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Artist
Ensemble Modern
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Event
Symphoniekonzert III
Next dates:
- 08.12.26 7.00 PM - Staatsoper Unter den Linden
- 09.12.26 8.00 PM - Philharmonie Berlin - Großer Saal
[...] As one of the leading figures of the so-called “Mighty Handful” of 19th-century Russian avant-garde composers, Modest Mussorgsky made music history. In essence, he was the “original genius” of this group, rejecting academic training and traditions while drawing on a natural creative force from the depths of his own soul and on primitive folk music. (...) Modest Mussorgsky Eine Nacht auf dem kahlen Berge Béla Bartók Viola concert Modest Mussorgsky Bilder einer Ausstellung(Orchestration: Maurice Ravel) [...]
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The Turn of the Screw
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No upcoming dates.
[...] A young woman is given a job as a governess at a country house, Bly, where she will be looking after two orphan children, Flora and Miles. She has been hired by the children’s uncle and guardian, who doesn’t want to be bothered by anything and who makes the young woman swear to absolute secrecy about the goings-on at his estate. Later, the governess believes she sees hazy apparitions of a man and a woman gliding through the rooms of the house, and she identifies them as the spirits of former employees Peter Quint and Miss Jessel. (...) Prologue A woman from a modest background, the daughter of a countryside vicar whose name we will never learn, is named governess at the country estate of Bly. Grose. At first, the closed off cosmos of Bly with the angelic children seems like a perfect idyll. And yet, gradually, the untarnished nature of this world is shaken to the core. [...]
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Die Arabische Nacht
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[...] The water isn’t running although there are rushing sounds everywhere. And the lift is stuck, yet again. An exceptional night that brings together people who are essentially strangers despite living in the same building. For various reasons, all of them are drawn into the apartment of the ever-sleeping Franziska Dehke and her resolute flatmate Fatima Mansur, which soon becomes a venue of erotic adventures, jealousy and vengefulness. (...) Chamber Opera (2007) Music and text by Christian Jost after the eponymous play by Roland Schimmelpfennig [...]
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Die schweigsame Frau
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No upcoming dates.
[...] In the early 1930s, for Richard Strauss — approaching 70 — it was an auspicious moment when Stefan Zweig, a renowned author known for his artful, profound novels and plays, proposed writing a new libretto. “The opera is a perfect, but perhaps for the twenty-first century,” according to Strauss himself, who in a difficult, dark time created a work of creative compositional virtuosity and a relaxed sense of humor, a story of people longing for rest or who lose themselves in busyness. (...) Morosus is also extremely sensitive to noise and needs his rest, which is why he can only barely stand the clamor of the streets and the tolling of church bells. Since he clearly has no heirs and to ensure that he can enjoy the rest of his life peacefully, the barber suggests that he should take a quiet, modest, silent woman as his wife. But Henry did not come alone, but with an entire theatre troupe, who then shows up in Morosusʼ apartment. Henry, who started a career as a singer, presents the members of the company, including his wife Aminta, who is also a member of the company. (...) “A whirlwind of sound figures and fragments sweeps through the orchestra, whistling, flashing and crashing. The Berliner Staatskapelle follows Thielemann's flow of energy with precision and inner commitment." “It's amazing how confidently Thielemann brings rhythmic structure to bear [...]. In fact, it's delicate heavy work. That's why the audience loves him, that's why he received ovations."(BR Klassik) [...]
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The Sleeping Beauty
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No upcoming dates.
[...] When she is finally released from an evil spell by the kiss of a young prince, the Sleeping Beauty awakes and is – inspite of a hundred years of sleep– as beautiful as a young woman. This production demonstrates that Nacho Duato, who to the Berlin public has been so far mainly known for modern choreographies, can also tackle classical ballets with dance en pointe with great success. (...) Learn more: There is a free introduction in German for the audience at the performance venue 45 minutes before each performance, except opening nights, guest performances, and special events. It is prepared and moderated by students of the Free University Berlin as part of the Ballet University program. [...]
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Der Freischütz für Kinder
Next dates:
- 16.12.26 11.00 AM - Staatsoper Unter den Linden
- 17.12.26 11.00 AM - Staatsoper Unter den Linden
- 18.12.26 11.00 AM - Staatsoper Unter den Linden
[...] Although Agathe and her friend warn Max against it, he meets Caspar one night and allows himself to be convinced to take the magic potion. The next day, it should help for the decisive match … Using the exciting and emotional music of Carl Maria von Weber’s famous opera, director Kai Anne Schuhmacher tells a modern version of the story. In collaboration with schools, several numbers are prepared in such a way to invite the young audience to participate from their seats. In this way, children eight and over can immerse themselves in the fascinating world of the opera in the overwhelming atmosphere of the Staatsoper’s main hall. (...) “On Friday morning at the premiere, you can feel the magic of the location. The excitement in the neo-Rococo auditorium is palpable. “The fantastical staging full of surprising details were designed by Silke Bauer, while the colourful costumes were created by by Valerie Hirschmann.” [...]
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Melencolia
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[...] In immersive soundscapes, musicians from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden invite the audience to explore the creative and transformative power of melancholic worlds. Tailored for 14 musicians of the Ensemble Modern and accompanied by singers from the Apollo Choir, this work addresses the historical complexities of melancholy – perceived variously as an illness, as a way of overcoming earthly suffering or as the sister of genius. (...) A show against the indifference of the universe (2022) from Brigitta Muntendorf [...]
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MELANCHOLY OF RESISTANCE
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[...] Functions of daily life have become unpredictable and the future holds little hope. But the arrival of a mysterious circus with bizarre figures promises distraction. The main attraction is a duke with three eyes. But it’s not about entertainment: He intends to destroy the people of the city... (...) After a revealing encounter on the train, Rosi Pflaum, a widowed housewife, is afraid for herself and for the town. She anxiously seeks shelter in her apartment, where the kitschy interior becomes a place of retreat. She extorts him, threatening to return to their shared apartment. Her plan works: Monsieur Esther joins in the action against his will and hopes in exchange to be rid of his wife once and for all. [...]
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Abonnementkonzert IV
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[...] In addition to his well-known Cello Concerto, Edward Elgar also wrote a major concerto for the violin. Composed in 1910, it leads us back to the sound of late Romanticism, with high technical and creative demands. »Pictures at an Exhibition«, originally written for piano by Modest Mussorgsky, will be performed in the refined tones of Maurice Ravel’s orchestral version. (...) Edward Elgar VIOLIN CONCERT H MINOR OP. 61 Modest Mussorgsky »BILDER EINER AUSSTELLUNG« [...]
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Chowanschtschina
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[...] Ivan Khovansky, leader of the musketeer corps (streltsy), and his son Andrei, are planning a conspiracy, but the ambitious Prince Vasily Golitsyn, the boyar Shaklovity and cleric Dosifey also get involved in the struggle for power. While still working on Boris Godunow, the composer Modest Mussorgsky began to think about a new opera project in 1872. Inspired by the writer Vladimir Stasov, he began to read intensively about the circumstances of the Streltsy Uprising against Tsar Peter I and Sofia Alekseyevna. (...) A national music drama in five acts (1886) Music and text by Modest Mussorgsky In Dmitri Schostakowitsch's version with Igor Stravinsky’s finale [...]
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Preußens Hofmusik I
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No upcoming dates.
[...] The Preußens Hofmusik concert series returns to the place where it all started more than a dozen years ago. In a chamber-orchestra-size ensemble, musicians of the Staatskapelle will perform on their modern instruments in a historically informed performance style. (...) The Berliner Schule (...) The Berliner Schule [...]
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The Magazine
[...] Would you like to continue reading the magazine of the Staatsoper Unter den Linden free of charge in the future? We will notify you as soon as a new issue is published and send the magazine automatically to the address you provided. Please fill out the following fields: [...]
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Preußens Hofmusik IV
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No upcoming dates.
[...] The Preußens Hofmusik concert series returns to the place where it all started more than a dozen years ago. In a chamber-orchestra-size ensemble, musicians of the Staatskapelle will perform on their modern instruments in a historically informed performance style. (...) Berliner music from the 17th century William BradePADUANA – GALLIARD Adam JarzębskiCANZONA CHROMATICA Johann Crüger»DIE SONN HAT SICH MIT IHREM GLANZ GEWENDET« Nikolaus ZangiusCANZON LUPACCHINO William BradeCANZON À 5 Johann CrügerMAGNIFICAT PER CONCERTO À 5 William BradePADUANA – GALLIARD – ALLMAND [...]
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Abonnementkonzert VIII
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[...] Among Sergei Prokofiev’s five piano concertos, the second, which was written in 1912/13, has fallen into relative obscurity. Traditional in form, but noticeably experimental in terms of harmony and sound, it prefigured the »modern« Prokofiev of the coming years. With his »Symphonic Dances«, Rachmaninoff’s brilliant three-movement orchestral work in late Romantic style from 1940, the composer was once again feted on the international music scene. He also considered this last composition his best, which is hardly surprising given its inventiveness and vibrant sound. [...]
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Gendarmerie
[...] This sophisticated restaurant is located on the premises of a former bank. Sophisticated modern brasserie cuisine is served with exceptionally good desserts and patisseries.Adress Behrenstraße 4210117 BerlinContact and further informations www.restaurant-gendarmerie.deTel.: +49 (0)30 767 75 270 «back to overview [...]
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Konzert im Pierre Boulez Saal II
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No upcoming dates.
[...] The transition from the Romantic to the Modern Age was not straightforward and took many different routes. The later radical newcomer Arnold Schoenberg began as Brahms’ successor, as his string composition »Verklärte Nacht« emphatically proves. [...]
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Preußens Hofmusik II
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No upcoming dates.
[...] The Preußens Hofmusik concert series returns to the place where it all started more than a dozen years ago. In a chamber-orchestra-size ensemble, musicians of the Staatskapelle will perform on their modern instruments in a historically informed performance style. [...]
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Preußens Hofmusik III
Next dates:
No upcoming dates.
[...] The Preußens Hofmusik concert series returns to the place where it all started more than a dozen years ago. In a chamber-orchestra-size ensemble, musicians of the Staatskapelle will perform on their modern instruments in a historically informed performance style. [...]
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Artist
Arthur Arbesser
[...] Des Weiteren holt er sich aus vielfältigen Projekten und Kooperationen in den Bereichen Grafik-, Produkt- und Interior Design stets neue kreative Impulse. Nachdem er im Jahr 2019 die Kostüme des Balletts für das Neujahrskonzert der Wiener Philharmoniker entworfen hat, gab Arthur Arbesser mit seinen Kostümen für Der Rosenkavalier an der Staatsoper Unter den Linden sein Debüt bei einer Operninszenierung. [...]
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Robinson
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[...] For Robinson Crusoe, the only survivor to be washed up onto the beach of a desert island after a shipwreck, what first appears to be paradise quickly turns out to be a place of damnation. Based on Daniel Defoe’s classic novel from 1719, composer Oscar Strasnoy and playwright Sigrid Behrens link the story to how some people in modern society live in isolation. Their thoughts are condensed into reflections on aspects of life in seclusion – both the withdrawal into inner worlds or escape into parallel ones. (...) Chamber opera for self-playing pianos,machines and seven islands (2023) Music by Oscar Strasnoy Text by Sigrid Behrens Comissioned by the Staatsoper Unter den Linden [...]
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Liederabend Internationales Opernstudio
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[...] Maurice Ravel composed around 40 songs during his lifetime, ranging from early pieces from the 1890s to the 1930s. The highly individual style that Ravel developed and to which he remained committed throughout his career is evident not only in his piano, chamber and orchestral music, but also to a considerable extent in his songs, in which Ravel drew inspiration from a wide variety of musical sources and cultures. In the year of his 150th birthday, a selection from this important group of works will be performed by members of The International Opera Studio, with the support of musicians from the Orchestra Academy and pianist Markus Zugehör – inspired, poetic music by one of the great French composers of the modern era. [...]
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Artist
Katherine Hambridge
[...] Her research focusses on French and German musical life in the first half of the nineteenth century. Katherine gained her undergraduate and postgraduate degrees in Music at the University of Cambridge, during which time she held the organ scholarship at Girton College. After her PhD, Katherine spent time in Berlin on a Deutscher Akademischer Austausch Dienst research grant, working on a project on the city's first Volkstheater, the Königsstädtisches Theater, before taking up a post as research fellow in the School of Modern Languages and Cultures at the University of Warwick, on the interdisciplinary AHRC-funded project on ‘French Theatre of the Napoleonic Era’. [...]
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Overture
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[...] The Spanish choreographer Marcos Morau has emerged as a shooting star of the modern dance scene with his visually spectacular productions. It is arranged by Crystal Pite for a large ensemble with her usual mastery of classical and modern dance, yet she does not shy away from the challenge of making complex human issues visually and emotionally tangible. [...]
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Rusalka
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[...] Rusalka, a water creature, has fallen in love with the seemingly unattainable prince. To find a place in his world and be close to him, she even gives up the power to speak and changes her shape. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality. (...) Preface 45 minutes before the start of the performance in the Apollosaal Important note! Stroboscopic effects are used in this production. (...) None of the characters in Dvořák’s opera has an individual name; they are all identified by their position or profession. In the translation, only Rusalka (Water Nymph) and Ježibaba (Witch) retain their Czech names.Act one Rusalka tells the Water Sprite that she has fallen in love with the Prince and admits that she longs to have a human soul. [...]
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Cassandra
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[...] Sandra presents the results of her research on the melting polar ice caps in the form of stand-up comedy and hopes in this way to sensitize people to the alarming situation of our planet. With Marie-Eve Signeyrole’s cinematic production, this very modern opera will be performed for the very first time in the German-speaking world. [...]
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The Tallis Scholars
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[...] Orlando Gibbons O CLAP YOUR HANDS Orlando Gibbons SEE, SEE THE WORLD IS INCARNATE Henry Purcell JEHOVA, QUAM MULTI Thomas Tomkins MY BELOVED SPAKE Henry Purcell MY BELOVED SPAKE Pelham Humfrey HEAR, O HEAV'NS Thomas Tomkins O GOD, THE PROUD Thomas Tomkins ALMIGHTY GOD, THE FOUNTAIN Henry Purcell O GOD, THOU ART MY GOD Thomas Tomkins O SING UNTO THE LORD Henry Purcell O SING UNTO THE LORD (...) »THE PATH TO PURCELL« [...]
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The timeless moment
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No upcoming dates.
[...] While the impressionists around Debussy aimed to reproduce the subjective impression of external images in their works, the spectralist Murail focuses entirely on the music itself and uses its individual parameters to create multi-layered sound spaces that defy the prejudices of sight. From various piano works by Debussy woven with Murail's"Territoires de l'oubli", Alain Franco creates a musical structure that forms the basis of the installation and which he will play himself on the piano during the performances. The only performer on stage will be a blind person. (...) Introduction 30 minutes before the start of the performance Chairs and cushions are available for seating. [...]
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Artist
Donald Holder
Next dates:
- Rigoletto - 05.09.26 7.30 PM - Staatsoper Unter den Linden
- Rigoletto - 11.09.26 7.30 PM - Staatsoper Unter den Linden
- Rigoletto - 17.09.26 7.30 PM - Staatsoper Unter den Linden
[...] Donald Holder gestaltete das Lichtdesign für über 60 Broadway-Produktionen, darunter Ragtime, Tootsie, Kiss Me, Kate, My Fair Lady, Anastasia, Oslo, Madama Butterfly, She Loves Me, Fiddler on the Roof, The King and I, On the Twentieth Century, The Bridges of Madison County, Golden Boy, Spiderman, Movin’ Out, The Boy from Oz und Thoroughly Modern Millie. Für seine Arbeiten wurde er dreizehnmal für den Tony Award nominiert und gewann zwei dieser Preise für The Lion King und South Pacific. Stand: März 2026 [...]
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Rivale
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[...] André Campras’ opera »Tancrède«, which was written in 1701 with a libretto by Antoine Danchet, tells the story of love and war. Based on the »Selva di Saron« episode from Torquato Tasso’s Renaissance epic »La Gerusalemme liberata«, the figure of the Muslim princess Clorinda, who falls in love with the Christian King Tankred (her enemy and later murderer) appears as a complex character study in Danchet’s libretto, in which the transformation from desperate lover to decisive warrior is clearly articulated.For her new music theatre piece, the Italian composer Lucia Ronchetti has redefined the baroque libretto and condensed it into an intense monologue. Clorinda becomes the narrator and witness of her own tragedy – an irreconcilable conflict between rivalry and desire. The composition itself also reveals an impressive combination of baroque and modern elements of style, which is an important aspect of Ronchetti’s musical expression. [...]
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Walk the Walk
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No upcoming dates.
[...] The starting point of the production by the Danish composer and media artist Simon Steen-Andersen is the act of walking. It was later, through the invention of photography and film, that scientists were able to visualise and understand the complexity of movements of walking and the balancing act it requires. [...]
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Artist
The Tallis Scholars
[...] Over four decades of performance and a catalogue of award-winning recordings for Gimell, Peter Phillips and The Tallis Scholars have done more than any other group to establish sacred vocal music of the Renaissance as one of the great repertoires of Western classical music.They have sought to bring Renaissance works to a wider audience in churches, cathedrals and venues on every continent on the planet except Antarctica! These include the Royal Albert Hall, the Sistine Chapel, the Lincoln Center and Carnegie Hall New York, the Philharmonic Hall Berlin, Saint Mark's Venice, Seoul Arts Centre Korea, Shakespeare's Globe Theatre London, Concertgebouw Amsterdam, Wigmore Hall, Beijing Concert Hall, Megaron Athens and the Opera House Sydney.The Tallis Scholars continue to develop their exclusive sound, praised by reviewers for its supple clarity and tone, and to bring fresh interpretations to music by contemporary as well as past composers, such as Pärt, Tavener, Whitacre, Muhly and Jackson. [...]
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THE MANDALA SUITES ****
[...] Contact THE MANDALA SUITESFriedrichstr. 185-19010117 Berlin, GermanyFon +49 (0)30 20 29 20Fax +49 (0)30 20 29 29 20suites@themandala.de www.themandalasuites.de « back [...]
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Artist
David Robert Coleman
[...] Weitere Kompositionsstudien erfolgten bei George Benjamin in London und Wolfgang Rihm in Karlsruhe.Kompositionen von David Robert Coleman wurden in Auftrag gegeben und gespielt von internationalen Orchestern und Ensembles wie dem Orchestre symphonique de Montreal, dem Youth Orchestra of the Americas, dem Ensemble Intercontemporain, dem Ensemble Modern, dem SWR-Sinfonieorchester Baden-Baden und Freiburg, Mitgliedern der Berliner Philharmoniker und dem Mahler Chamber Orchestra. Seine Werke werden von Éditions Alphonse Leduc Paris und Ries und Erler Musikverlag Berlin veröffentlicht.Als Gastdirigent erhielt er Einladungen von Orchestern wie dem Orchestre symphonique de Montreal, dem hr-Sinfonieorchester, dem Philharmonia Orchestra, dem Youth Orchestra of the Americas, dem SWR Sinfonieorchester Baden-Baden und Freiburg, dem Konzerthausorchester Berlin, dem Ensemble Modern, den Bremer Philharmonikern, der Jungen Deutschen Philharmonie, dem London Philharmonic Orchestra und dem Saarländischen Staatsorchester (Uraufführung von Pendereckis Trompetenkonzert).Von 2006 bis 2009 war David Robert Coleman Assistent des GMD und Dirigent an der Bayerischen Staatsoper München. [...]
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Artist
Helena Rasker
[...] Auf der Konzertbühne wird sie mit dem Ensemble Modern und George Benjamin, dem B'Rock Ensemble mit René Jacobs und dem Nederlands Philharmonisch Orkest auftreten.Zu den weiteren jüngsten Engagements gehören ihr Debüt bei den Salzburger Festspielen in »De temporum fine comoedia« unter der Leitung von Teodor Currentzis, Caldaras »Maddalena ai piedo di Christo« in Berlin, Freiburg, Madrid und Paris mit dem Freiburger Barockorchester, ihr Debüt in Bordeaux mit Pygmalion im Weihnachtsoratorium unter der Leitung von Raphaël Pichon, an der Opéra national de Rhin und im Concertgebouw Amsterdam (mit Kent Nagano) sang sie die Großmutter, die alte Dame und die finnische Frau in »The Snowqueen« von Abrahamsen, ihre Rückkehr zum Festival d'Aix en Provence in der Uraufführung von »The Arab Apocalypse« in einer Inszenierung von Pierre Audi, ihr Debüt am Théâtre des Champs-Élysées in Paris und am Grand Théâtre de Genève in Robert Wilsons Neuinszenierung von »The Messiah«. [...]
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Artist
Rebecca Howell
[...] Sie arbeitete u. a. mit Peter Darling, Arlene Philips, Adam Cooper, Robert Carsen, Terry Johnson, Trevor Nunn, Michael Mayer sowie Lonny Price zusammen und assistierte viele Jahre der Choreographin Lynne Page.Rebecca Howell ist den Bereichen Theater, Oper, Mode, Fernsehen und Musikindustrie tätig. In Opernproduktionen choreographierte sie u. a. für Platée (Garsington Opera), Jedermann (Salzburger Festspiele), Peter Grimes (Teatro alla Scala di Milano), Aida (Royal Opera and Ballet in London), Il trionfo del Tempo e del Disinganno (Salzburger Festspiele), Giulio Cesare (Scala), Die tote Stadt (Komische Oper Berlin), The Beggars Opera (Théâtre des Bouffes du Nord in Paris & Tour) und Falstaff (RBO). (Municipal Theatre, Zypern), The Country Girls (Chichester Festival Theatre), Spamalot, The Glass Menagerie (English Theatre Frankfurt) and The Life of The Party (TheatreWorks, San Francisco). [...]
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Artist
Sasha Waltz
Next dates:
- Dido & Aeneas - 25.11.26 7.30 PM - Staatsoper Unter den Linden
- Dido & Aeneas - 27.11.26 7.30 PM - Staatsoper Unter den Linden
- Tannhäuser - 20.03.27 4.00 PM - Staatsoper Unter den Linden
[...] Sasha Waltz is a choreographer, dancer and director. After her first studies at the School of New Dance Development in Amsterdam she joined the postmodern oriented New York City dance scene that worked in close exchange with the other arts. Examples of this are »Dialoge 09« performed in the still vacant interior of the Neues Museum in Berlin after the renovation by David Chipperfield (2009) and the choreographic installation »Figure humaine« for the inauguration of the Hamburg Elbphilharmonie (2017).In her present choreographic work, Waltz is focusing on the intensification of collaborative processes, such as the synchronic development of choreography and music. [...]
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Artist
Amber Vandenhoeck
[...] Sie entwarf Bühnenbilder für die weltweit tourenden Stücke »A Louer«, »Vader« und »Moeder«. Bis heute arbeitet sie mit dem Ensemble zusammen und produziert mit Gabriela Carrizo Werke wie »The Land« für das Residenztheater in München, »La Ruta« für das Nederlands Dans Theater und »La Visita«, welches von der Fondazione Maramotti koproduziert und mit dem Fedora Prize for Dance ausgezeichnet wurde. Es folgten Kollaborationen mit anderen Regisseur:innen und Compagnien in den Bereichen Tanz, Performance und Musiktheater. 2017 produzierte sie mit David Marton »On the Road« für die Münchner Kammerspiele. Eine stetige Zusammenarbeit verbindet sie u. a. mit Karin Beier (Schauspielhaus Hamburg), KOR'SIA Dance Company (Madrid), Béatrice Lachaussee (Paris), Julien Chavaz (Magdeburg), Tomoko Mukaiyama (Tokio), Lost Dog Dance (UK), Marcos Darbyshire, Post uit Hessdalen, Kyoko Scholiers. [...]
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The magazine of the Staatsoper Unter den Linden
[...] Would you like to continue reading the Staatsoper Unter den Linden magazine free of charge? To the registration formThe current magazine The first edition of the Staatsoper Unter den Linden magazine is being published to mark the Festtage 2025. [embed id=14517] The magazine - PDF Festtage 2025 - the programme [...]
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Artist
Ólafur Elíasson
[...] Museums around the world have devoted solo shows to his work, among them “Innen Stadt Außen” at Martin-Gropius-Bau in Berlin (2010); “BAROQUE BAROQUE” at the Winter Palace of Prince Eugene of Savoy in Vienna (2015); and “The unspeakable openness of things” at the Red Brick Art Museum in Beijing (2018). His interventions include “The weather project” (2003) at Tate Modern in London; “The New York City Waterfalls” (2008); and “Ice Watch”, which involved placing large blocks of arctic ice in public squares in Copenhagen (2014) and Paris (2015) to make tangible the reality of climate change. [...]
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Don Giovanni
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No upcoming dates.
[...] Sometimes as a cautionary tale of a wrongdoer who eventually gets his comeuppance, sometimes as an allegory of a freedom-loving, unconventional libertine who questions the moral and religious ideas of his day: The figure of the irresistibly attractive yet unscrupulous Don Juan (or Don Giovanni) is a modern myth, among whose numerous adaptations Mozart’s "dramma giocoso" stands out. At a rendezvous with the wealthy Donna Anna, the womanising Don Giovanni is apprehended by her outraged father, the Commendatore, who Giovanni kills in the ensuing duel. (...) Donna Anna and Don Giovanni quarrel; suddenly, Anna’s father, the Commendatore, appears, intent on defending his daughter’s honor. Anna realizes the danger her father is in and hastens off to call for help. Angry at these accusations, Giovanni is already thinking of his next conquest.When a female voice is heard complaining angrily about her husband’s infidelity, Giovanni is immediately willing to console the unhappy woman. He only realizes at the last moment that the unknown woman is Donna Elvira, whom he once married and then abandoned. [...]
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The Staatsballett rehearses Giselle
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[...] The Staatsballett Berlin will be part of the season opening festivities of the Staatsoper Unter den Linden on September 4, 2022: With an hour-long rehearsal of GISELLE, the Staatsballett offers insights into the famous ballet classic as ballet masters and dancers work on important details of the choreography which make this masterpiece so unique and special. (...) At the season opening festivities of the Staatsoper Unter den Linden [...]
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Jewels
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[...] The window display of a legendary jeweller on New York's Fifth Avenue sparked the idea for George Balanchine's 1967 ballet JEWELS. His Third Symphony inspired Balanchine to contribute his own interpretation of »grandeur and clarity.« With his purist approach, George Balanchine led ballet into the modern age and, through his impeccable taste, became a style icon of neoclassical ballet. In his choreographies, he plays with the dancers' virtuosity and skills; the ballerina's flair; the music's structure and mood. [...]
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Reconstruction
[...] The ensemble of buildings comprising the Staatsoper is very much in need of a general overhaul. While complying with listed building requirements, structural defects are therefore being remedied and the antiquated building equipment updated in line with modern safety requirements. In the interior space, conservation decisions will be made that achieve a balance between the requirements of a modern theatre venue and historic preservation interests. [...]
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Reconstruction
[...] The ensemble of buildings comprising the Staatsoper is very much in need of a general overhaul. While complying with listed building requirements, structural defects are therefore being remedied and the antiquated building equipment updated in line with modern safety requirements. In the interior space, conservation decisions will be made that achieve a balance between the requirements of a modern theatre venue and historic preservation interests. [...]
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Gifts from the Staatsoper
[...] Whether you are looking for publications about our opera house and its history, CDs and DVDs, program books, gift ideas or souvenirs - browse through our online opera gift shop and order your desired items directly here. Or visit our shop in the Foyer of the Staatsoper Unter den Linden. On all performance days, the opera shop is open from 4 pm or from 1 hour before the start of the performance. Our recommendation for last-minute purchases: You can also purchase all items directly from the opera gift shop in the Foyer Unter den Linden. The store is open on all performance days from 4 pm or from 1 hour before the start of the performance. [...]
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200th anniversary of the Staatsopernchor
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[...] It has been about two hundred years since a choir of professional singers first took part in performances at the Berlin Court Opera. With the premieres of Gaspare Spontini’s »Olimpia« at Unter den Linden in May and of Carl Maria von Weber’s »Der Freischütz« at Schinkel’s new Schauspielhaus on the Gendarmenmarkt in June 1821, today’s Staatsopernchor was born. The choir will perform at the FESTIVE OPENING OF THE SEASON, at the STAATSOPER FÜR ALLE, and at several choral symphonic concerts together with the Staatskapelle Berlin with works by Bruckner, Schumann and Mozart. (...) Symposium on the history and present of the Staatsopernchor with lectures and a round table (...) Symposium on the history and present of the Staatsopernchor with lectures and a round table [...]
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Artist
Olga Shaishmelashvili
Next dates:
- Norma - 03.04.27 7.00 PM - Staatsoper Unter den Linden
- Norma - 09.04.27 7.00 PM - Staatsoper Unter den Linden
- Norma - 11.04.27 6.00 PM - Staatsoper Unter den Linden
[...] Gastaufträge und Engagements führten sie bereits u. a. nach Japan, Italien, Russland, Weißrussland, Lettland, Kasachstan und in die Ukraine.Zu ihren Arbeiten als Kostümbildnerin zählen Il barbiere di Siviglia am Bolschoi-Theater in Moskau, Carmen an der Primorsky Stage of the Mariinsky Theatre in Russland, Il trovatore an der Abai Opera in Kasachstan und das Musical Der Graf von Monte Christo (Frank Wildhorn) am St. Petersburg Theatre of Musical Comedy und Madama Butterfly am Perm Tchaikovsky Opera and Ballett Theatre tätig.Für den Regisseur Vasily Barkhatov entwarf sie bereits eine Vielzahl an Kostümbildern, u. a. für Der fliegende Holländer an der Deutschen Oper am Rhein in Duisburg, Le Grand Macabre Der Spieler am Theater Basel undam Litauischen Nationaltheater für Oper und Ballett, an der Oper Frankfurt, Simon Boccanegra an der Deutschen Oper Berlin, Faust (Charles Gounod) in Perm, Tosca an der Staatsoper Hannover, Eugen Onegin an der Kungliga Operan in Stockholm und Chowanschtschina (Modest Mussorgsky) am Theater Basel. [...]
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Location
The Symphony Hall Osaka
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Page
The International Opera Studio at the Staatsoper Unter den Linden
[...] For 15 years, The International Opera Studio at the Staatsoper Unter den Linden has been a magnet for talented young singers from all over the world. Members are supervised and trained by conductor and singing coach Boris Anifantakis. A number of graduates from the opera studio have made the leap into the ensemble of the Staatsoper Unter den Linden or other renowned opera houses. [...]
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Event
Ti vedo, ti sento, mi perdo
Next dates:
No upcoming dates.
[...] Salvatore Sciarrino is no stranger to the Staatsoper. Five of his music theatre works were performed between 2010 and 2016 in the Schiller Theater. The work is set in the home of the aristocratic family Colonna in baroque Rome, where a singer, a writer, a musician, a choir and an instrumental ensemble are on stage awaiting the arrival of the composer.. (...) GERMAN PREMIERE ON 7 JULY 2018 Pre-performance lecture, 45 minutes prior to each performance (in German) Accompanying exhibition »Salvatore Sciarrino – Sign and Sound« in the Apollosaal in collaboration with Bertelsmann / Archivio Storico Ricordi, Milan (...) ACT ONERome, during the age of the High Baroque: in a hall of a grand palazzo, a performance is in preparation. A stage is built; the musicians, including a singer, several chorus members and instrumentalists, rehearse the cantata that is to be performed on this occasion. The young singer hands over a sheet of music to the perplexed singer, not saying a word. While leaving, he discusses Stradella’s modest legacy with the musician and the writer. [...]
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Event
Il barbiere di Siviglia
Next dates:
No upcoming dates.
[...] The wealthy Count Almaviva has won the heart of the beautiful Rosina under the pseudonym 'Lindoro'. But Rosina’s jealous guardian Dr Bartolo wishes to marry his ward himself and so tries to keep her suitors away. The 23-year-old Rossini composed 'Il barbiere di Siviglia' in just three weeks. Witty, fiery and vibrant, it is a masterpiece of Italian opera buffa, in which, as is so often the case, the old man in disguise hoodwinks everyone. (...) The music teacher Basilio turns up to warn his friend Bartolo that Almaviva is in the city. He argues that there is only one way to get rid of the count: slander. Rosina of course, recognizes Alonso as her Lindoro, and a music lesson is improvised to keep up the pretence. Bartolo, naturally, finds modern music abominable. Figaro manages to steal the key to the balcony door from Bartolo. (...) “Every now and then, someone somewhere in the world succeeds in staging a work that is so perfectly realised and so well interpreted that it neither becomes outdated nor boring over the years. Ruth Berghaus achieved this miracle of ingenious timelessness in 1968 with Gioacchino Rossini's Il barbiere di Siviglia at the Staatsoper. The humour, grace and incredible musicality of that performance survived generations of singers, conductors, assistants and even the fall of the Berlin Wall.” [...]
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Artist
Letizia Renzini
[...] Sie arbeitete mit Größen der zeitgenössischen Theaterszene Italiens wie Romeo Castellucci (Socìetas Raffello Sanzio) und Virgilio Sieni (Biennale Venedig) zusammen, außerdem wirkte sie als Sprecherin und DJane beim Sender RAI Radio 3, als Musikkritikerin für Zeitschriften und Magazine (Alias, Il Manifesto, Musica Jazz), und unterrichtete Multimedia und Filmgeschichte am Istituto Marangoni für Mode, Kunst und Design in Florenz.Ihre Musiktheaterproduktionen wurden auf internationalen Theater- und Kunstfestivals wie der Biennale in Venedig, dem Festival Romaeuropa, den Operadagen Rotterdam und Fabbrica Europa gezeigt, außerdem an Häusern wie dem Muziekgebouw Amsterdam, dem Mozarteum in Salzburg, dem Radialsystem Berlin, dem Auditorium Parco della Musica in Rom, dem Centro Cultural de Belém, dem South African State Theatre Pretoria, The Place London, der Opéra de Lille, dem Tanzeshus Stockholm, dem Royal Opera House Covent Garden, dem Centro di Cultura Contemporanea Strozzina in Florenz, der Elbphilharmonie und der Pariser Philharmonie. 2018 gab sie mit ihrem Musiktheaterprojekt »Decameron 2.0« ihr Debüt beim Festival dei Due Mondi in Spoleto. [...]
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Artist
Cécile Kempenaers
[...] Cécile Kempenaers singt in verschiedenen Ensembles wie Zefiro Torna, Huelgas Ensemble, Ricercar, Capella de la Torre, Orlando di Lasso Ensemble, Vocalconsort Berlin, Weser-Renaissance, Lautten Compagney, Akadêmia, La Fenice, Arsys, The Amsterdam Baroque Choir, Cappella Amsterdam, Balthasar Neumann Chor und anderen. Mit der Compagnie Sasha Waltz & Guests arbeitete sie bereits für mehrere Opernproduktionen: Purcells »Dido & Aeneas« mit der Akademie für Alte Musik Berlin unter Chris Moulds, Pascal Dusapins »Medea« mit der Akademie für Alte Musik Berlin unter Marcus Creed und Dusapins »Passion« mit dem Ensemble Modern unter der Leitung von Franck Ollu, beide choreographiert von Sasha Waltz. [...]
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Artist
Anu Tali
[...] Von 1998 bis 2000 setzte sie ihr Studium am Sankt Petersburger Konservatorium bei Ilya Musin und später bei Leonid Kortchmar und Jorma Panula fort. 2003 erhielt sie mit ihrer Debüt-Aufnahme »Swan Flight« den ECHO Klassik »Young Artist of the Year«. Anu Tali ist ehemalige Musikdirektorin des Sarasota Orchestra in Florida und arbeitet regelmäßig mit Orchestern wie Royal Philharmonic Orchestra, New Japan Philharmonic, Orchestre National de France, Houston Symphony Orchestra und dem Mozarteumorchester Salzburg. In Deutschland führten sie Engagements u. a. zum Deutschen Symphonie-Orchester Berlin, Symphonieorchester des Bayerischen Rundfunks und zum Ensemble Modern. Nach dem großen Erfolg einer »Carmen«-Produktion am Theater Magdeburg wurde sie zum Freiburger Barockorchester für eine Produktion von Glucks »Telemaco« eingeladen. [...]
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Event
Guided tours at the Barocktage
Next dates:
No upcoming dates.
[...] Guided tours of the restored Staatsoper during the BAROCKTAGE offer a special focus on the origins of Berlin opera during the late baroque period. (...) MEETING POINT Foyer of the Staatsoper Unter den Linden [...]
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History
[...] The productions reflect a commitment to these works from a modern perspective; they challenge conventional viewing habits, while remaining true to the spirit of the work. The new Staatsoper now has modern stage technology that creates many possibilities and acoustics in the auditorium have noticeably improved. [...]
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Artist
Tim Van Steenbergen
[...] Er graduierte mit magna cum laude an der Royal Academy of Fine Arts in Antwerpen (Mode, textile Kreationen und Theaterkostüme). Anschließend besuchte er Kurse in Stoff- und Schneiderkunst und arbeitete als Assistent bei Olivier Theyskens. Dazu zählen »Hanjo« in Aix-en-Provence und am Théâtre Royal de la Monnaie, »Hersenschimmen« am Ro Theater Rotterdam, »Wolfskers« und »Atropa« am Toneelhuis in Antwerpen sowie dem Théâtre de la Ville de Paris, »House of the Sleeping Beauties« am Toneelhuis Antwerpen und Théâtre Royal de la Monnaie, »Adam in Ballingschap« in der Oper Amsterdam, »La Chanteuse du Tango« (Film von Diego Martinez Vignatti mit Eugénia Ramirez) und »Prélude à la Mer« (Film von Thierry De Mey in Kasachstan). [...]
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Page
Catering in the opera house
[...] Enjoy the culinary offer from 1 hour before the start of the performance in the Apollosaal or the Konditorei.We are happy to accept pre-orders up to 24 hours before the performance via the order form. [...]
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Event
The Diaries of John Rabe
Next dates:
No upcoming dates.
[...] »The Diaries of John Rabe» is a touching piece of Chinese contemporary history. The work stands for universal humanism and is an expression of deep gratitude for the rescue of hundreds of thousands of Chinese civilians during the Japanese-Chinese War of 1937/38 by a small group of Nanking's international inhabitants, above all the German businessman John Rabe. The Jiangsu Centre for Performing Arts presents »The Diaries of John Rabe« for the first time on a European tour. »The opera’s real strength, though, lies in Tang Jianping’s score, with subtle quotes from Bach and the requiem mass, that draw true emotional depth from the surface of Zhou Ke and You Weizhi’s text«. [...]
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Page
Liederabende in the Great Hall
[...] Enjoy the special intimacy of our song recitals – those moments when the grand theatre technology falls silent, the choir and orchestra are not in use for once, and a single voice fills the room. In the 2025/26 season, you can experience the great stars of the opera world with Asmik Grigorian, Anna Netrebko, Matthias Goerne (Festtage 2026) and Benjamin Bernheim. [...]
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Artist
Manuel Nawri
[...] Er absolvierte sein Studium an den Musikhochschulen in Freiburg und Odessa, war Stipendiat an der Internationalen Ensemble Modern Akademie sowie beim Tanglewood Music Festival und assistierte u. a. Peter Eötvös bei den Schwetzinger Festspielen. Seither arbeitet er mit Klangkörpern wie dem Deutschen Symphonie-Orchester Berlin, den Sinfonieorchestern von WDR und SWR, der DRP-Orchester, dem Basque National Orchestra, dem Stavanger Symphony Orchestra, der Basel Sinfonietta, den Bochumer Symphonikern, dem Hangzhou Philharmonic Orchestra und dem National Ballet of China Symphony Orchestra sowie dem Ensemble Modern, Ensemble MusikFabrik, dem australischen Elision Ensemble und dem Hongkong New Music Ensemble. Darüber hinaus leitet er Opernaufführungen an der Deutschen Oper Berlin, dem Theater Essen, dem Schauspielhaus Frankfurt, dem National Theater Taichung sowie freie Produktionen in Melbourne, Brisbane, Moskau, Hong Kong, Basel und Paris. [...]
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Artist
Maria Helen Körner
[...] Weitere wichtige Einflüsse erhielt sie u. a. durch Tabea Zimmermann, Nils Mönkemeyer und Jean Sulem sowie verschiedene Meisterkurse, etwa an der Kronberg Academy oder mit dem Ensemble Modern. Seit September 2024 ist sie festes Mitglied der Staatskapelle Berlin. [...]
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Artist
Unolf Wäntig
[...] Er ist Gründungsmitglied des Kammerensembles Neue Musik Berlin und des modern art ensembles. Unolf Wäntig engagiert sich als Mentor bei den Stipendiaten der Orchesterakademie bei der Staatskapelle Berlin und im 2018 neu gegründeten Kinderopernorchester der Staatsoper Unter den Linden. [...]
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Artist
Cassie Augusta Jørgensen
[...] Cassie Augusta Jørgensen ist in Kopenhagen geboren, absolvierte eine klassische Ballett- und Modern-Dance-Ausbildung und studierte visuelle Kunst an der Königlich Dänischen Kunstakademie in Kopenhagen sowie Tanz und Choreographie an der Alvin Ailey School in New York. [...]
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Artist
Serena Sáenz
[...] Die spanische Sopranistin Serena Sáenz debütierte am Gran Teatre del Liceu als Aninka in Brundibár von Hans Krása. Es folgten Partien wie Juliet (The Little Sweep), Belinda (Dido and Aeneas) und Chiara in der Uraufführung von Il Conte di Marsico. 2018–2020 war sie Stipendiatin im Internationalen Opernstudio der Staatsoper Unter den Linden, wo sie u. a. als Pamina (Die Zauberflöte), Zerlina (Don Giovanni), Zerbinetta (Ariadne auf Naxos) und Nannetta (Falstaff) zu erleben war.International trat sie an der Wiener Staatsoper (Zerbinetta, Königin der Nacht/Die Zauberflöte, Lauretta/Gianni Schicchi, Olympia, Giulietta/Les Contes d’Hoffmann), Bayerischen Staatsoper (Marie/La fille du régiment, Titelrolle Lucia di Lammermoor), Gran Teatre del Liceu (Pamina, Norina/Don Pasquale, Angelus Novus/Benjamin a Portbou), Teatro Real (Lisa/La sonnambula), Deutsche Oper Berlin, Palau de les Arts Valencia und Teatro Regio di Torino auf. 2023 gab sie ihr US-Debüt beim Festival Napa Valley. Geboren in Barcelona, studierte sie am Conservatori Superior del Liceu und an der Hochschule für Musik „Hanns Eisler“ Berlin bei Anna Samuil. Ergänzend lernte sie Ballett und Modern Dance und ist ausgebildeter Fitness- und Ernährungscoach. [...]
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Artist
Klaus Lippe
[...] Schönbergs Verein für musikalische Privataufführungen und die Erfindung des Publikums in Wien Modern 37, Festivalkatalog, Wien 2024; als Herausgeber Berg, Alban, Wozzeck(Alban Berg. Sämtliche Werke, Band I/1), Wien 2023; Komplexität als Programm für ein Beobachten zweiter Ordnung. Zur Un-Spielbarkeit der Werke Brian Ferneyhoughs – mit Anmerkungen zu On Stellar Magnitudes in Ans Licht gebracht, hg. von Jörn Peter Hiekel, Mainz 2013; Medium/Form Relations in the Fourth String Quartet of Brian Ferneyhough in Tempo 66/261 (2012); Wozzeck | Straße | S. 20 bis 23. [...]
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Artist
Clara Rosina Straßer
[...] Clara Rosina Straßer ist in Salzburg geborgen. Nach ihrem Abschluss an der Akademie für Mode und Design in Berlin war sie in London, um dort für das Modelabel Roksanda zu arbeiten. 2018 ging sie nach Salzburg, wo eine langjährige Zusammenarbeit mit den Salzburger Festspielen begann. [...]
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Page
2018/19
[...] He has personally – accompanied by artists – introduce it to the Friends and Supporters in the Apollosaal.20 February 2019 | Guided tour through the »PalaisPopulaire« With its almost 300 years of history, the former Prinzessinenpalais offers a perfect symbiosis of historical monument and modern event location. On a guided tour through the »PalaisPopulaire«, we had the opportunity to discover their exhibition in cooperation with the Tate Modern London: »Objects of Wonder, British Sculpture 1950s – Present«. [...]
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Event
Falstaff
Next dates:
No upcoming dates.
[...] Although it is based on the same material as Otto Nicolai’s The Merry Wives of Windsor, Verdi succeeded in writing a distinct, subversive version of the comedy. The behaviour of the ageing Sir John Falstaff, a devious freeloader, rake and would-be ladykiller, causes uproar in the petty-bourgeois household of the Windsors. (...) Commedia lirica in three acts (1893) Music by Giuseppe Verdi Text by Arrigo Boito based on William Shakespeares "The Merry Wives of Windsor" (...) Part two – The letters have just reached their addressees when the purported targets of affection compare the two documents and realize that they are completely identical, except for the salutation. He says he is undyingly in love with the beautiful Alice, but until now has only met with rejection. He proposes that, in return for a financial reward, Falstaff, as the more likely candidate, should seduce the modest woman to make it easier for him to make his move, since she will have already committed adultery. [...]
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Event
La damnation de Faust
Next dates:
No upcoming dates.
[...] Légende dramatique in four parts by Hector Berlioz Text by Hector Berlioz based on Johann Wolfgang von Goethe in the translation by Gérard de Nerval (...) Faust is swept up by a group of army recruits as Germany celebrates its growing power and pride.Part 3Méphistophélès has brought Faust to where Marguerite lives. Faust revels in the heady atmosphere of her apartment. When Marguerite returns, Faust hides. Entranced by the image of a soldier on the billboard opposite, Marguerite sings the ballad of the King of Thule. Faust appears beside her and they become lovers. Meanwhile, the events of Kristallnacht take place outside. When Nazi storm troopers raid the apartment block, Méphistophélès bundles Faust out of the building; Marguerite, however, is arrested.Part 4Groups of Jews sit among piles of luggage, awaiting transportation. [...]
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Event
Guided Tour
Next dates:
- 05.09.26 2.00 PM - Staatsoper Unter den Linden
- 05.09.26 4.00 PM - Staatsoper Unter den Linden
- 06.09.26 1.00 PM - Staatsoper Unter den Linden
[...] Discover the Staatsoper Unter den Linden and learn more about the fascinating history of the 275years old house and its architecture! (...) through the opera house and stage area (...) The meeting point is in front of the opera house. The tours are not barrier-free. [...]
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Artist
Julia Kornacka
[...] Außerdem entwirft sie Kostüme für Videoclips, Filme, Mode- und Musikshows. [...]
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Event
Rigoletto
Next dates:
- 05.09.26 7.30 PM - Staatsoper Unter den Linden
- 11.09.26 7.30 PM - Staatsoper Unter den Linden
- 17.09.26 7.30 PM - Staatsoper Unter den Linden
[...] When Victor Hugo brought his play Le roi s’amuse to the stage for the first and last time in Paris in 1832, the performance ended with the immediate banning of the play. When the Italian Risorgimento composer Giuseppe Verdi decided to set the revolutionary French author’s play to music almost 20 years later, he faced resistance from the censorship authorities. (...) Act one At one of his lavish parties, the Duke tells the courtier Borsa of a beautiful stranger he has cast his eye upon. But first he dives into the festivities to seek companionship with Countess Ceprano, another object of his desire. To make his way free for the Countess, Rigoletto suggests that the Duke simply have Ceprano executed, a cynical suggestion that the Duke takes with humor, but Ceprano and the other courtiers demand punishment for Rigoletto. [...]
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Artist
Annalisa Derossi
[...] Annalisa Derossi ist in Italien geboren und hat dort ihr Klavierstudium sowie eine Tanzausbildung (Ballett und Modern Dance) absolviert. Nach dem ersten Engagement als Balletttänzerin in Turin folgte die Spezialisierung im zeitgenössischen Tanz in Paris.1991 wurde sie vom Berliner Tanztheater Skoronel, unter der Leitung von Judith Kuckart und Jörg Aufenanger, als Pianistin und Tänzerin engagiert und lebt seitdem in Deutschland. [...]
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Event
Tosca
Next dates:
- 25.10.26 6.00 PM - Staatsoper Unter den Linden
- 28.10.26 7.30 PM - Staatsoper Unter den Linden
- 31.10.26 6.00 PM - Staatsoper Unter den Linden
[...] When the revolutionary and painter Mario Cavaradossi secretly attempts to help a political fugitive to escape the city of Rome, his lover, the famed singer Floria Tosca, believes he is cheating on her with another woman. With compelling dramaturgy and pronounced realism, Puccini created one of his tersest and most dramatic works – a milestone in the history of opera. The story is set in 1800 during the clashes between Napoleon’s Revolutionary Army and the Habsburg and papal troops, events that hang fatefully over the characters in the opera. (...) Act oneInside the church of Sant’Andrea della ValleCesare Angelotti, a former consul of the Roman Republic and now a political prisoner on the run, has fled from the Castel Sant’Angelo to the church Sant’Andrea della Valle. Mario Cavaradossi, a young painter, is working in the church on a painting of Mary Magdalene. The sacristan notes the great likeness between the painting of the saint and the unknown beauty who in recent days has repeatedly come to the church to pray. (...) “The enthusiasm of the audience left no doubt that the Staatsoper had achieved an overall successful start to the new season with this Tosca.” “Rarely has it [the music] been so compellingly wild, so phonetically powerful and at the same time transparent to experience as this time.” [...]
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Artist
Tapio Snellman
[...] Seine Filme und Installationen wurden international ausgestellt, u. a. im Victoria & Albert Museum und in der Tate Modern in London, im Guggenheim Museum und im MoMA in New York, im Watarium in Tokio sowie mehrmals im Rahmen der Architekturbiennale in Venedig. [...]
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Event
FESTIVE OPENING OF THE SEASON 2019/20
Next dates:
No upcoming dates.
[...] The Staatsoper Unter den Linden invites you to its new season, which starts with a large festive opening event on 31 August. The Staatskapelle Berlin and the Staatsoper Chorus, the ensemble singers and all the staff from the technical services, costume, make-up and other departments look forward to welcoming numerous inquisitive visitors. [...]
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Event
L’elisir d’amore
Next dates:
- 27.09.26 6.00 PM - Staatsoper Unter den Linden
- 29.09.26 7.00 PM - Staatsoper Unter den Linden
- 01.10.26 7.00 PM - Staatsoper Unter den Linden
[...] Love potions are all the rage in literature: just think of the medieval story of Tristan and Isolde, which – over 30 years before Wagner’s opera – also found its way into Donizetti’s work. However, as in Tristan and Isolde, taking the potion does not have the intended effect. When Nemorino meets Adina in a state of drunkenness – the intoxicating effect of the potion owing to its high-proof content – Adina turns away angrily and decides to marry the dashing soldier Belcore. (...) Act one The young and naive peasant Nemorino loves Adina, though she has nothing but scorn for him. Adina reads the tale of Tristan and Isolde to the villagers. As a result, the wedding is scheduled for the evening. Nemorino is desperate because the potion will not have time to take effect. [...]
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Event
Post-Performance Tour
Next dates:
- 29.09.26 10.00 PM - Staatsoper Unter den Linden
[...] How does a production find its way onto the stage? How many people and which professions are involved in creating a performance and giving you a special evening at the opera? Join us on a tour of discovery through the Staatsoper Unter den Linden and the new rehearsal centre. Learn more about the opera house's rich 275-year history and take a look behind the scenes. (...) Meeting point: Grünes Foyer The guided tours are not barrier-free. [...]
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Event
Le nozze di Figaro
Next dates:
- 02.10.26 7.00 PM - Staatsoper Unter den Linden
- 07.10.26 7.00 PM - Staatsoper Unter den Linden
- 13.10.26 7.00 PM - Staatsoper Unter den Linden
[...] In a villa by the sea in a summer resort, where Figaro is on holiday, emotions run high, old grudges are settled, and intrigues spun. Mozart was particularly interested in music theatre, opera seria and opera buffa. The trilogy of Da Ponte operas, written in the mid- to late 1780s based on texts by the eponymous Italian librettist, has achieved fame for a good reason. (...) Figaro, the former “Barber of Seville”, has advanced to become Count Almaviva’s valet. His position at the castle allowed him to make the acquaintance of the Countess’ chambermaid, the lovely Susanna. They fell in love with one another and now want to marry. But the Count, who has also cast his favoring eye on Susanna, tries everything to stop the marriage. While the court vacations at a villa on the seashore, intrigues and counter-intrigues develop, in a veritable carnival, old debts are balanced and new alliances are forged, and events take surprising turns with chaos and anarchy as well as moments that secure order.Act one Figaro measures the room that he will share with Susanna after their marriage. (...) "In this elegant, mediterranean ambience, Jürgen Flimm lets the emotions boil over with the craftsmanship of an experienced theatre director."(Tagesspiegel) "Nothing is harder to bring to the stage than humour. And humour is the sharpest weapon of the desperate. That is why it is a duty, indeed a must, to enjoy this Figaro by Jürgen Flimm at the Staatsoper to the full." [...]
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Event
Samson et Dalila
Next dates:
- 06.09.26 6.00 PM - Staatsoper Unter den Linden
- 10.09.26 7.00 PM - Staatsoper Unter den Linden
- 13.09.26 6.00 PM - Staatsoper Unter den Linden
[...] Hostility, hatred and religious wars, power, helplessness and desire: in the Hebrew struggle for freedom, Samson, as God’s chosen one, rebukes the hostile Philistines. Samson seems invincible until his love for the Philistine Dalila exposes him. The literary source for Ferdinand Lemaire’s libretto was the Old Testament’s Book of Judges, which tells of the Israelite’s oppression in Palestinian Gaza. [...]
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Event
Giselle
Next dates:
- 12.09.26 7.30 PM - Staatsoper Unter den Linden
- 18.09.26 7.30 PM - Staatsoper Unter den Linden
- 20.09.26 3.00 PM - Staatsoper Unter den Linden
[...] Love, betrayal and the longing for forgiveness shape one of the most moving works of Romantic ballet. Giselle, originally titled Giselle, ou les Wilis, premiered at the Paris Opera on June 28, 1841 and stands as a pinnacle of the era in which dance became the embodiment of the supernatural. Giselle epitomises Romantic ballet and marks a turning point in dance history. The idea of the ‹floating body› defined the ideal of pointe work and transformed the ballerina into a symbol of the unattainable. [...]
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Event
La Vestale
Next dates:
- 26.09.26 6.00 PM - Staatsoper Unter den Linden
- 30.09.26 7.00 PM - Staatsoper Unter den Linden
- 03.10.26 6.00 PM - Staatsoper Unter den Linden
[...] Julia is ready to break the law imposed upon her and allows her beloved Licinius to come to the place where she is supposed to guard a fire by night. The vestal, a priestess of the goddess Vesta, thus defies the “holy law” and the High Priest as its guardian. [...]
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Event
Liedrecital Marina Prudenskaya
Next dates:
No upcoming dates.
[...] Music by Arnaldo de Felice, Franz Schubert and Modest Mussorgsky [...]
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Event
Daniel Barenboim and Musicians of the Staatskapelle Berlin
Next dates:
No upcoming dates.
[...] TSCHAIKOWSKY»Blumenwalzer« from »Der Nussknacker« op. 71SkandinavienEDVARD GRIEG»Anitras Tanz« and »In der Halle des Bergkönigs« from the Suite to »Peer Gynt«ItalienGIUSEPPE VERDIOuverture to »La forza del destino«EnglandEDWARD ELGARMarch No. 1 from »Pomp and Circumstances«FrankreichMAURICE RAVEL»Bolero«Tickets here availableMore informationen (...) At the International Gartenausstellung Berlin - IGA 2017 in favor of a sound art project (...) 6th Climate Concert of the Orchester des Wandels [...]
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Event
Ballet Talk
Next dates:
- 04.10.26 11.00 AM - Apollosaal
- 01.11.26 11.00 AM - Apollosaal
- 21.02.27 11.00 AM - Apollosaal
[...] With the atmospheric Apollosaal of the Staatsoper Unter den Linden as the perfect backdrop, the Staatsballett Berlin invites you to a series of talks on four Sunday mornings. With plenty of time for deep and personal insights into the lives and daily routines of the artists, entertaining and very special encounters behind the scenes are guaranteed. [...]
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Artist
Tobias Schwencke
[...] Murnaus »Faust«, 1926, bei den Salzburger Festspielen 2011).Uraufführungen seiner Kompositionen werden vom Ensemble Intercontemporain, dem Ensemble Modern Akademie, KNM Berlin, der Musikfabrik NRW und vielen anderen realisiert. [...]
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Artist
Virgis Puodziunas
[...] Virgis Puodziunas wurde 1973 in Kaunas, Litauen geboren. Er studierte Tanz am Modern Dance Theater AURA in Kaunas, an der Eric Hawkins Dance School New York, an der Tish School of Arts New York, am Bennington College und an der London Contemporary Dance School. [...]
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Artist
Rebekka Dornhege Reyes
[...] Neben ihrer Tätigkeit als Bühnen- und Kostümbildnerin etablierte Rebekka Dornhege Reyes sich als Stylistin und Szenographin für Film, Mode und Kunstproduktionen. Das Verbinden dieser verschiedenen Bereiche macht den Charakter ihrer Arbeiten aus.2007 rief sie »Kalaidoskopia« ins Leben, ein soziales Theaterprojekt mit und für Straßenkinder in Chile. [...]
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Event
Konzert im Pierre Boulez Saal I
Next dates:
- 12.10.26 7.00 PM - Pierre Boulez Saal
[...] In the first of two concerts by the Staatskapelle Berlin at the Pierre Boulez Saal, New Zealand-born conductor Gemma New makes her debut with the orchestra. Together with tenor Stephan Rügamer, she presents Benjamin Britten’s Serenade, one of the most famous works the composer wrote for the tenor Peter Pears. Also on the program is Joseph Haydn’s final symphony, with which he celebrated a particular success in London in 1795. [...]
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Event
Orfeo ed Euridice
Next dates:
- 12.11.26 7.30 PM - Staatsoper Unter den Linden
- 14.11.26 7.30 PM - Staatsoper Unter den Linden
[...] The opera tells the story of Orpheus, who charms the gods of the underworld with his song in order to persuade them to bring his beloved Eurydice back to life. The myth of Orpheus has been one of the most popular themes in opera from the genre’s origins right through to the present day. (...) Act oneAt the grave of Eurydice, Orpheus mourns the death of his beloved wife, while a group of mourners enacts the funeral rite. In despair, he turns to the gods and demands that they return Eurydice to him. Amor appears as Jupiter’s messenger and reports to Orpheus that he can bring Eurydice back from the underworld, but only if he refrains from looking at his beloved until they have left the world of darkness. [...]
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Event
Staatliche Ballett- und Artistikschule
Next dates:
- 12.10.26 7.30 PM - Staatsoper Unter den Linden
[...] It has been a tradition for decades that the students of the Staatliche Ballett- und Artistikschule Berlin present the results of their training work in a festive gala held every year on the stages of Berlin’s opera houses. From the youngest to the graduates, the school’s students are involved in a programme that shows the multifaceted nature of professional dance education, while challenging the adolescent artists to present what they can do and show how they are enjoying themselves in their unique vocation. [...]