Events
22 to 23 July 2026 | Apollos in Bayreuth
To mark the 150th anniversary of the Bayreuth Festival, our Apollos once again travelled to Bayreuth this year. On 22 July, the young members of the Friends’ Association attended the dress rehearsal of Richard Wagner’s Parsifal at the Festspielhaus and enjoyed a very special afternoon of opera on the Green Hill. During the first interval, a reception provided an opportunity to share impressions of the performance. The following day, the Apollos visited the Steingraeber Haus, where a guided tour of the piano museum offered fascinating insights into the close ties between the Bayreuth piano manufacturer and the Festival, a relationship that also dates back 150 years. A shared lunch rounded off the trip and brought two days filled with music, inspiring encounters and the unique atmosphere of the Bayreuth Festival to a fitting close.
29 June 2026 | General Assembly
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At our annual General Assembly on 29 June, we took the opportunity to look back together on the year 2025 and review the Friends’ Association’s activities and achievements. The agenda also included the scheduled election of several members of the Board. We are delighted that our Chairman Christian A. Rast and our Treasurer Martina Palte were re-elected for another three-year term and will continue to support the Friends’ Association with their dedication and commitment.
19 June 2026 | Musikfestspiele Potsdam
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On 19 June, we enjoyed a wonderful summer evening of music at the Musikfestspiele Potsdam, where we attended a performance of Christoph Willibald Gluck’s Orpheus. Before the performance, our guests were given fascinating insights into the work and its significance in the history of music drama during an introductory talk in the cloister of the Friedenskirche. Afterwards, Gluck’s opera unfolded its full expressive power in the impressive setting of the church, making for a truly memorable musical experience.
11 June 2026 | ZwischenTöne with Thomas Guggeis
For this edition of our ZwischenTöne conversation series, conductor, pianist and former Staatskapellmeister Thomas Guggeis joined us at the Warburgbank. Since the 2023/24 season, he has served as General Music Director of Oper Frankfurt, while continuing to appear regularly at the Staatsoper Unter den Linden. In conversation with Chief Dramaturg Dr. Detlef Giese, Thomas Guggeis offered insights into his artistic work and musical career. A particular focus was the upcoming premiere of Die Entführung aus dem Serail, as he spoke about the rehearsal process and the musical challenges of the production. The evening concluded with a get-together, giving our guests the opportunity to continue the conversation in a more informal setting.
08 to 10 May 2026 | International Opera Weekend
Once again, the International Opera Weekend in Berlin brought together young opera enthusiasts from around the world to immerse themselves in the world of opera and enjoy special performances and exclusive insights into the Staatsoper. From 08 to 10 May, participants enjoyed a varied programme combining opera, culture and opportunities to connect with one another. The weekend began on Friday evening with a performance of Aida at the Staatsoper. On Saturday, the group explored Berlin on a guided city tour before returning to the opera in the evening for Die schweigsame Frau. Sunday began with a visit to the Museum of Photography, followed by an exclusive tour of the Staatsoper offering a glimpse behind the scenes. Bellini’s Norma provided the musical finale to the weekend that evening. Shared meals, receptions and many lively conversations throughout the weekend also offered plenty of opportunities to make new connections and exchange ideas with fellow opera enthusiasts.
08 May 2026 | Benefit Recital
For the fifth time, our Board of Curators member Holger Röder invited members of the Friends’ Association to a special benefit recital. This year, the evening was held in support of the Staatsoper Unter den Linden’s International Opera Studio. Mezzo-soprano Sandra Laagus and bass-baritone Hanseong Yun, both members of the International Opera Studio, performed works by Meyerbeer, Mozart, Wagner and Rossini, accompanied by pianist Markus Zugehör. Following the concert, guests gathered for a BBQ in the hosts’ garden, bringing the evening to a close in a warm and convivial atmosphere.
21 March 2026 | OpernSalon to Der Rosenkavalier
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To mark the Festtage production of Der Rosenkavalier, conducted by Christian Thielemann, Elias Corrinth turned his attention to Richard Strauss’s great opera. In his characteristically humorous yet illuminating manner, he offered his own personal perspective on a work that, beneath the guise of a Viennese comedy, explores profound human themes: the passage of time, the interplay of past, present and future, and questions of love, farewell and change. From the reflective Marschallin to Octavian and Sophie and, of course, Baron Ochs, Elias Corrinth took a closer look at both the characters and the music. The result was an entertaining musical kaleidoscope of humour and burlesque, sentiment and romance – infused with the affectionate irony that characterises both Der Rosenkavalier and this special edition of the OpernSalon.
14 March 2026 | Highly Scattered Thoughts on Music – 250 years of E.T.A. Hoffmann
In March, the revival of Les Contes d’Hoffmann provided the occasion for the first joint event organised by our association and the Friends of the Berliner Ensemble. The event focused on E.T.A. Hoffmann, whose 250th birthday is celebrated this year. Berliner Ensemble actor Paul Herwig and the Staatskapelle Berlin’s Tilia Quartet explored the multifaceted artist and his special relationship with music. In an atmospheric combination of readings and musical performances, texts by and about Hoffmann were interwoven with selected pieces of music. The event highlighted the many facets of the Berlin-based artist, whose work as a writer, illustrator and composer continues to resonate to this day.
13 March 2026 | Season Preview 2026/2027
On 13 March, our members were given an exclusive preview of the Staatsoper Unter den Linden’s upcoming 2026/27 season. In the Apollosaal, Artistic Director Elisabeth Sobotka and Chief Dramaturg Dr. Detlef Giese, together with artists from the Staatsoper, presented the programme for the new season and offered a glimpse of the highlights to come. Following the presentation, there was an opportunity to come together for lively conversation, share first impressions and look forward to the new season together.
07 December 2025 | OpernSalon to Wozzeck
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To mark a very special anniversary, the OpernSalon turned its attention to Alban Berg’s Wozzeck: exactly 100 years to the day after its world premiere at the Staatsoper Unter den Linden, this landmark work returned to our stage, conducted by Christian Thielemann and in Andrea Breth’s production. Elias Corrinth took the occasion to explore the opera’s complex and multifaceted musical language in his characteristically engaging and accessible way, shedding light on its many musical forms and hidden structures. He also drew on a historic lecture given by Alban Berg himself, in which the composer once explained his work from the piano. The OpernSalon thus offered new perspectives on a masterpiece that, even 100 years after its world premiere, has lost none of its musical and emotional power.
06 December 2025 | Advent Concert
Once again, our Advent Concert provided the musical finale to 2025. With festive music in a warm and celebratory atmosphere, it set the mood for the most wonderful time of the year. The concert featured Il Concertino Virtuoso, a chamber ensemble of the Staatskapelle Berlin. Following the performance, we gathered for gingerbread, delicious canapés, Crémant and mulled wine. In a convivial setting, we brought 2025 to a close together with engaging conversations and plenty of festive cheer.
26 November 2025 | ZwischenTöne with Gabriela Scherer
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As part of our ZwischenTöne interview series, we were delighted to welcome the extraordinary and inspiring soprano Gabriela Scherer, who gave us a deep insight into her artistic career and her approach to singing. Even as a child, Gabriela Scherer knew she wanted to become an opera singer – not as a conscious decision, but as an inner feeling that had been rooted within her from the very beginning.
Initially trained as a mezzo-soprano, she very quickly realised that this vocal range did not suit her natural timbre. It was only when she switched to soprano that the roles truly felt right, authentic and, above all, healthy. Vocal health plays a central role for Gabriela Scherer. She emphasises that she deliberately turns down roles if her voice is not yet ready for them – not out of a lack of ambition, but out of respect for her instrument. Even though certain role offers may well be tempting, she does not wish to force a particular sound. Her favourite roles are Verdi’s Elisabetta and Wagner’s Elsa, two roles in which she feels particularly at home artistically. The same applies to the Staatsoper Unter den Linden, to which she feels a strong connection not only personally but also on an artistic level. The theatre casts her with great care in roles that suit her individual vocal character and enable her to sing in a way that protects her voice. A recent example of this is her latest casting as Alice Ford in Falstaff. A particular highlight of her current artistic journey is Wagner’s Rienzi, which is being performed for the first time on the Green Hill to mark the 150th anniversary of the Bayreuth Festival. She will take on the leading female role of Irene.
The conversation with Gabriela Scherer offered not only fascinating insights into the development and life of a singer, but also into the attitude and sensitivity with which she approaches her profession.
26 November 2025 | Masterclass with Michael Volle
For many years now, the Friends’ Association has provided significant support to the International Opera Studio and funds the scholarships for the young singers who have the wonderful opportunity to train at the Staatsoper Unter den Linden. Thanks to this commitment, we were given the special opportunity to gain an exclusive insight into this training during the masterclass with baritone Michael Volle. Such an insight is extraordinary, as normally, as an audience, we only experience opera in its finished form on stage. In a masterclass, however, it becomes clear just how much work, precision and emotion go into this seemingly effortless final product.
We were able to witness just how intensely the artists have to immerse themselves in their roles, both intellectually and emotionally, in order to embody them authentically. It became clear just how significant the tiniest vocal nuances are, how timbre, articulation and expression are used to great effect, and how closely technical and emotional processes are intertwined.
Particularly impressive was the immediate progress that could be observed thanks to Michael Volle’s precise and inspiring guidance. He not only shared the experiences, subtleties and little secrets of an experienced artist with the studio members, but also with us in the audience. Thank you very much for these moments, which are not normally accessible to the public!
19 October 2025 | Sunday Shopping Event at Dussmann
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The Sunday Shopping Event at Dussmann – Das KulturKaufhaus has long since become a popular annual tradition in support of the Staatsoper Unter den Linden. On this special day, the KulturKaufhaus opens its doors outside regular business hours, inviting visitors to browse and shop in a relaxed atmosphere accompanied by musical performances by artists from the Staatsoper. At the same time, the event is dedicated to a good cause: the proceeds from the day benefit the Staatsoper. Thanks to the many purchases made this year, an impressive €27,500 was raised in support of the Junge Staatsoper, the Staatsoper’s programme for children and young people. We would like to express our sincere gratitude to Dussmann – Das KulturKaufhaus for its many years of generous support and partnership. We are already looking forward to the Sunday Shopping Event in 2026, when this special occasion will celebrate its 20th anniversary!
23 July 2025 | Summer Party
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To mark the end of the season, the Friends’ Association and the Berliner Sparkasse invited our members to a summer celebration at Lake Wannsee. Despite the grey skies, spirits remained high, and the unique setting of the Sparkasse’s event venue created a very special atmosphere from the outset. Following the many artistic highlights of the season, the Salonorchester “Unter’n Linden”, together with soprano Narine Yeghiyan, provided another memorable musical experience. With lively interpretations of well-known gems from the traditional coffee-house repertoire, the musicians delighted the audience and created a cheerful, summery atmosphere. Following the concert, guests gathered for a reception with refreshing drinks, while a generous buffet provided the culinary finishing touch. In a relaxed atmosphere, our members enjoyed lively conversations and the opportunity to spend time together. The evening was a wonderful conclusion to the 2024/25 season and one that will certainly remain in our memories for a long time. Our special thanks go to Berliner Sparkasse for its generous support, warm hospitality and for making this wonderful celebration possible!
12 July 2025 | OpernSalon to Die schweigsame Frau
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A true first for the Staatsoper Unter den Linden: for the first time in its history, the house presented Richard Strauss’s comedy Die schweigsame Frau – a late and multifaceted work by the Staatsoper’s former Music Director.
Ahead of the premiere, the OpernSalon offered members of the Friends & Supporters and other guests of the Staatsoper an in-depth yet entertaining introduction to this musically and dramatically surprising opera. Elias Corrinth, a highly experienced guide to the works of Strauss and Wagner, led the evening with great insight and enthusiasm. At the piano and in conversation, he brought the work’s remarkable stylistic diversity to life – from Romantic lyricism and English Renaissance music to burlesque parodies of bel canto.
Particularly fascinating was his detailed exploration of the opera’s musical structure and the intricate network of leitmotifs with which Strauss enriches Stefan Zweig’s libretto. The evening also addressed the work’s historical context and underlying themes, including the dark circumstances of its creation as well as ideas of withdrawal, loneliness and concealed identity.
An inspiring evening that whetted our appetite for the premiere – and once again demonstrated just how rewarding close listening can be!
26 to 29 June 2025 | Trip to Vienna
From 26 to 29 June 2025, the Friends & Supporters of the Staatsoper Unter den Linden immersed themselves in the musical soul of Vienna – a city where music history comes alive, resonates around every corner and is reflected in magnificent surroundings.
The elegant starting point for our stay was the legendary Hotel Sacher, a place steeped in history, elegance and Viennese charm. From there, we embarked on a journey that took us far beyond the city’s famous landmarks: through picturesque neighbourhoods such as the Spittelberg, along the winding streets of the historic centre and, ultimately, into the very heart of Vienna’s musical tradition.
One of the first highlights was a visit to the Vienna State Opera, where we experienced Tchaikovsky’s moving The Queen of Spades in Vera Nemirova’s production. Under the musical direction of young conductor Timur Zangiev, the ensemble brought the opera’s powerful interplay of obsession, love and fate vividly to life. International stars including Anna Netrebko as Lisa, Yusif Eyvazov as Hermann and Elena Zaremba as the Countess delivered an evening of great emotion and enthusiastic applause.
The following day, a musical and literary tour of Vienna took us to places associated with great composers such as Mozart, Beethoven and Strauss. Among them was the atmospheric Beethoven Museum in Heiligenstadt, offering a particularly personal encounter with the composer and his life.
The grand finale of our journey awaited us that evening in the magnificent Golden Hall of the Musikverein. The Staatskapelle Berlin, conducted by Christian Thielemann, first performed a selection of exquisite orchestral songs by Richard Strauss, interpreted by the brilliant soprano Erin Morley. This was followed by a deeply impressive performance of Bruckner’s Symphony No. 6 in A major – a monumental musical experience and a fitting conclusion to our time in Vienna.
Accompanied by culinary delights, wonderful company and many memorable moments, this journey was truly a feast for all the senses.
Our heartfelt thanks to everyone who joined us – we look forward to our next musical adventure together!
14 & 23 June 2025 | Musikfestspiele Potsdam
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Premiere Orlando Generoso
At the Musikfestspiele Potsdam, our members had the opportunity to immerse themselves in the world of Baroque music. In the impressive setting of the Orangery Palace in Potsdam, we attended the premiere of Orlando Generoso – an evening filled with striking images and captivating music despite the stormy weather.
Italian Night
On a warm summer evening at Potsdam’s Alter Markt, our young members were taken on a musical journey through the Baroque soundscapes of Italy by Ensemble 1700 and Dorothee Oberlinger.
13 June 2025 | General Assembly
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Our Annual General Meeting took place on 13 June. We were delighted to welcome so many of our members and greatly appreciated the lively and constructive exchange on current developments and future plans. Once again, elections to the Board were also on the agenda. We are very pleased to welcome Filip Dames as a new member of the Board and look forward to working with him.
23 to 25 May 2025 | International Opera Weekend
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Once again, young opera enthusiasts from around the world came together in Berlin to immerse themselves in the fascinating world of opera. From the first note to the final curtain, it was a weekend filled with memorable experiences that will resonate for a long time to come.
The weekend began on Friday, 23 May, with a moving performance of Winterreise. Together with tenor Thomas Blanelle, the Staatsballett Berlin created unforgettable images on stage. Afterwards, we rounded off our first evening together at the Baret Bar, enjoying its breathtaking views over the city.
Our second day began with a gallery tour through the west of Berlin. From photography and painting to sculpture, a sunny walk through the city offered fascinating insights into Berlin’s diverse art scene. Before attending an emotional and beautiful performance of Romeo & Juliette in the evening, we met for an early dinner at Goodtime Berlin. We concluded the evening together at the Staatsoper’s Intendanzgebäude.
The third and final day was no less eventful. Despite grey skies and light showers, we started the day with a relaxed brunch at Spreegold Bikini. In the afternoon, a guided tour of the Staatsoper gave us a closer look behind the scenes and deeper insights into the workings of the opera house. Stepping onto the stage and into the set offered the unique opportunity to see the auditorium from the artists’ perspective – and gave us a first taste of the remarkable performance of Il Trovatore that awaited us afterwards.
Finally, in the special atmosphere of the Kink Bar, we looked back on the many unforgettable impressions of the past three days and brought an intensive yet inspiring opera weekend to a wonderful close.
14 April 2025 | OpernSalon to Parsifal
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Wagner’s final stage work was the focus of our OpernSalon in April. Bearing the somewhat grandiose subtitle Bühnenweihfestspiel, the work was, according to the composer’s wishes, never to be performed outside Bayreuth. Elias Corrinth explored the mysteries surrounding Parsifal and introduced us not only to its plot and characters, but also to the opera’s leitmotifs and musical structure through examples at the piano. The programme ranged from the discovery of slowness and Wagner as a “church councillor”, a main character without a leitmotif, the wine list of the Holy Grail, Parsifal vs. Arindal, Buddhism on Good Friday – and much more.
27 March 2025 | Season Presentation 2025/2026
27 March 2025 | Masterclass with Camilla Nylund and the International Opera Studio
On 27 March, the International Opera Studio of the Staatsoper Unter den Linden had the special opportunity to work with internationally acclaimed soprano Camilla Nylund. The masterclass focused not only on vocal technique, but also on the deeper interpretation and emotional expression of the repertoire. The young artists worked particularly intensively on compositions by Richard Strauss. Camilla Nylund offered valuable guidance on character development and musical expression, tailoring her approach to each individual voice. The International Opera Studio is supported by the Friends & Supporters, making it all the more rewarding for us to accompany this special masterclass and witness the impressive artistic development of these young talents.
13 March 2025 | ZwischenTöne with Ludovic Tézier
On 13 March, we welcomed renowned baritone Ludovic Tézier for another edition of our ZwischenTöne series, in conversation with Dr Detlef Giese, Chief Dramaturg of the Staatsoper. Tézier spoke about his early fascination with opera. His first operatic experience was Parsifal at the age of 13 – an encounter that left a lasting impression and instilled in him a deep respect for Wagner’s works. He also offered fascinating insights into his approach to performing. Tézier explained that he draws on his own emotions when developing a character, believing that singers can only truly embody a role if they can relate, at least to some extent, to the emotions of the person they are portraying. For this reason, he chooses not to take on roles with which he feels unable to identify. From 21 March, Tézier will appear in the title role of Simon Boccanegra, last performed at the Staatsoper in 2009. Although the production remains the same, Tézier explained that he and his colleagues are creating their roles anew, drawing on their own emotions and experiences. He also recalled being asked in an earlier interview whether he regretted that his character had no aria of his own. His humorous response: “Why? I have one single aria that begins at the start of the opera and ends at the very end.”
Tézier also shared his thoughts on the future of opera, comparing the art form to a ship that is currently listing. For him, families have a crucial role to play in setting it back on course: opera can only remain vibrant if younger generations encounter it from an early age. Parents and grandparents, he argued, therefore have an important responsibility to introduce their children and grandchildren to this art form.
To conclude, Tézier expressed how much he was looking forward to welcoming audiences to his upcoming performances.
19 Febuary 2025 | A Wunderharfe for the Staatskapelle Berlin
Thanks to the generous donations of our members, the Staatskapelle Berlin was able to acquire a new harp. To express our gratitude, we invited all supporters to a special concert in the Apollosaal, where the new instrument was officially presented and its remarkable range of sound showcased. Hosted by Detlef Giese, the evening featured a varied programme in which harpist Stephen Fitzpatrick and violinist Andreas Jentzsch demonstrated the versatility of the harp across different styles and settings.
3 December 2024 & 14 January 2025 | Monet and the Impressionist City
We had the great pleasure of visiting the impressive exhibition Monet and the Impressionist City at the Alte Nationalgalerie on several occasions. Our wonderful guide Thomas Hoffmann led us through the exhibition with his remarkable expertise and infectious enthusiasm, making each of our visits a truly special experience.
For the first time since their creation, the exhibition brought together in Europe Claude Monet’s earliest views of Paris from 1867, considered the first Impressionist cityscapes. Hoffmann’s insightful explanations highlighted not only Monet’s radically new perspective on the modern city, but also his influence on subsequent artists such as Gustave Caillebotte and Camille Pissarro. A particular highlight was the reunion of Monet’s three famous city views, complemented by around 20 further works documenting the emergence of the city as a new artistic subject. Thanks to Thomas Hoffmann’s lively and knowledgeable guidance, our visits became truly memorable experiences.
17 December 2024 | LINDEN-Dinner with Christian Thielemann
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15 December 2024 | Apollos Visit to the fritzen
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On 15 December 2024, the Apollos joined the fritzen (Young Friends of the Prussian Palaces and Gardens) for a visit to the Schlosstheater Potsdam. The programme included an informal discussion with recorder player, conductor and festival director Dorothee Oberlinger, as well as a live demonstration on the recorder showcasing the theatre’s unique acoustics. From 2025 onwards, the theatre will enter a several-year period of “renovation slumber” as it undergoes extensive refurbishment.
7 December 2024 | Advent Concert
This years Advent Concert was a wonderful and memorable finale to our year together. We would like to express our heartfelt thanks to everyone who joined us in such great numbers. We are deeply grateful for your loyalty, support and generous contributions, especially at a time when such commitment cannot be taken for granted. We hope you enjoyed this festive Advent morning, with works by Bruckner and Mozart, as well as the special atmosphere of the Apollosaal. Our sincere thanks also go to the Staatskapelle Berlin’s Tilia Quartet, who performed as a quintet and delighted us with their wonderful playing. We very much look forward to sharing many more special moments with you in the new year!
25 November 2024 | Preview of the Winter Auction at Grisebach
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The exclusive preview at Villa Grisebach offered a fascinating glimpse at the highlights of the upcoming winter auction. Works by artists including Beckmann, Picasso and Nolde were presented, among them Beckmann’s Quappi mit grünem Sonnenschirm, which sold for €5.4 million. A particular rarity was a page from Caspar David Friedrich’s sketchbook.
19 November 2024 | Tour of Bühnenservice Berlin
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A guided tour of the impressive Bühnenservice Berlin workshops offered fascinating insights into the creative processes behind the scenes. From metalworking to costume production, the Bühnenservice provides 25,000 square metres of space and infrastructure to bring the visions of set and costume designers to life.
14 to 18 November 2024 | Trip to Vienna & the Janáček Festival Brno
You can find a short travel report about our musical and cultural journey of discovery to Vienna, Brno and Olomouc by clicking on the photo.
29 October 2024 | OpernSalon to Die Frau ohne Schatten
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Another fascinating evening with Elias Corrinth explored the challenges surrounding the creation of Richard Strauss’s Die Frau ohne Schatten. Due to the circumstances of the war, composer and librettist were forced to improvise, leaving some passages preserved only in musical form, without the corresponding text. The analysis of leitmotifs and musical structures offered impressive insights into the work’s complex psychology. Historical cuts to the score were also critically examined, revealing how they can at times limit the depth and development of the characters.
17 October 2024 | ZwischenTöne with the Directors of the Staatsopernchor
The ZwischenTöne series featured a fascinating conversation with Dani Juris and Gerhard Polifka, the directors of the Staatsopernchor. Both shared insights into their personal journeys and the passion for music that has shaped their careers.
Dani Juris, who knew from an early age that he wanted to become a musician, grew up in a musical family with two pianist parents. Choral music played an important role in his childhood, particularly through his time with the Cathedral Choir in Helsinki, where he sang works by Bach, Schütz and Mendelssohn. While studying, he founded a choir in Helsinki and developed an even deeper connection with opera, a genre that had always fascinated him. Gerhard Polifka also spoke about his long-standing desire to pursue a career in music. A formative influence was the Klassik für Kids cassette series by Justus Frantz, which his aunt gave him as a child. Although he came from a family of teachers and initially studied music education, he eventually followed his passion and specialised in orchestral conducting. With its 86 members, the Staatsopernchor places considerable demands on its singers, making it particularly important to distribute the workload evenly. Despite these challenges, the ensemble is characterised by an exceptional enthusiasm for performing and a deep passion for music, as both chorus directors emphasised. Language coaching is also a key part of the chorus’s work. Alongside languages such as French, Italian and English, less familiar languages such as Czech are sometimes rehearsed syllable by syllable. Both directors stressed the importance of sound and intonation in their work. Even familiar repertoire is continually refined and perfected. A clear concept of the desired sound is essential and must be internalised by every singer in order for the chorus to sound “as one”. It is this combination of technical precision, intensive rehearsal and the singers’ passion that makes the Staatsopernchor such an exceptional ensemble.
This edition of ZwischenTöne thus offered not only fascinating insights into the careers of two inspiring chorus directors, but also a closer look at the particular challenges and distinctive qualities of choral work at the Staatsoper Unter den Linden.
13 October 2024 | Sunday Shopping Event at Dussmann
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On 13 October, another inspiring Sunday Shopping Event at Dussmann – Das KulturKaufhaus took place in support of the Staatsoper Unter den Linden. The day offered visitors the opportunity to experience the interplay of literature, music and opera in a relaxed atmosphere. The exchange between artists and audiences was at the heart of the event: Igor Levit gave a taste of his artistry while presenting his new album Brahms with Christian Thielemann. Musicians of the Staatskapelle Berlin, artists from the Orchestra Academy and the International Opera Studio, as well as the Apollo Choir, provided a varied musical programme throughout the day, offering insights into the current season and their work at one of Germany’s leading cultural institutions.
25 March 2024 | »ZwischenTöne« with Tomasz Konieczny
Originally, the Polish bass-baritone, one of the most sought-after Wagner interpreters, did not want to sing at all, but to become an actor. However, one of his professors made it a condition that he take singing lessons at the same time. After his first engagement at the Leipzig Opera it became clear that opera singing would determine his professional career. His passion for acting benefits him on stage. He attaches great importance to understanding the direction of a production in order to develop the character further. In the production of »Der Ring des Nibelungen« by Dmitri Tcherniakov, he doesn’t understand everything, but praises the outstanding work of the assistant directors at the Staatsoper Unter den Linden, the marvellous Staatskapelle Berlin, the professional support at the house and is very happy to have made his Staatsoper debut under these excellent conditions with a role as big as that of Wotan and Wanderer in two consecutive cycles.
As an avowed Wagnerian, he would like to inspire other singers to dedicate themselves to these roles in the future. In addition to his career as a singer he is also the director of the Baltic Opera Festival in Sopot, Poland, where he has returned a 5,000-seat covered forest stage to its original purpose. He is, of course, looking forward to welcoming many visitors from Berlin and we would also like to visit him in Sopot this summer. We would like to thank our member the M.M.Warburg for the hospitality.
22 March 2024 | »Der RING im Lichte des deutschen Strafrechts« – A musical-satirical »Ring« afternoon
In an unsparing reappraisal of the »Ring«, the fictional author and Gifhorn district judge Ernst von Pidde gives each character in the tetralogy the punishment for their misdeeds. Whether murder or manslaughter, abduction or theft, arson or cruelty to animals: Wagner's gods, heroes and giants do not giants leave no outrage unturned. After the success of previous years the »Staatsstreicher«, tenor Stephan Rügamer, who plays the role of Mime in the »Ring« production and Staatskapelle’s chief clarinettist Matthias Glander took a musical-satirical look at the tetralogy.
The »Staatsstreicher« have joined forces as a viola quartet to perform in this unusual line-up as the »Comedian Violists« to provide a, sometimes tongue-in-cheek comment on their instrument and the core repertoire of »their« Staatsoper Unter den Linden.
20 March 2024 | »Der witzigste bist Du unter den Weisen« – A soiree with Elias Corrinth
As part of our special programme during the FESTTAGE, solo repetiteur and Wagner expert Elias Corrinth offered a musical introduction to the »Ring«. Where are the musical and textual nuclei of the cycle? Why are the textual flashbacks and repetitions in the »Ring« musically even indispensable from a musical point of view? What is the musical connection between Brünnhilde and Fafner? What is the only leitmotif that does not appear in »Götterdämmerung«? Elias Corrinth answered these and many other questions eloquently and charmingly with musical examples in the Apollosaal.
13 March 2024 | »ZwischenTöne« with Rolando Villazón
Rolando Villazón already visited us in 2022 for the premiere of the new production of »Der Ring des Nibelungen«. This year, even more members were able to take part in this artist talk and learned not only about his path to the role of Loge – Daniel Barenboim had called him and asked him to take part in the new production at the Staatsoper Unter den Linden – but also more from his wealth of experience as a singer, artistic director, writer and artist of life. We learnt that he writes and gets inspired everywhere, that his books are autobiographical and non-autobiographical at the same time, that he feels like a stranger wherever he is and that home is the place where he is. We also we talked about musical education and the importance of art and culture in society. »The best things I experienced in my childhood came from music, literature and art« said Rolando. Music is a universal language, not an addition, but a necessity, Villazón continued. It is the responsibility of all of us to pass this on to future generations. We absolutely agree.
28 November 2023 | Preview Grisebach Winter Auction
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Our Young Friends had the special opportunity to take an exclusive tour of the exhibition for the winter auction at Grisebach. Traute Meins, Sandra Espig and Luca Joel Meinert guided our APOLLOS through the four floors, past works by Magritte, Nolde, Beckmann, Chagall, Liebermann and Warhol to the valuable »Karlsruher Skizzenbuch« by Caspar David Friedrich - one of only six surviving copies worldwide. We learned a lot about the art trade in general and the activities of an auction house. We ended the evening in front of the fireplace with wine, conversation and good humor. Many thanks to our APOLLO Luca Joel Meinert and the Grisebach team for the invitation, the great tour and an all-round successful, informative evening.
25. November – 3. December 2023 | Staatskapelle Berlin on tour in Canada and the US
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Three conductors, four music centers in North America, six concerts celebrated with standing ovations: this is the summary of the very successful tour in Canada and the USA, which took the Staatskapelle Berlin to Toronto, Chicago, New York and Philadelphia from November 25 to December 3 with the four symphonies by Johannes Brahms. All six concerts were enthusiastically celebrated with huge entusiasm by the audience.
»It was an incredibly great experience for the Staatskapelle Berlin to work with three conductors on an international concert tour in such a dense period of time, all of whom worked out very different and extremely exciting interpretations with the orchestra in a very short space of time. But the wonderful sound of the Staatskapelle Berlin remained. This was ‘spontaneous’ music-making at the very highest level and something that can hardly be planned in this form. The reactions of the audience showed that there was something special in the air. [...]«, says Matthias Schulz.
Some of our members took the opportunity to attend the concerts and so there were rehearsal visits and social encounters in New York with the American Friends, members of the Staatskapelle Berlin and the management of the Staatsoper. We are excited about future concert tours of the Staatskapelle!
November + December 2023 | Guided tour through the exhibition »Edvard Munch. Zauber des Nordens« in the Berlinische Galerie
Together with numerous members, we visited the exhibition »Edvard Munch. Magic of the North« at the Berlinische Galerie. The exhibition comprises around 80 works by Edvard Munch, supplemented by works by other artists.
Under the expert guidance of Thomas Hoffmann, we learned a lot about Edvard Munch’s special relationship with Berlin. At the time, the German capital was gripped by an enthusiasm for all things Nordic. The Berlin Artists’ Association invited the young, still unknown artist to an exhibition in 1892. Viewers were shocked by the bright colors and found the paintings sketchy. Munch was delighted with this attention and lived in the city on and off between 1892 and 1907. Thomas Hoffmann paid particular attention to the frieze of Munch’s life and his engagement with his works, which he called »his children«.He drew and painted his motifs several times, often hanging them himself in the exhibitions and regularly rearranging them in his studio, as their meaning and interaction changed over the years.He even exposed his works to the weather, for example »Die Schneeschipper«, which disappeared from Berlin without a trace during the Second World War, lay fittingly under a layer of snow for one winter. We look forward to further exhibition visits with our members!
17 November 2023 | »ZwischenTöne« … with Christian Thielemann & Matthias Schulz
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It has been known since September 27, 2023 that Christian Thielemann will be the new General Music Director of the Staatsoper Unter den Linden from the 2024/25 season. The designated Artistic Director Elisabeth Sobotka said of the appointment: »With Christian Thielemann, one of the most outstanding conductors of our time is taking over from Daniel Barenboim. It is an organic and inspiring transition. [...] I am very much looking forward to our collaboration.«
But how did this decision come about? After all, Christian Thielemann’s first joint appearance was only planned for November 20 and 21, 2023, and the Staatskapelle Berlin had already chosen Christian Thielemann as their preferred candidate well in advance. We learned this first-hand on November 17: it was a very spontaneous coincidence that led to the orchestra and conductor having the opportunity to perform together over a year earlier. In June 2022, conductor Herbert Blomstedt was unfortunately injured and a conductor had to be found on a Saturday for the subscription concerts on the following Monday and Tuesday, for which only one dress rehearsal was scheduled. So artistic director Matthias Schulz sent a fateful text message to Christian Thielemann, with whom he had been in contact for some time, to which he replied »Why not?«. According to Christian Thielemann, it was »love at first sight« with the Staatskapelle Berlin.
There are very few orchestras in the world that have this »very special, dark but not melancholic sound«. And so the Staatskapelle Berlin unexpectedly celebrated its debut with Christian Thielemann on a hot June evening in 2022 with Bruckner’s 7th Symphony and »Isolde's Liebestod«. The energy between orchestra and conductor was already palpable that evening. This laid the foundation for a successful collaboration between orchestra and conductor. In the fall of 2022, Christian Thielemann successfully stepped in for the »Ring« and also took over the Staatskapelle Berlin’s tour of Asia. Christian Thielemann praised Matthias Schulz for making this possible, for his commitment and organizational talent in the house.
During the evening, we also learned why operettas are of central importance to Christian Thielemann, what Herbert von Karajan told him in his younger years and abot his plans with the Staatskapelle Berlin in the coming years. He particularly loves the sound of the orchestra, undoubtedly shaped by the many years of work of Daniel Barenboim, which he wants to preserve and develop further. Which opera he will conduct first and which program he is thinking about for the concerts at the turn of the year, however, remains reserved for those present that day. We are very much looking forward to further encounters with the designated General Music Director!
14 November 2023 | Fundraising-Dinner with Magdalena Kožená & Sir Simon Rattle
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On November 14, selected members and guests of Alexandra von Rehlingen-Prinz and Prof. Matthias Prinz were given the opportunity to dine in the presence of Magdalena Kožená & Sir Simon Rattle. In a small circle, the guests also spoke with Matthias Schulz about the enormous importance and necessity of promoting young talent in opera houses and about their eligibility for funding. We are grateful to the hostess and the host for the wonderful invitation to the Loft am Mauerpark!
18 October 2023 | »ZwischenTöne« … with Waltraud Meier
»I have nothing more to say musically. Bye!« Waltraud Meier said goodbye to her audience on October 20 after her last opera performance in the role of Klytämnestra in Richard Strauss’ »Elektra« on the stage of the Staatsoper. Two days earlier, we met the wonderful singer together with dramaturge Christoph Lang for an interview in the orchestra rehearsal hall, where the singer had spent many hours with the Staatskapelle Berlin.
We talked about her beginnings in Würzburg, where she sang with many choirs. Did you know that she called Bayreuth herself and asked for an audition? Wolfgang Wagner asked her to stay. And she stayed. Since then, she has been one of the most sought-after Wagner interpreters. Wagner suits her, she says. During her career, she has greatly appreciated the opportunity to work on the further development of the pieces, to help shape them, which is becoming increasingly difficult today. Of the many people who have influenced and enriched her musical life, she names two »musicians of a lifetime«: Daniel Barenboim and Patrice Chérau. She describes Daniel Barenboim in particular as an »important companion«. Making music with him was »brilliant«. She and he were »like a glove, where you didn’t know who was the hand and who was the shoe«. With him, the least she had to do was look into the pit or at the monitor, that’s how good they understood each other.
Waltraud Meier said of herself that she was in the overjoyed position of having been able to do everything she wanted. That’s why it isn’t so difficult for her to leave the stage, after all, she had said everything there was to say. We thank Waltraud Meier for a magical evening!
15 October 2023 | Open Sunday at Dussmann – Das KulturKaufhaus for the Staatsoper
This year’s open Sunday to benefit the Staatsoper Unter den Linden at Dussmann – Das KulturKaufhaus on October 18, 2023 was dedicated to the International Opera Studio. During the open Sunday, the department store was filled with contributions from choirs and the brass ensemble »Lindenbrass« as well as chamber music from the Orchestra Academy. Of course, scholarship holders from the Opera Studio also presented themselves and gave a taste of their skills. The proceeds of the day went to them. We thank Dussmann – Das KulturKaufhaus for its many years of generous support and cooperation.
12 September 2023 | Guided tour through the Staatsoper with APOLLOS & fritzen
Even for regular opera-goers, it is often astonishing and surprising what has to happen behind the scenes for an evening at the opera to be remembered as a special experience. We also used a tour of the State Opera and the rehearsal center to network our APOLLOS with the fritzen, the young friends of the Prussian Palaces and Gardens, and to exchange ideas. A return visit to the historic sites of Potsdam is scheduled for spring 2024.
5 September 2023 | Fundrainsig Dinner at Max Liebermann Haus
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A very special season opening even before the official start of the 2023/24 season at the Staatsoper Unter den Linden awaited our guests on September 5. Thanks to the generous invitation from Berliner Sparkasse to the Max Liebermann Haus at the Brandenburger Tor, we came together to raise funds for the Staatsoper’s International Opera Studio at a charity dinner. The program prepares young, talented singers for an artistically demanding career on the stages of musical theaters.
We enjoyed the wonderful performances by Regina Koncz (soprano), Ekaterina Chayka-Rubinstein (mezzo-soprano) and Friedrich Hamel (bass) from the studio, accompanied by Markus Zugehör. We rounded off the evening with culinary delights and stimulating conversation. We are very much looking forward to seeing these outstanding talents on the Staatsoper stage many times in the coming season and thank Berliner Sparkasse and the donors for such a wonderful evening!
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