables a rise into the highest spheres, but this is rudely interrupted when love comes into play. It will be seen during the course of the day that love alone determines the course that things will take.Tortured by jealously, Otho sings of the beauty of his beloved Poppea, who in the meantime is enjoying herself with Nero.Two soldiers of the imperial palace guard criticize Nero’s rule and the powerful in the empire.Poppea delays Nero’s departure as long as possible, until he declares that their love must remain secret until Octavia is banished.Poppea hopes to become Empress. [...]
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Between surrealism and romanticism
[...] In the ‘opéra fantastique’ Les Contes d'Hoffmann (The Tales of Hoffmann), the boundaries between reality and dreams, between love and art, between life and death become blurred. Offenbach draws on a play by Jules Barbier and Michel Carré, who in turn incorporate motifs from the darkly romantic stories of E. But there are also touching moments of great intimacy, especially in the chamber-play-like Antonia act. The Berlin version is based primarily on the new edition by Michael Kaye and Jean-Christophe Keck and was created in collaboration between Lydia Steier and dramaturge Maurice Lenhard with musical director Bertrand de Billy, a proven expert on Offenbach's music. [...]
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Jenůfa
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[...] Její pastorkyňa (her stepdaughter) Opera in three acts (1904) Music by Leoš Janáček based on the eponymous play by Gabriela Preissová [...]
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Pelléas et Mélisande
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No upcoming dates.
[...] Mélisande flees in horror.Act three Pelléas amuses himself, playing with Mélisande’s hair. Golaud arrives, rebukes their "child’s play", and leads Pelléas to the Cistern of Death, advising his brother to avoid Mélisande in future. Golaud increasingly doubts Mélisande’s faithfulness. [...]
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Hänsel und Gretel
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[...] Fairytale play in three tableaus (1893) Music by Engelbert Humperdinck Text by Adelheid Wetteaccording to the fairy tale by Jacob and Wilhelm Grimm [...]
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Le nozze di Figaro
Next dates:
- 02.10.26 7.00 PM - Staatsoper Unter den Linden
- 07.10.26 7.00 PM - Staatsoper Unter den Linden
- 13.10.26 7.00 PM - Staatsoper Unter den Linden
[...] Susanna, who is initially annoyed by the new harmony between Figaro, Marcellina, and Bartolo, learns of the discovery: the two couples plan to celebrate a dual marriage.The Countess and Susanna continue to play with the Count: they write him a letter to lure him into the nightly darkness of the park, where (the letter claimed) Susanna would await him. [...]
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La fanciulla del West
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[...] To save him, Minnie proposes a round of poker, with Johnson and herself as the prize. The passionate poker player Rance agrees. When she is about to lose, she saves herself by cheating. Rance accepts his loss and Johnson now belongs to her. [...]
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Das Rheingold
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[...] Scene one Woglinde, Wellgunde, and Floßhilde play a cruel game. They flirtingly tease Alberich, who in vain is trying to court their favor. Mercilessly mocked and humiliated, he boils with rage. [...]
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MELANCHOLY OF RESISTANCE
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[...] Each evening, just before the bar closes, the drinkers urge him to play out the solar eclipse in order to keep the night going. To demonstrate this natural spectacle, Valouchka arranges three guests in the space of the bar as sun, moon, and earth, allowing them to revolve until the moon inserts itself between sun and earth and all darkens. [...]
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Siegfried
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[...] A forest bird tells Siegfried that the dragon has kept the ring and helmet that will play an important role in Siegfried’s fate. Siegfried decides to take both with him. He also learns from the forest bird that Mime plans to kill him. [...]
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Don Carlo
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[...] He realizes too late that it is not Elizabeth, but Princess Eboli, who has appeared to meet him and who now knows that he is in love with the queen and not with her. Posa intervenes and attempts to play down the situation as a misunderstanding. Eboli, however, cannot be placated, making her dangerous to Carlo. [...]
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2017/18
[...] 28 June 2018 | Members’ concert 2018For this year’s members’ concert, the musicians of the Staatskapelle Berlin left the opera house in order to play for the Friends & Supporters at the picturesquely situated event location at Wannsee. After their performance, we enjoyed the rest of the summer evening with a Mediterranean grill buffet overlooking the glittering water and celebrated the first season of the new Staatsoper Unter den Linden. Founded by Daniel Barenboim, the academy has won great international renown ever since its formation and celebrates its 20th anniversary this season: 29 young musicians play music alongside the Staatskapelle Berlin, performing in numerous operas and concerts that are led by prestigious conductors. [...]
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Event
Le nozze di Figaro
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No upcoming dates.
[...] Susanna, who is initially annoyed by the new harmony between Figaro, Marcellina, and Bartolo, learns of the discovery: the two couples plan to celebrate a dual marriage.The Countess mourns the happy times of her marriage, but hopes that she regains the love of the Count.In spite of this the Countess and Susanna continue to play with the Count: together they write him a letter to lure him into the nightly darkness of the park, where (the letter claimed) Susanna would await him. [...]
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2012/13
[...] Barenboim for his loyalty to Berlin as well as our association for supporting the refurbishment.Ulrich Maas reported on the newly founded board of trustees of the association, which will play an important role for the association. The enlargement of the personnel will advance the national and international charisma. For one afternoon, the KulturKaufhaus turned into a concert hall.Knut Zimmermann, concertmaster of the second violins of the Staatskapelle Berlin, and Volker Sprenger, solo viola player at the Staatskapelle Berlin, enchanted with their interpretation of Mozart’s »Duo in G-Dur KV 423« and »Passacaglia – freinachHändel« by J. [...]
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2021/22
[...] For the talk about the new production of Wagner’s »Der Ring des Nibelungen«, they were joined by Michael Volle, who will play the role of Wotan. Smaller musical contributions came from Anna Kissjudit, who is moving from the International Opera Studio to the Staatsoper’s soloists ensemble for the 2022/23 season and will take on the role of Erda in the »Ring« right at the beginning of the season, and the horn section of the Opera Children’s Orchestra. [...]