Search results for "WA 0821 1305 0400 [[Tiga Pillar]] After Service Olympus Goldxpert XRF Analyzer Murah Bungo Jambi"

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  Service

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  General ticket information

  [...] Box office at the foyer of the Staatsoper Unter den Linden Unter den Linden 710117 BerlinOpen daily from 12 midday until one hour before the start of the performance (no advance bookings at the evening box office), on performance-free days until 6 pm.The evening box office opens one hour before the beginning of performances. e-mail tickets@staatsoper-berlin.dePhone ticket service Mon – Fri 10 am – 6 pmSat, Sun, holidays 12 noon – 4 pmT +49 (0) 30 – 20 35 45 55Online card service Bookings are possible at any time in the seating plan of our online shop. They can also be found at the box office in the foyer. *The box office and telephone ticket service will be closed from 13 July 2026 until and including 23 August 2026 and on 24 Decem ber 2026. From 25 December 2026, through 1 January 2027, the theater box office and ticket service will have limited opening hours. [...]

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  Privacy

  [...] All bank and/or credit card details will be deleted after transmission to the respective payment service providers. Bank details provided as part of a SEPA mandate are stored in your customer account.In the case of services for which the provision of personal data is required, you will be explicitly informed of the required data.We process the names and contact details of business partners and, where applicable, the institutions for which you work.Anonymous ticket purchases or purchases of items from the opera store are possible without providing personal data at the box office and evening box office or in the opera store in the Staatsoper Unter den Linden during the respective opening hours. Google AnalyticsThis website uses Google Analytics, a web analytics service provided by Google Inc. ("Google"). Google Analytics uses "cookies," which are text files placed on your computer, to help the website analyze how users use the site. [...]

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  Alter Orchesterprobensaal

  [...] TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show. Travel Information BVG Do you have any further questions?Our Visitor Service is happy to advise you from Monday to Friday from 10 am - 6 pm: +49 (0)30 – 20 35 43 33 or via E-Mail: besucherservice@staatsoper-berlin.de. [...]

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  Orchesterprobensaal

  [...] TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show. Travel Information BVG Do you have any further questions?Our Visitor Service is happy to advise you from Monday to Friday from 10 am - 6 pm: +49 (0)30 – 20 35 43 33 or via E-Mail: besucherservice@staatsoper-berlin.de. [...]

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  Apollosaal

  [...] TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show. SUBURBAN RAILWAYS+U Friedrichstraße (S1, S2, S5, S7, S25, S75) SUBWAYHausvogteiplatz (U2)Museumsinsel (U5)Stadtmitte (U2, U6)Unter den Linden (U5, U6) BUSStaatsoper (100, 245, 300)Unter den Linden/Friedrichstraße (100, 147, 245, 300, N6) PARKINGQ-PARK parking garage Unter den Linden/StaatsoperBebelplatz, 10117 BerlinThere are five electric charging stations in the parking garage. TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show. Travel Information BVG Do you have any further questions?Our Visitor Service is happy to advise you from Monday to Friday from 10 am - 6 pm: +49 (0)30 – 20 35 43 33 or via E-Mail: besucherservice@staatsoper-berlin.de. [...]

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  Konzert im Pierre Boulez Saal II

  Next dates:

  • 28.01.27 7.00 PM - Pierre Boulez Saal

  [...] The four works in his program with the Staatskapelle Berlin are all connected to his hometown of Vienna: Mozart conducted his Symphony in A major there in 1783, and Schoenberg began work on his Second Chamber Symphony in Vienna, which he completed decades later in the United States as a tonally oriented work. Franz Schreker composed his Intermezzo shortly after graduating from the Vienna Conservatory. Finally, after years of serving as a Kapellmeister and undertaking celebrated tours abroad — during which he received an honorary doctorate from Oxford — Joseph Haydn spent the last years of his life in Vienna. [...]

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  Staatsoper Unter den Linden

  [...] Please note that the tariff cannot be used if you enter the car park before 5.30 pm. TIP: To avoid queues after the event, pay the theatre rate at the ticket machine before the event (mainly card payment).’ Travel Information BVG Do you have any further questions?Our Visitor Service is happy to advise you from Monday to Friday from 10 am - 4 pm: +49 (0)30 – 20 35 43 33 or via E-Mail: besucherservice@staatsoper-berlin.de [...]

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  Subscriptions

  [...] You can also look forward to exclusive promotions and special offers as well as attractive benefits with your AboCard!Subscription service Mo – Fr 10 am – 4 pmT + 49 (0)30 – 20 35 45 54abo@staatsoper-berlin.de The subscription service will be closed from July 15, 2026, through August 23, 2026, and on December 24, 2026; it will have limited availability from December 25, 2026, through January 1, 2027. [...]

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  POLINA & FRIENDS

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  No upcoming dates.

  [...] PROGRAM CANTATA Duett - Choreography: Mauro Bigonzetti | Musik: Gruppo “Assurd” LE CORSAIRE Pas de deux - Choreography: after Marius Petipa | Music: Riccardo Drig DEGUNIO Solo - Choreography: Marcos Morau SLEEPING BEAUTY Pas de deux - Choreography: after Marius Petipa ELEGIE from SWANLAKE Pas de deux - Choreography: Xin Peng Wang INTIMATE DISTANCE Duett - Choreography und sets: Jiří Bubeniček GISELLE Pas de deux - Choreography: after Jules Perrot | Music: Adolphe Adam L’HISTOIRE DE MANON Pas de deux „Schlafzimmer“ - Choreography: Kenneth MacMillan MOPEY Solo - Choreography: Marco Goecke  WITHOUT WORDS Duett „Du bist die Ruh“  - Choreography: Nacho Duato ALL LONG DEM DAY - Choreography: Marco Goecke [...]

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  Anniversary 30 years Friends & Supporters

  [...] On Sunday, 23 April 2023, we would like to celebrate 30 successful and eventful years of Freunde & Förderer with you. After the concert of the Opera Children's Orchestra in the Great Hall of the Staatsoper, we invite you to a reception in the Apollosaal at 3:30 pm. Wolfgang Schäuble, former President of the Bundestag, will give a laudatory speech, after which members of the Staatskapelle Berlin, the ensemble, the Orchestra Academy and the International Opera Studio will accompany us musically through the afternoon. [...]

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  Il barbiere di Siviglia

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  No upcoming dates.

  [...] Bursting with life and situation comedy, it has lost nothing of its youthful freshness and vitality after over 350 performances. (...) Commedia in two acts (1816) Music by Gioachino Rossini Text by Cesare Sterbini after Pierre Augustin Caronde Beaumarchais (...) For an appropriate reward, Figaro offers the count his services in his quest to win Rosina.Rosina spends her time oscillating between yearning, defiance, and boredom. [...]

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  Contact

  [...] Telephone Ticket Service* Mon – Fri 10 am – 6 pm Sat, Sun, public holidays: 12 noon – 4 pmT +49 (0) 30 – 20 35 45 55 | F +49 (0) 30 – 20 35 44 83 E-mail tickets@staatsoper-berlin.deReception Staatsoper Unter den LindenUnter den Linden 710117 BerlinT +49 (0)30 – 20 35 4 240Customer Service Mon – Fri  10 am – 4 pm T +49 (0)30 – 20 35 43 33besucherservice@staatsoper-berlin.deDelivery address Staatsoper Unter den LindenHinter der Katholischen Kirche 1 | Bühneneingang  10117 BerlinBox Office at the foyer of the Staatsoper Unter den Linden*  Unter den Linden 710117 Berlin Open daily from 12 noon until one hour before the performance starts (no sales during the evening box office), on days without performances until 7 pmEvening box office one hour before the performance startsSubscribers Office Mon – Fri 10 am – 4 pmT +49 (0)30 – 20 35 45 54F +49 (0)30 – 20 35 44 83abo@staatsoper-berlin.de Learn more on our AboCard! [...]

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  Opera shop

  [...] Therefore we also offer no online purchase between 8 July up until 31 Auguts 2026. We will be at your service again starting 1 September 2025. Whether you are looking for publications about our opera house and its history, CDs and DVDs, program books, gift ideas or souvenirs - browse through our online opera gift shop and order your desired items directly here. For orders and shipments abroad, please contact the visitor service (besucherservice@staatsoper-berlin.de), as shipping may incur additional costs. Our recommendation for last-minute purchases: You can also purchase all items directly from the opera gift shop in the Foyer Unter den Linden. [...]

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  Fearful Symmetries

  Next dates:

  • 12.02.27 7.30 PM - Staatsoper Unter den Linden
  • 14.02.27 3.00 PM - Staatsoper Unter den Linden
  • 14.02.27 7.00 PM - Staatsoper Unter den Linden

  [...] When he revived the work for the New York City Ballet on October 11, 1948, he simplified the sets and costumes and renamed it Symphony in C, after Bizet’s score. The music itself was composed in 1855 when Bizet was just 17 years old and a student at the Paris Conservatoire. However, it was not performed until 1935, long after the composer’s death. In Symphony in C, Balanchine structures the music into four movements, each featuring a different pair of soloists alongside the corps de ballet. [...]

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  Friends & Supporters

  [...] As a sign of gratitude the members can benefit from an exclusive ticket service and have a particularly close link to Staatsoper and its artists. Interested in joining us? [...]

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  Membership

  [...] You actively take part in Berlin’s cultural life and meet interesting personalities in a sophisticated setting. We offer you an exclusive ticket service so that you always get the best seats to enjoy the unique opera performances at the Staatsoper with the stars of the opera world. [...]

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  TanzTicket

  [...] TanzTicket holders are eligible for the early advance ticket sales and do not have to pay the 2 EUR service fee when ordering tickets online. The TanzTicket costs 35 EUR and only 20 EUR for those who qualify for special price reductions.Staatsballett Berlin T + 49 (0)30 20 60 92 630F + 49 (0)30 20 35 44 83E-MAIL tickets@staatsballett-berlin.de [...]

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  Abonnementkonzert III

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  No upcoming dates.

  [...] Schumann’s Symphony No. 3, composed in Düsseldorf in 1850 and unambiguously called the »Rheinische«, is related to Elgar’s »Sea Pictures«, a cycle of five orchestral songs written in 1899, and Debussy’s »La Mer«, a three-part series of »symphonic sketches« from the years shortly after 1900. [...]

• Artist

  Sasha Waltz

  Next dates:

  • Dido & Aeneas - 25.11.26 7.30 PM - Staatsoper Unter den Linden
  • Dido & Aeneas - 27.11.26 7.30 PM - Staatsoper Unter den Linden
  • Tannhäuser - 20.03.27 4.00 PM - Staatsoper Unter den Linden

  [...] Sasha Waltz is a choreographer, dancer and director. After her first studies at the School of New Dance Development in Amsterdam she joined the postmodern oriented New York City dance scene that worked in close exchange with the other arts. In parallel with the artistic direction of her dance company for which she creates pieces on a regular basis, Sasha Waltz will take over the direction of the Berlin State Ballet in 2019/20 together with co-director Johannes Öhman.For her special services Sasha Waltz was granted the German Federal Cross of Merit. Since 2013 she is a member of the Academy of Arts Berlin. [...]

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  Rigoletto

  Next dates:

  • 05.09.26 7.30 PM - Staatsoper Unter den Linden
  • 11.09.26 7.30 PM - Staatsoper Unter den Linden
  • 17.09.26 7.30 PM - Staatsoper Unter den Linden

  [...] Melodramma in three acts (1851) Music by Giuseppe Verdi Text by Francesco Maria Piave after Victor Hugo (...) Monterone curses the shameful shenanigans of the duke and his court jester before he is taken away.Thinking about the curse, Rigoletto makes his way home and on the way meets the hired killer Sparafucile, whose services he declines. Instead, he enters his home where his daughter Gilda awaits him. She knows nothing about her father’s work, not even his name, and is only allowed to leave the house to attend mass, closely guarded by the housekeeper. After a conversation with her about her being his entire family after the death of her mother, Rigoletto departs again. [...]

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  Akademie für Alte Musik Berlin

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  No upcoming dates.

  [...] Numerous composers from the baroque period have taken up this legend, including Johann Hermann Schein and Heinrich Schütz, who worked in Leipzig and Dresden and were renowned in the music world during the first half of the 17th century. They flank two protagonists from before and after their time: Orlando di Lasso and Wolfgang Amadeus Mozart. [...]

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  Lohengrin

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  No upcoming dates.

  [...] In it, he addresses the need to oppose social reality with a utopian one that refuses to put love, truthfulness and justice at the service of blind civil obedience. Wagner used Wolfram von Eschenbach’s Parsifal epic, sagas by the Brothers Grimm and various fairy tale collections as a model. (...) Secretly, Telramund plans to surprise the stranger on the night of his marriage.Act threeWhen Elsa and her husband are alone after the wedding for the first time, she feels an urgent need to know more about her husband. Even when he declares his love for her, Elsa is unable to control her increasing suspicions, she has to ask him his name and origin. [...]

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  Abonnementkonzert IV

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  No upcoming dates.

  [...] Beginning in 1840, Robert Schumann systematically explored and mastered various musical genres in turn: after trying his hand at Lieder, symphonies and chamber music, in 1843 he turned his attention to the oratorio. [...]

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  Technical Department

  [...] Technical director: Holger AckermannAssistant to the technical director: Linda GüntherOperating engineer: Jörn DornbuschProject coordinator building services engineering: René KaraschTechnical management office: Diana OrletStaff of technical department:Antje KittlausLead production: Tim FarbowskiProduction assistants: Vedran Avramović, Kerstin Koser, Nico Hoppe, Andreas Simon, John Smith, Giorgio UgoliniHead of stage operations: Sebastian SchwerickeStage inspector: Max WiepkeStage managers: Philip Hain, Dirk Nickel, Folker Schenk, Annette Schrape, Frank WendelStage technique:Sivakumar Akashkumar, Frank Barth, Maximilian Brenner, Benjamin Brzoska, Stefan Burkhardt, Stefan Degebrodt, Toni Diehr, Laurenz Erren, Caspar Gläsche, Pierre Gläsmann, Sven Gröschke, Jirko Gronau, Torsten Großmann, Guido Hahn, Jan Heller, Hendrik Hellmis, Felix Hentschel, Felix Henze, Sebastian Herrschuh, Morteza Jafari, Felix Jedinger, Frank Jurmann, Paula Kanzler, Michael Kasper, Norbert Kehler, Siegbert Kersten, Dildar Khorsheed, Ingo Kirsch, Michael Klein, Guido Kollaritsch, Frank Krause, Dietmar Kufeld, Paul Lange, Timo Lucka, Fabian Lukawsky, Hannah Friederike Mennerich, Alexei Muscat, Moreno Rapillo, Markus Rehfeldt, Michael Santos, Jörg Scholtz, Carolin Schröder, Maik Schröder, Kristin Seidel, Thomas Schröter, Axel Schulze, Maria Spiegel, Thomas Trisch, Anton Thonke, Sebastian Voigt, Steffen Weber, Frank Wendel, Dominik Wollmann, Michael Worm, Lars Zahsowk, Maximilian ZepplinMachinery department: Volker Bierbrauer (head), Stephan Broda, Tim Louis Deistler, Peter Fleischer-Harkort, René Förster, Henry Grasse, Sebastian Haedler, Manuel Holle, Immanuel Horn, Oliver Horschler, Jörg Kaeske, Bettina Kehler-Neuhaus, Lee Kleinmann, Andreas Rothe, Rene Rönitz, Björn Schauer, Felix Sudmann, Fabian Weindorf, Bonifaz Weiß, Thomas Wolf, Georg ZieschRehearsal stage: Matthias Schrape (head), Torsten Dahlhaus, Andreas Ludwig, René Naumann, Carsten ZornApprentices: Laila Eichholz, Carla Fröbel, Friedrich Kämpf, Lucy Krienke, Finn Neumann, Dana Schipke, Jared Schönfeldt, Leopold Starke, Paulina Kessler, Pauline Ritter, Moritz TrierTransport: Christopher Wiener (head), Kai Doberschütz, Torsten Fugmann, Jan Grapentin, Uwe Siebert, Kay-Michael Ullrich, Björn Vollbrecht, Gerd Wölk, Mike ZimmermannTheatrical property: Jonathan Dürr (head), Sofie Goldau, Vittorio Greco, Paul Manleitner, Megan Roller, Matthias Roß, Luise Rüdiger, Mandy Schneider, Jeannette Trahms, Thorsten PetzoldSound: Christoph Koch (head, sound engineer), Bernhard Jäger (sound engineer), Johannes Seibt (sound engineer), Malte Audick (sound technology), Ernst Richard Dobbert (sound technology), Malek Schulz (sound technology), Renato Tonini (sound technology)Lighting | Video:Irene Selka (head), Claus Grasmeder (Lighting manager), Simone Oestreicher (Lighting manager), Stefan Schlagbauer (Lighting manager), Thomas Schüler (Lighting manager), Lena Weisner (Lighting manager), Jan Berg, Sascha Blume, Per Dürr, Anne Eichler, Darleen Ewert, Dirk Falk, Ute Giersch, Sven Hoffmann, Paul Jurmann, Alexander Leßmann, Tom Müller, Frank Peine, Jana Rauchstädt, Paul Rose, Henry Rost, Paul Scholtz, Richard Schwabe, Ramona Thenagels, Jan Wengrzyk, Jörg Wutzke, Ralf Neumann (Video), Florian Granzow (Video), Oscar JoschkoFacility and operating services: Peer Pfisterer (head)Facility infrastructure: Arian TrawnyOffice of facility and operating services: Nicole ZimmerModernization and refurbishment: Hans-Peter FriedländerTechnical team lead:Jörg Engel, Toni Kleine, Peter Miedzinski (Electrical Supervisor), Frank UllrichStaff: Silvio Adam, Jonas Biermann, Michael Birr, Jens Bobach, Oliver Horchler, Michael Kahl, Torsten Kaiser, Frank Koch, Raymond Mehlis, Carsten Mika, Thomas Mohns, Mehmet Özturan, Jan Petrich, Klaus-Dieter Poppek, Frank Pramor, Matthias Schmidt, Marc Steinberg, Olaf Schmidt, Philine TepperSenior stage door attendant: Harald Hessel [...]

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  Les Musiciens du Louvre

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  No upcoming dates.

  [...] Composed in Mozart’s final, incredibly prolific year of 1791, straight after his operas »The Magic Flute« and »La clemenza di Tito« as well as his clarinet concerto, Mozart displayed here his artistic skill in combining church music traditions with classical style. [...]

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  Konzert zum Jahreswechsel

  Next dates:

  • 31.12.26 5.00 PM - Staatsoper Unter den Linden
  • 01.01.27 4.00 PM - Staatsoper Unter den Linden

  [...] In Babelsberg, just outside Berlin, major silent film productions were created in the 1920s, for which powerful music was often composed in a symphonic style, including for the epic film Metropolis, based on a screenplay by Thea von Harbou and directed by Fritz Lang. Exactly 100 years after the completion and premiere of this cinematic vision of the future, excerpts from Gottfried Huppertz’s impressive film score will be performed. [...]

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  Sustainable Listening I

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  No upcoming dates.

  [...] The core of the new »Sustainable Listening« series is the concert performance by the Orchester des Wandels (made up of the musicians of the Staatskapelle Berlin) and invited climate experts as an individual spatial experience. DJs from the Berlin club scene will play on after hours and drinks will be served. [...]

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  Sophie Dartigalongue

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  Sing, kleine Nachtigall!

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  No upcoming dates.

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  Julian Nachtigall-Lechner

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  Liedrecital Roman Trekel

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  No upcoming dates.

  [...] Music by Franz Schubert and Hugo Wolf after Johann Wolfgang von Goethe [...]

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  FESTIVE OPENING OF THE SEASON 2019/20

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  No upcoming dates.

  [...] The Staatskapelle Berlin and the Staatsoper Chorus, the ensemble singers and all the staff from the technical services, costume, make-up and other departments look forward to welcoming numerous inquisitive visitors. [...]

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  Karen Cargill

  [...] Darüber hinaus konzertierte sie mit führenden Orchestern wie dem San Francisco Symphony, dem Toronto Symphony Orchestra und dem Orchestre symphonique de Montréal.Karen Cargill ist Schirmherrin des National Girls’ Choir of Scotland, wurde 2018 mit der Ehrendoktorwürde des Royal Conservatoire of Scotland ausgezeichnet und sang 2023 beim National Service of Thanksgiving and Dedication für König Charles III. [...]

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  Robinson

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  No upcoming dates.

  [...] For Robinson Crusoe, the only survivor to be washed up onto the beach of a desert island after a shipwreck, what first appears to be paradise quickly turns out to be a place of damnation. Based on Daniel Defoe’s classic novel from 1719, composer Oscar Strasnoy and playwright Sigrid Behrens link the story to how some people in modern society live in isolation. [...]

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  2 Chapters Love

  Next dates:

  • 11.12.26 7.30 PM - Staatsoper Unter den Linden
  • 13.12.26 6.00 PM - Staatsoper Unter den Linden
  • 18.12.26 7.30 PM - Staatsoper Unter den Linden

  [...] Love, pain, desire, and loneliness are felt intensely and physically. 2 Chapters Love draws both the ensemble and the audience into a collective rapture that lingers long after the performance. Suitable for ages 10 and above [...]

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  L’elisir d’amore

  Next dates:

  • 27.09.26 6.00 PM - Staatsoper Unter den Linden
  • 29.09.26 7.00 PM - Staatsoper Unter den Linden
  • 01.10.26 7.00 PM - Staatsoper Unter den Linden

  [...] The inexhaustible richness of its melodies makes L’elisir d’amore one of Donizetti’s most popular stage works, which now returns to the Staatsoper repertoire after a long break. [...]

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  About us

  [...] In addition, our office offers an exclusive ticket service with special advance purchase rights and allotments for opera, concerts and ballet. More than ever, the Opera needs your support. [...]

• Artist

  Nadja Sofie Eller

  [...] Seit 2018 arbeitet Nadja Sofie Eller mit Tobias Staab an Projekten wie Trans Corporal Formations, After Work und Bardo. Im Jahr 2023 gestaltete sie mit Trajal Harrell das Bühnenbild der Produktion The Romeo, die am Schauspielhaus Zürich uraufgeführt und im Cour d'honneur du Palais des papes beim Festival d’Avignon präsentiert wurde. [...]

• Artist

  Jonas Kaufmann

  [...] During his first years on stage at the State Theatre in Saarbrücken he continued his training with Michael Rhodes in Trier. After engagements in Stuttgart, Frankfurt, Hamburg and Milan – in Giorgio Strehler’s production of Così fan tutte and Fidelio with Riccardo Muti on the podium – Jonas Kaufmann moved on to the Zurich Opera in 2001. His solo albums Verismo, Wagner and Verdi were bestsellers only a few weeks after being released. In 2011 he was presented the coveted »Opera News Award« in New York. Shortly afterwards Jonas Kaufmann was named a »Chevalier de l’Orde des Arts et des Lettres« by French culture minister Frédéric Mitterrand. [...]

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  Médée

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  No upcoming dates.

  [...] Even among contemporaries, it received the highest praise: Marc-Antoine Charpentier’s »Médée« is undoubtedly the work after Lully’s death — the founder of French opera during the era of the Sun King — that shows outstanding mastery. [...]

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  2018/19

  [...] The luxury cabins on board left nothing to be desired and we enjoyed a dinner together in the evening at a calm sea. After arriving in Oslo, we were able to get an impression of the impressive development of the city during an elaborate city tour.  The Bühnenservice Berlin, as part of the studios, is the largest theater service provider in Germany. With a guided tour, our Friends and Supporters enjoyed a exclusive insight behind the scenes! [...]

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  Accessibility

  [...] Please note that the tariff cannot be used if you enter the car park before 5.30 pm. TIP: To avoid queues after the event, pay the theatre rate at the ticket machine before the event (mainly card payment).Entrance Wheelchair access can be gained at the main entrance to the Staatsoper Unter den Linden or via the underground car park, which takes visitors directly up to the opera house.Elevator The Staatsoper is equipped with an elevator which stops on all levels from the basement to the third circle (left side).Accessible Toilets Wheelchair accessible ladies’ and men’s toilets are located on the ground floor and on the second floor, all of which can be reached by lift.Wheelchair spaces In the stalls and all the circles there are spaces for wheelchair users available in various price categories for opera and ballet performances as well as concerts. You can find more information about our discounts here.Assisted hearing facility For the hard of hearing, there is an induction loop for all seats.Guided tours Please note that our guided tours are NOT barrier-free.Do you have any further questions? Our Visitor's Service is happy to advise you via E-Mail: besucherservice@staatsoper-berlin.de. [...]

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  Die Entführung aus dem Serail

  Next dates:

  • 31.01.27 6.00 PM - Staatsoper Unter den Linden
  • 02.02.27 7.00 PM - Staatsoper Unter den Linden
  • 07.02.27 7.00 PM - Staatsoper Unter den Linden

  [...] Pedrillo himself has been forced to work as a gardener in the service of Bassa Selim. Belmonte reports that he has hidden an escape boat and plans with Pedrillo to free the prisoners from the seraglio. Pedrillo introduces Belmonte to Selim as an architect, and he is also taken into service. When Osmin still refuses to allow Belmonte and Pedrillo to enter the seraglio, they break in. Act Two Blonde rejects Osmin’s claims on her. [...]

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  From Berlin with Love II

  Next dates:

  No upcoming dates.

  [...] They give the latter the space to artistically create; choreographic masterpieces, rarities of the repertory and brand-new creations share the stage; and one surprise after another awaits the audience. As gala evenings can be diverse and put together last-minute at times, the Staatsballett Berlin turned the uncertainties in planning the next season in times of Corona to its advantage and created two tailored programmes for the Staatsoper Unter den Linden and the Deutsche Oper Berlin. [...]

• Artist

  Katherine Hambridge

  [...] In her doctoral research on Berlin, 1800-1815 (completed 2013), she examined how music – in concerts and in the theatre – articulated and shaped Berliners’ relationships with the past and their political affiliations in the turbulent Napoleonic period. After her PhD, Katherine spent time in Berlin on a Deutscher Akademischer Austausch Dienst research grant, working on a project on the city's first Volkstheater, the Königsstädtisches Theater, before taking up a post as research fellow in the School of Modern Languages and Cultures at the University of Warwick, on the interdisciplinary AHRC-funded project on ‘French Theatre of the Napoleonic Era’. [...]

• Location

  Bebelplatz

  [...] TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show. Travel Information BVG [...]

• Event

  Daphne

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  No upcoming dates.

  [...] He asks the other gods to accept Leukippos to Mount Olympus. Daphne herself is transformed into a tree, allowing her to become one with nature. [...]

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  Discounted tickets

  [...] Discounted tickets are available online in our webshop or in our ticket service: Contact and opening hours Please understand that free accompanying tickets for holders of a severely disabled person's pass as well as wheelchair spaces can only be booked directly through the box office. No reductions are granted for performances in the F, G and H price categories, nor those at special prices.Under 30 Schoolchildren, students and trainees, volunteers on a social or ecological year, and those doing volunteer military service under 30 years of age are entitled to a reduction of 50 % on presentation of proof of eligibility, subject to availability, starting four weeks before the performance.The ClassicCard is a joint offer of Staatsoper Unter den Linden, Staatsballett Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Konzerthaus Berlin, Berliner Philharmoniker und Rundfunk Orchester und Chöre GmbH. [...]

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  Quartett

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  No upcoming dates.

  [...] As a surface onto which they project their fantasies of lust, power and violence, oppression, humiliation and injury, they cross their own boundaries. Set in time before the French Revolution and after the Third World War, »Quartet« – an operatic work by Luca Francesconi based on Heiner Müller’s eponymous play, based on the famous epistolary novel »Dangerous Liaisons« by Choderlos de Laclos – was premiered in English in 2011. [...]

• Artist

  Michal Mualem

  [...] .: Silenzio Cucito und Piccola, Piccola (2007), And after all that, eine Produktion für die Ha Dance Company in Haifa, Israel, und Drops of memory (2008), Uno Uno (2010) sowie Broken Allright Broken Allright und Mister Moon and Miss Luna (2011). 2008 tanzte sie außerdem in dem Solo Instrument 2 des Choreographen Roberto Zappala. [...]

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  Young Friends

  [...] Of course, as an APOLLO you also enjoy our ticket service for members and get access to exclusive association events! We have been organising International Opera Weekends for many years, bringing young opera fans from all corners of Europe to Berlin. [...]

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  Klima- oder Kältetechniker*in (m/w/d)

  [...] Sie sind auch beteiligt an allen anfallenden Arbeiten in den Bereichen Sanitär- und LüftungstechnikUnterstützung bei der Wartung und Instandsetzung der AnlagenErste Behebung von auftretenden Störungen, Schäden oder NormabweichungenBetreuung und Kontrolle der Arbeiten von FremdfirmenSie arbeiten bei gewerkeübergreifenden Arbeiten und Rufbereitschaftsdiensten im Bereich der Haus- und Betriebstechnik mitSie sind beteiligt an den Zuarbeiten, die der Bereich Haus- und Betriebstechnik der Staatsoper für den Bereich Bühne als Service leistetIhre Einsatzorte sind die Gebäude der StaatsoperAnforderungenSie verfügen über eine abgeschlossene Berufsausbildung als Kälte-Klima-Mechatroniker*in oder als Anlagenmechaniker*in Sanitär-, Heizungs- und Klimatechnik oder ähnliche Qualifikation und haben bereits erste Berufserfahrungen im Bereich Instandhaltung von Kälte- und Raumlufttechnischen Anlagen gesammeltKörperliche Belastbarkeit, auch unter erschwerten (engen) räumlichen Bedingungen und in der Höhe stellen kein Problem darSie haben eine gute Kommunikationsfähigkeit und sind teamfähigDie Bereitschaft zu Schicht- und Mehrarbeit zu unregelmäßigen Arbeitszeiten auch an Sonn- und Feiertagen wird vorausgesetztSie bringen fundierte MS-Office-Kenntnisse mit Das Arbeitsverhältnis richtet sich nach den Bestimmungen des TV-L Stiftung Oper in Berlin (EG5) zzgl. einer Theaterbetriebszulage in Höhe von 700,00 € brutto/Monat (21,2 % der Stufe 2 der jeweiligen Entgeltgruppe).Wir bieten eine verantwortungsvolle Position in einem spannenden Umfeld in einem kollegialen Team Tarifsteigerung und Vergütungserhöhung aufgrund von Betriebszugehörigkeit zusätzliche betriebliche Altersversorgung (VBL öffentlicher Dienst) ein betriebliches Gesundheitsmanagement Vergünstigungen beim Jobticket öffentlicher Nahverkehr eine Kantine mit einem abwechslungsreichen und vielfältigen Angebot Ihre aussagefähige Bewerbung senden Sie bitte bis zum 30.08.2026 an die Stiftung Oper in BerlinPersonalservice / BewerbermanagementAm Wriezener Bahnhof 110243 Berlin Online bewerben Wir wertschätzen Vielfalt und begrüßen daher alle Bewerbungen – unabhängig von Geschlecht, Nationalität, ethnischer und sozialer Herkunft, Religion/ Weltanschauung, Behinderung, Alter sowie sexueller Orientierung und Identität. [...]

• Event

  Idomeneo

  Next dates:

  • 17.06.27 7.00 PM - Staatsoper Unter den Linden
  • 19.06.27 7.00 PM - Staatsoper Unter den Linden
  • 27.06.27 6.00 PM - Staatsoper Unter den Linden

  [...] Be it father and son, be it the two foreign princesses Ilia and Elettra, who hope for better days after the traumatic war – they are all at the mercy of natural forces and emotion, which the score by the then 25-year-old Mozart strikingly illustrates. »Idomeneo«, which completely revived the genre of the opera seria, opens the Staatsoper series of Mozart’s mature operas. (...) Dramma per musica in three acts (1781) Music by Wolfgang Amadeus Mozart Text by Giambattista Varesco after Antoine Danchet (...) Synopsis Priorstory Returning back home to Crete from Troy, destroyed after ten years of war, King Idomeneo’s ship gets caught in a heavy storm at sea. In a dire situation, the king begs the god of the sea Neptune for assistance and promises in return to sacrifice the first person he encounters upon arrival in Crete. Elettra rejoices over the travel plans and is sure that she will finally win over Idamante with Ilia’s absence. When after a brief farewell she wants to board the ship with Idamante, a new storm arrives and a sea monster causes the Cretans to flee. [...]

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  Parsifal

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  [...] They guard two relics that promise salvation and eternal life: the Holy Grail and the Holy Spear. However, after their king Amfortas breaks his vow of chastity with the mysterious Kundry, the spear falls into the hands of Klingsor, a former knight expelled from the order, who uses it to inflict an unhealable wound on the king. [...]

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  Onegin

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  [...] Onegin rejects her and tears up the letter in front of her, leaving behind a shattered Tatyana. Lensky eventually challenges Onegin to a duel after his friend provoked him by dancing exuberantly with Olga. Years later Onegin meets the elegant and distinguished Tatyana at a soirée who, in the meantime, has married Prince Gremin. [...]

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  Liederabend Joyce DiDonato

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  [...] Accompanied by pianist and conductor Maxim Emelyanychev on a period piano, the mezzo-soprano's interpretation opens up a different perspective on Schubert's famous 24 songs, as she herself describes: ‘Who was this girl, who is barely mentioned but who seems to be the catalyst for the beginning of this timeless journey, and what happened to her? What journey did she embark on after the man she loved left her in the middle of the night? I could easily imagine a world where he sends her his diary in the post, and as she reads his entries, her journey takes its own course. [...]

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  Abonnementkonzert IV

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  [...] One work for wind instruments, one for strings alone, then in the second part one for the full orchestra and two voices, as well as a journey through the musical history of the first half of the 20th century. After the First World War, Igor Stravinsky created a composition which he called Symphonies for Wind Instruments and which contains characteristic intonations such as bell sounds, chorale and folk song melodies as well as dance rhythms in a small space. [...]

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  Onegin

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  [...] Onegin rejects her and tears up the letter in front of her, leaving behind a shattered Tatyana. Lensky eventually challenges Onegin to a duel after his friend provoked him by dancing exuberantly with Olga. Years later Onegin meets the elegant and distinguished Tatyana at a soirée who, in the meantime, has married Prince Gremin. [...]

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  Turandot

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  [...] Until his death, the composer never found a satisfying setting for the concluding love scene. Only after his friend, the Italian composer Franco Alfano, completed the finale we know today, basing it on Puccini’s sketches, did the opera have its world premiere in April 1926 at the Scala in Milan – and became a ground-breaking success. (...) Dramma lirico in three acts (1926) Music by Giacomo Puccini Text by Giuseppe Adami and Renato Simoni after Carlo Gozzi [...]

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  Macbeth

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  [...] After winning in battle, Commander Macbeth receives a prophesy that he will one day become King of Scotland. (...) Melodramma in four acts (1847/1865) Music by Giuseppe Verdi Text by Francesco Maria Piave and Andrea Maffei after William Shakespeare (...) Macbeth and Banquo, two of King Duncan’s generals, meet a group of witches after their victorious battle. They predict Macbeth’s rise to ever greater power: he will become Thane of Cawdor and even King, but Banquo will be the father of the kings to come. When a servant announces the arrival of the King, who wants to spend the night at Macbeth’s castle, the opportunity seems perfect: Macbeth plans to kill the King in his sleep in order to seize power. After completing the deed, which burdens Macbeth’s conscience, suspicion is directed at others. After Macduff and Banquo have discovered the crime, they curse the murderers, including Macbeth and Lady Macbeth. [...]

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  Die Sache Makropulos

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  [...] Marty has already taken the potion once and is now trying to get it back in order to extend her life a second time. But after literally stopping at nothing to get her hands on the recipe, when she finally holds it, she realises the price of eternal life. (...) Věc Makropulos Opera in three acts (1926) Music and text by Leoš Janáček after the eponymous play by Karel Čapek (...) The office clerk Vítek is sorting the files for the probate case Gregor vs. Prus; after having gone on for a century, it was finally coming to a conclusion. Albert Gregor impatiently awaits Dr. Emilia Marty wants to provide Kolenatý with an old document in order to prove that.Act two At the theater after the performance. A cleaning lady and a stagehand speak about Marty, who celebrated a triumph on the stage that night. [...]

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  La Piccola Cubana

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  [...] »La piccola Cubana« tells the turbulent story of variété singer Rachel against the backdrop of social upheavals in pre-revolutionary Cuba. Long after the world premiere in 1974, Hans Werner Henze and Hans Magnus Enzensberger discussed a chamber music version of their television opera »La Cubana«, inspired by elements of songspiel, which will now be performed in an arrangement by Jobst Liebrecht. (...) VAUDEVILLE IN FIVE SCENES (1974/2022) Music by Hans Werner Henze,  Arrangement forchamber ensemble by Jobst Liebrecht Text by Hans Magnus Enzensberger after Miguel Barnet [...]

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  Liedrecital Philippe Jaroussky

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  [...] Afterwards CD sale and signing session Location: Service table Grünes Foyer [...]

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  Giselle

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  [...] When the truth is revealed, Giselle loses her mind and dies, heartbroken. After her death, she joins the ranks of the Vilis – ghostly brides-to-be who died before their wedding. (...) Choreography by Patrice Bart after Coralli and Perrot Music by Adolphe Adam [...]

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  Die Verlobung im Kloster

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  [...] His concise, witty and charming music testifies to the inspiration he received from this material. Several couples who, after many confusions and entanglements, finally find each other, and deceptive manipulators, who get caught in their own nooses, offer much comedic potential which Prokofiev fully exploits – in the form of an opera full of lyricism and theatricality. (...) From afar, he sees Antonio holding a girl’s hand and, assuming her to be Clara, rushes after them. Ferdinand's jealousy has made Clara finally believe the sincerity of his feelings, and she follows him, wanting to unite her fate with her beloved’s. [...]

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  Tannhäuser

  Next dates:

  • 20.03.27 4.00 PM - Staatsoper Unter den Linden
  • 23.03.27 4.00 PM - Staatsoper Unter den Linden
  • 26.03.27 4.00 PM - Staatsoper Unter den Linden

  [...] After seven years of enjoying sensual pleasures in the realm of Venus, the goddess of love, the minstrel Tannhäuser longs to return to his terrestrial life, and especially to his earthly beloved, Elisabeth. [...]

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  History

  [...] By contrast to the Staatsopernchor, which was professionalised only in 1821 after decades of making do with lay chorister from local higher education institutions, the Königliche Kapelle was already over two centuries old at the time of its formal inauguration. In the same year Feodor Chaliapin and the Diaghilev Ballet gave guest performances under Ernest Ansermet.   After Hitler’s seizure of power all Jews were dismissed from the ensemble. Otto Klemperer, Fritz Busch and many top soloists went into exile. [...]

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  Sacre

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  [...] Nonetheless, the audience became witnesses to the birth of a truly "New Music", which has since repeatedly shown its vitality. First performed exactly a century after the world premiere, Sasha Waltz’s choreography of Stravinsky’s exceptional piece has an impressive elementary impact and elementary expressiveness of dance. [...]

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  Il Primo Omicidio

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  [...] With the oratorio »Il Primo Omicidio ovvero Caino« by Alessandro Scarlatti, which premiered in Venice in 1707, Castellucci once more turned to a biblical subject after »Moses and Aron«. The story of Cain and Abel is at the centre of Pietro Ottoboni’s libretto, which describes the consequences of being expelled from paradise. [...]

• Artist

  Matthias Schulz

  [...] Matthias Schulz studied Concert Piano at the University Mozarteum Salzburg.After working for the Konzerthaus Dortmund in 2003, he started 2004 at the Salzburg Festival as Project Manager for the opera project "Mozart 22".After completion of this opera project Matthias Schulz worked as Concert and Media Manager at the Salzburg Festival from 2005 until 2009 being responsible for the concert and the initiation and strategic planning of the media productions. [...]

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  Così fan tutte

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  [...] The spirited words by librettist Lorenzo Da Ponte were enlivened with equally thoughtful music by Mozart, who by then was a veteran opera composer. After The Marriage of Figaro and Don Giovanni, Così fan tutte was the third collaboration between Mozart and Da Ponte, written in 1789–90. (...) Alfonso encourages the women once again not to be standoffish and Despina supports him in this.Guglielmo wins over Dorabella’s affections, and after a brief time they soon give their hearts to one another. But Fiordiligi continues to reject Ferrando, saying she cannot be unfaithful to her betrothed, her thoughts are with him.Ferrando and Guglielmo report to each other what has happened. Guglielmo and Ferrando, now having returned to their actual identity and form, greet their betrothed after just a day of absence. The sisters are overwhelmed by the situation. Despina admits to having dressed as a notary and playing along in the masquerade. [...]

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  Der Rosenkavalier

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  [...] Ochs does not suspect that Octavian himself, who is chosen to deliver the engagement rose, will eventually fall in love with the bride. After his dramatic one-act works Salome and Elektra, which were based on ancient myths, Richard Strauss was drawn to lighter, more cheerful material for his next opera in the style of Mozart’s comic operas. (...) Act one After a joint night of lovemaking, the “Feldmarschallin” Princess Werdenberg and her young lover Count Octavian Rofrano awaken. [...]

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  Swan Lake

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  [...] The mighty birds' profound impact is expressed through large-scale swan formations choreographically inspired by their archaic flight patterns and natural, yet surreal beauty. With tutus modelled after the animals' white plumage, these spectacular scenes became the epitome of classical ballet. SWAN LAKE also gained its legendary status through Peter I. (...) Choreography by Patrice Bart after Ivanov and Petipa Music by Peter I. Tschaikovsky [...]

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  Babylon

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  [...] When a human sacrifice is called for to appease the gods who once punished the people of Babylon with the Flood, the Priest-King chooses Tammu. After Tammu is executed, Inanna decides to go down into the underworld to convince its ruler, Death, to allow her lover to return to the world of the living. [...]

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  Words and Music

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  [...] Samuel Beckett wrote his radio play »Words and Music« in November 1961, but the next year, shortly after it was broadcast by the BBC, he withdrew it. Until the 1980s, dissatisfied with his own work, Beckett withheld the text. [...]

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  Götterdäm­merung

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  [...] Wagner’s Götterdämmerung is the concluding chapter of his monumental four-part opus, which he conceived in the light of the revolution of 1848/49 and completed in 1874 after numerous attempts and a long interruption. In many ways, the thematic and musical threads are intertwined in a highly artistic and complex manner. [...]

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  Jenůfa

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  [...] His opera even ends with a final act of forgiveness – a moral that seems virtually impossible after the numerous gruesome revelations and admissions of guilt and attests to Janáček’s humanist stance. (...) Full of remorse, Laca runs off. The foreman cries out after him that he did it in purpose. Act TwoSix months later, Jenůfa has borne a child, a small boy whom she also names Števa. The Kostelnička reveals the truth to him, but tells him that the child died right after birth. Laca is still ready to marry Jenůfa. Relieved, the Kostelnička sends him off with an excuse. [...]

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  Falstaff

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  [...] Using the brilliant libretto of the much younger Arrigo Boito as a starting point, he created a masterpiece of comic opera after five decades of tragic works. Although it is based on the same material as Otto Nicolai’s The Merry Wives of Windsor, Verdi succeeded in writing a distinct, subversive version of the comedy. (...) With Cajus, his desired son in law, and Fenton he conjures up a plan: Bardolfo and Pistola are to return to Falstaff, apparently contrite, to arrange an audience for Ford under a false name, in order to find out what his wife’s answer will turn out to be.In the meantime, Nannetta, Ford’s daughter, and Fenton have a secret: they have just fallen in love and use every unnoticed moment to exchange tender caresses.Act two Part one – According to plan, Bardolfo and Pistola feign contriteness to Falstaff and return to their work. Just after arriving, a visitor is announced: Mrs Quickly tricks Falstaff by announcing the success of his love letters. [...]

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  Terms & Conditions

  [...] EntryThe audience cloakrooms and foyers are ordinarily opened one hour before the beginning of a performance.No one is entitled to enter after the performance has begun. If a patron is denied entry on account of his or her lateness, he or she has no right to have his or her ticket refunded. 8. This English translation of the General Terms & Conditions is a service of the Stiftung Oper. Thus the current German version is solely legally binding. [...]

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  Der Freischütz

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  [...] Because his wedding to Agathe and thus also his happiness depends on a single shot in a marksmanship test, he is easily influenced by the suggestions of false friends, who convince him to enter into a diabolical pact: together with the outsider Caspar, in a midnight ritual he casts seven magic bullets, which supposedly never miss their mark… After its world premiere at the Schauspielhaus on Gendarmenmarkt in Berlin in 1821, Carl Maria von Weber rejoiced that his »Freischütz« had »hit the bulls’ eye«, going on to triumphantly tour the opera houses of Europe. [...]

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  SYM-PHONIE MMXX

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  [...] The choreographer commissioned the renowned composer Georg Friedrich Haas to compose original ballet music for a joint creation. After numerous operas, this is his first official stage work for dance. Composed for a large symphonic ensemble of the Staatskapelle Berlin, the music gives room to elements defined by dance, which create a close connection between musical language and the dancers' body language. [...]

• Artist

  Christopher Moulds

  Next dates:

  • Dido & Aeneas - 25.11.26 7.30 PM - Staatsoper Unter den Linden
  • Dido & Aeneas - 27.11.26 7.30 PM - Staatsoper Unter den Linden

  [...] Christopher Moulds began his career as a member of the music staff at English National Opera before being appointed chorus master at Glyndebourne, after which he began his international career. [...]

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  The Turn of the Screw

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  [...] A young woman is given a job as a governess at a country house, Bly, where she will be looking after two orphan children, Flora and Miles. She has been hired by the children’s uncle and guardian, who doesn’t want to be bothered by anything and who makes the young woman swear to absolute secrecy about the goings-on at his estate. (...) Opera in a prologue and two acts (1954) Music by Benjamin Britten text by Myfanwy Piper after Henry James [...]

• Artist

  Hildegard Bechtler

  [...] Ihre Ausbildung erhielt sie in Camberwell und am Central Saint Martins College of Art and Design.Sie gestaltete verschiedenste Produktionen für Oper, Theater, Film und Fernsehen und arbeitete für gefeierte Ensembles in Europa, Nordamerika und Australien, u. a. an der English National Opera, der Opera North, dem Royal Opera House Covent Garden, dem Mailänder Teatro alla Scala, der Opéra national de Paris, dem Royal Court Theatre, dem National Theatre, dem Old Vic Theatre, dem West End und am Broadway. 2011 gewann Hildegard Bechtler für das Kostümbild von »After the Dance« den Olivier Award. 2012 war sie mit »Top Hat« und 2016 mit »Oresteia« nominiert. Mit »Iphigenia at Aulis« war sie für den Evening Standard Best Designer Award nominiert. [...]

• Artist

  Symeon Ioannidis

  [...] Born in Thessaloniki, Symeon IOANNIDIS studied piano, violin and mathematics in his homeland Greece. After the work experiences with S. Cambreling, C. Marthaler , A. Viebrock and his encounter with J. Xenakis in Oper Frankfurt, he decided to devote himself fully to the study of music. [...]

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  Kammerkonzert XI

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  [...] Jean Françaix Cinq Sonates (after Domenico Scarlatti) Claude Debussy Trio for flute, viola and harp Jaques Ibert Deux Interludes for flute, violin and harp Zoltán Kodály Intermezzo for string trio Jean Françaix Quintett for flute, string trio and harp [...]

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  Ballet Gala

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  [...] Tchaikovsky Giselle – Scene and Pas de Deux, Act II Choreography: Patrice Bart after Jules Perrot Music: Adolphe Adam Voices of Spring Choreography: Sir Frederick Ashton Music: Johann Strauss II (Frühlingsstimmen-Walzer) In the Middle, Somewhat Elevated – Excerpt Choreography: William Forsythe Music: Thom Willems Skew-Whiff Choreography: Sol León & Paul Lightfoot Music: Gioachino Rossini – La gazza ladra Finale Choreography: Christian Spuck Music: Johann Strauss II (Unter Donner und Blitz) [...]

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  2023/24

  [...] 25 March 2024 | »ZwischenTöne« with Tomasz Konieczny Originally, the Polish bass-baritone, one of the most sought-after Wagner interpreters, did not want to sing at all, but to become an actor. However, one of his professors made it a condition that he take singing lessons at the same time. After his first engagement at the Leipzig Opera it became clear that opera singing would determine his professional career. [...]

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  StaatsopernCard

  [...] Order your StaastopernCard online via our form: order your SOC 2025/26 Order the StaatsopernCard and StaatsopernPartnerCard for the 2026/27 season online starting 17 March You can also purchase the StaatsopernCard and the StaatsopernPartnerCard from our ticket service: Contact and opening hours The StaatsopernCard is non-transferable, so when attending an event, you must present the card and photo ID upon request in addition to your ticket(s).The StaatsopernPartnerCard is also non-transferable. [...]

• Event

  Museum Concert V

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  [...] Charles KoechlinVIER KLEINE STÜCKE FOR VIOLINE, HORN AND PIANO OP. 32 (selection) Robert SchumannFANTASIESTÜCKE OP. 73 Clara Schumann ROMANZEB MINOR »LIEBENDES GEDENKEN« THREE ROMANCES OP. 22 for violine and piano György LigetiTRIO »HOMMAGE À BRAHMS« Avner Dorman»AFTER BRAHMS« – THREE INTERMEZZI FOR PIANO (selection) [...]

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  2013/14

  [...] They learned a lot about what is necessary behind the scenes so that the curtain rises every evening got to know places that are usually invisible to visitors. 13 April 2014 | FESTTAGE-Reception after »Simon Boccanegra«As second opera of this year’s FESTTAGE, Giuseppe Verdi’s »Simon Boccanegra« with Daniel Barenboim, a fantastic Staatskapelle and great singers thrilled the audience in the Schiller Theater. Together with Plácido Domingo, Anna Netrebko and Daniel Barenboim, the guests dined in a festive ambience after the performance.The donations of the evening benefit the Junge Staatsoper. PHOTO GALLERY 28 November 2013 | Discussion with Mara KurotschkaTogether with Philipp Stölzl, Mara Kurotschka staged the highly coveted performances of » IL TROVATORE« with Anna Netrebko and Plácido Domingo at the Staatsoper im Schiller Theater. [...]

• Artist

  Christian Thielemann

  Next dates:

  • Symphoniekonzert I - 08.09.26 8.00 PM - Philharmonie Berlin - Großer Saal
  • Symphoniekonzert I - 09.09.26 7.00 PM - Staatsoper Unter den Linden
  • Öffentliche Generalprobe für alle U30 - 19.10.26 6.00 PM - Staatsoper Unter den Linden

  [...] From 2012 to 2024, he was principal conductor of Sächsische Staatskapelle Dresden. After holding positions at Deutsche Oper Berlin, in Gelsenkirchen, Karlsruhe, Hannover, and Düsseldorf, he became General Music Director in Nuremberg in 1988. [...]

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  The International Opera Studio at the Staatsoper Unter den Linden

  [...] Since it was founded in 2007, it has offered young members a practice-oriented start to their careers after completing their studies in singing. Members are supervised and trained by conductor and singing coach Boris Anifantakis. [...]

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  Monthly preview

  [...] Dates & Tickets from 21 JuneSamson et Dalila Despite the successful premiere, Camille Saint-Saëns’ Samson et Dalila—in its German translation—did not achieve a breakthrough in his native France until 1890, after a series of setbacks. The work is being restaged by Argentine film director and screenwriter Damián Szifron, who was nominated for an Oscar for Best Foreign Language Film in 2015 for his film Wild Tales. [...]

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  International Opera Studio

  [...] Since its foundation in 2007, it has offered young members a practical introduction to professional life after their singing studies. They are supervised and trained by conductor and vocal coach Boris Anifantakis. [...]

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  2014/15

  [...] Furthermore, we visited the building of the sensational, recently opened Fondation Louis Vuitton, designed by architect Frank Gehry. 2 April 2015 |  Reception after »Tannhäuser« with Friends and artistsLast year, »Tannhäuser« staged by Sasha Waltz was premiered. They show singers and performers in close shots, after they have turned into the character on stage. Thus the second glance at the person behind the mask was very fascinating. [...]

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  2021/22

  [...] Another highlight was the opportunity to briefly go on stage after the performance of »La fanciulla del West« and take a group photo with the cast. We thank everyone who helped make this possible! Of course, the guests were not dismissed into the evening without also hearing Anna sing. FESTTAGE 2022 After a two-year break, the FESTTAGE were fortunately able to take place again this year in their usual setting. [...]

• Event

  Chamber Concerto VII

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  [...] Felix Mendelssohn Bartholdy STRING SYMPHONY NO. 3 IN E MINOR Felix Mendelssohn Bartholdy/Aribert Reimann »… ODER SOLL ES TOD BEDEUTEN?«Eight Songs and a Fragment after Poems by Heinrich Heine, arranged by Aribert Reimann/Dirk Beisse Robert Schumann SIX SONGS OP. 107, arranged by Aribert Reimann/Dirk Beisse Hermann Goetz QUINTET IN C MINOR OP. 16 for Piano and Strings [...]

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  2015/16

  [...] Music, which had always been playing an important role in Prague, was of course in the center of our trip.On our first evening, we saw Verdi’s »Nabucco« at Prague State Opera. The day after during a guided city tour, we visited the magnificent, neo-renaissance style National Theatre directly at the Moldau. After a devastating fire in 1881 – even before the official opening – it could be rebuilt within only two years with the help of the population.The visit of the concert by the Staatskapelle Berlin and its maestro Daniel Barenboim who played Bruckner’s 5th Symphony in the splendid Smetana Hall was the climax of our trip. [...]